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postapartheid trauma art
Nka (2020) 2020 (47): 114–125.
Published: 01 November 2020
... that contributed to the making of postapartheid trauma art—investigations into the psychic, moral, and ethical abjections of apartheid in the wake of testimonies from the Truth and Reconciliation Commission. Her ink and glue works represent the conjunction of material, process, and subject matter: Siopis relies...
Nka (2008) 2008 (22-23): 136–145.
Published: 01 May 2008
...Sarah Nuttall Copyright © 2008 Nka: Journal of Contemporary African Art 2008 ABOUT BEAUTY tk bout Beauty was a summer exhibition held S3 fa h N U tta 11 M\ in December 2007 and January 2008...
Nka (2008) 2008 (22-23): 60–79.
Published: 01 May 2008
...Gilane Tawadros Copyright © 2008 Nka: Journal of Contemporary African Art 2008 ST Gilane Tawadros Moshekwa Langa, Where Do I Begin, installation view in Fault Lines, 2 Image courtesy of Pat Binder and Gerard Haupt. 60* IMka Journal of Contemporary African Art n...
Nka (2013) 2013 (33): 80–91.
Published: 01 November 2013
... skin, the abstract and linear structures of language (which crushed bones and mongrelized limbs — signs of is why her work resists the best efforts of art critics their trauma.”3 The trauma is always social, for its everywhere), its associative production of meanings sheer magnitude has left...
Nka (2021) 2021 (48): 112–130.
Published: 01 May 2021
... of the Missouri River, was a crossroads for Northern Plains Indians. The place-based project, Cherry River, created by artist Mary Ellen Strom and Native American researcher Shane Doyle, was produced by Mountain Time Arts, a collaborative arts and culture organization in southwestern Montana. In an effort...
Nka (2010) 2010 (26): 6–29.
Published: 01 May 2010
... Koorland, and installation by Nicholas Hlobo. The examples therefore cross generations and media in an attempt to understand the ongoing challenge of history for contemporary representations of place in the context of postapartheid South Africa. Copyright © 2010 Nka: Journal of Contemporary African Art...
Nka (2012) 2012 (31): 112–123.
Published: 01 November 2012
... the intensity of the gore and cre- “The Democratic Republic of the Congo is partici- ate an upbeat interpretation of trauma that does pating in the 54th International Art Exhibition: at not downplay tragedy but reminds us of its creative, the time of the catalogue going to press, the project life-giving...