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Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 40–51.
Published: 01 November 2016
...Peter Erickson This essay explores Kerry James Marshall’s paintings of black artists in studio settings who are often positioned at the easel with an unfinished self-portrait. The series begins with a portrait within a portrait of a historical figure— Scipio Moorehead, Portrait of Himself, 1776...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 40–47.
Published: 01 May 2009
... SELF-PORTRAIT/SELF-VISION THE WORK OF SAMUEL FOSSO Ingrid Hdlzl his essay takes the work of Samuel Fosso as T...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 200–201.
Published: 01 May 2008
...Lisa Binder Copyright © 2008 Nka: Journal of Contemporary African Art 2008 MALICK SIDIBE PORTRAIT OF THE ARTIST AS A PORTRAITIST A film by Susan Vogel National Museum of Mali First Run / Icarus Films, 2006 Portrait of the Artist...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 70–79.
Published: 01 November 2016
... reveal where they were all along. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 portraiture self-fashioning black body art history gender PORTRAITS IN BLACK STYLING, SPACE, AND SELF IN THE WORK OF BARKLEY L. HENDRICKS AND ELIZABETH COLOMBA Anna Arabindan...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 46–49.
Published: 01 May 1999
... photographs are commissioned kets suggest that they may have been arranged for the occasion. portraits rather than authorial statements and, paradoxically, it As for the portrait subjects themselves, they have certainly been was the increased...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 108–117.
Published: 01 November 2010
... Selassie. Courtesy Library of Congress Journal of Contemporary African Art • 27 • Fall 2010 108 • Nka DOI 10.1215/10757163-2010-015  © 2010 by Nka Publications The Clothes Make the Man Portraits of Emperor Haile Selassie...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 16–27.
Published: 01 November 2015
... Barboza so routinely appeared in the credit lines of really explains my approach was the “Rappin’” series I did advertising portraits of black people that I almost thought in Harlem. There I told the story like a film of two brothers something was out of place when his work was not on the trying to...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 38–43.
Published: 01 November 2015
... highest holy day of the Christian cal- I’m pleasantly plump, endar to make portraits of black people for a body a phat dime of work on the role of hairstyling in American life Black as night that would become a book of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 8–23.
Published: 01 May 2019
... of art history. Through a series of portraits of black subjects produced in Haiti during the nineteenth century, it sets aside temporally bound notions of innovation and avant-garde aesthetics that center art history and considers the manner in which these portraits defused the authority of Western...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 14–21.
Published: 01 November 2016
... diasporic visage at a time of European American aesthetic hegemony in high fashion and limited opportunities for black visibility in the mass media. This article tracks the conceptualization of Charlotte March’s singular portrait of Donyale Luna, putting it in its broader historical context and, relatedly...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 152–155.
Published: 01 May 2010
...–95) and Félix Guattari’s (1930–92) notion of a variable sensibility of power or puissance , this review suggests that Poynton’s psychologically dense portrait tableaux help create an open exchange of power, rather than a closed mode of reactive power, or pouvoir , that inherently posits dominance of...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 152–161.
Published: 01 November 2016
...Renée Mussai Born in 1929 in Accra, then the Gold Coast colony, James Barnor began his career in photography typically, as an apprentice in a colonial portrait studio of a relative, his cousin J. P. Dodoo. But in a unique career spanning more than six decades, bridging continents and photographic...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 202–209.
Published: 01 November 2016
...Jean-Ulrick Désert The work of Jean-Ulrick Désert, a Haitian-born artist currently based in Berlin, Germany, has often used the image of the body, most notably in his earlier performative works such as Negerhosen2000, where members of the public were allowed to submit portraits of the artist...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 100–113.
Published: 01 November 2014
... work Blood is Not Fresh Water , a documentary-style biographical portrait about his grandfather, a leading Ethiopian historian. The conversation takes us on a journey through Ethiopia’s past and provides an in-depth look at Eshetu’s most important works to date, including Till Death Us Do Part...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 119–123.
Published: 01 May 2014
..., adjacent gallery, Portrait of Nat Turner with the Head of His Master provides a counterpoint with its muted palette and the enclosed space of the master’s bedroom. The viewer is caught in the rough cross-current between the two galleries; the logic of their connection is compelling and the emotional...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 96–113.
Published: 01 May 2013
...Anthony Barboza; Barry Maxwell The musician Miles Davis, subject of a group of portrait photographs by Anthony Barboza, presents himself in the photographs as an armature of fashion objects. With reference to the work of Walter Benjamin and Giacomo Leopardi, this introduction to Barboza’s...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 22–30.
Published: 01 November 2016
... American photographer Robert Mapplethorpe reveal how Russell, Bynoe, Kaersenhout, and Patterson question prior visual epistemologies for the ways they have understood and represented the modern subject more broadly in such canonical genres as the portrait and the nude. All point to the ways in which the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 122–133.
Published: 01 November 2016
... charged portraits and landscape scenes in which she visualizes black- rather than white-centered histories, narratives, and memories. Creating images that are “louder than words,” Walker betrays her lifelong determination to give “voice to the voiceless and power to the powerless.” NO MORE “POISONOUS...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 6–13.
Published: 01 November 2017
... the promise of a black nation for Americo-Liberians. Even as Washington created an idealized image of Liberian leaders, he also remained critical of them, knowing that his daguerreotype portraits established a mark not yet realized by the new nation. Copyright © 2017 by Nka Publications 2017...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 126–139.
Published: 01 November 2017
... reclaims the African subject in portraits that contest traditional, colonial, and contemporary histories. Ultimately, Kehinde Wiley’s dialogue with Africa complicates identity and representation, repositioning the African subject within the history of art to challenge the normalizing power of figuration...