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Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 132–143.
Published: 01 May 2006
Journal Article
Nka Journal of Contemporary African Art (1 November 1995) 1995 (3): 22–25.
Published: 01 November 1995
Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 36–39.
Published: 01 May 1996
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 152–161.
Published: 01 November 2016
... genres, Barnor would migrate into creating a singular portfolio of street and studio portraiture depicting societies in transition: images of a burgeoning sub-Saharan African nation moving toward independence and a European capital city becoming a multicultural metropolis. In the process, Barnor would...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 114–121.
Published: 01 May 2008
... context of today—there is little or no eties of experience in a small rural town—-and he reliance on the conceptual premise of the work to seeks out telling, emblematic, ironical, or other• carry its affect, or to lend any deferred signifi• wise poignant moments to make up his portfolio...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 16–27.
Published: 01 November 2015
.... My first studio was on 163 West 23rd Street in New York You have to love that woman. When you see her in an outfit, City. I started doing tests of models the agencies would you have to think, oh, this is beautiful. This dress moves send me, which we could both use for our portfolios...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 40–47.
Published: 01 May 2009
... bringing him in limited portfolio. line with his imago, his ideal of an African rock Unlike this portfolio, where Fosso poses alone, star to which he tries to adapt himself in pose some of the images in Vogue Hommes show him for and clothing...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 4–5.
Published: 01 November 2012
... experiences might otherwise escape our attention. And the way to do this is to submit for our consideration equally that both obfuscate and animate good texts and portfolios dealing with this work. diasporic dialogues, and in that How many out there will take up this challenge? process his book attains...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 10–11.
Published: 01 May 2006
... return of classic colonial violence and these artists in a special portfolio entitled "Contempo• torture as they are currently being inflicted on non- rary Art and Lynching." white nations and people abroad on the other. It is It is important to note that the...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 12–17.
Published: 01 May 1995
... sculptor design, beyond the tropes of modernist deviation from Ronald Moody, and in 1971 published a portfolio of 5 tradition. We are almost forced to make a connection lithographs illustrating an Igbo folk story. His most dis• between formal and non-formal, extra...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 78–85.
Published: 01 November 2011
... would paint instead of giving advice, there wouldn’t be any Spiral. White paint- ers don’t need advice; they just paint. I don’t care about going to Africa. . . . I just work.” Confining himself to printmaking, he has devoted a year to a portfolio, Etchings from Ecclesiastes, that suggests...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 16–29.
Published: 01 May 2009
... ago stand out as dedicated student; even so, with the encourage• unique among their contemporaries and are as ment of his high school art teachers to pursue his fresh today as when produced. Like Fela's ability to draw, he produced an art portfolio Afrobeat...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 20–33.
Published: 01 May 2011
... Portfolio, 44.5 × 59.5 cm. Collection: Standard Bank Gallery group and went painting en plein air in the town- that would become a leitmotif in Maqhubela’s later ship. Encouraged by Ephraim Ngatane, he enrolled work is already in evidence. in art classes at the Polly Street Art Centre. Maqhubela is...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 14–29.
Published: 01 November 2017
... represen- similar to the manner in which black performers tation in several leaves from his 1927 portfolio of were depicted in French popular culture, the figure lithographs, Le Tumulte Noir. Therefore, Hayden’s of Bonhomme Banania transformed the potentially aesthetic in the African dancer...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 58–63.
Published: 01 November 2001
... conflict and discrimination. In his portfolio series of Eight Etchings (1965-66) Smith captures the Zeitgeist by rendering scenes of terror and pain drawn from his own experiences while traveling through the South in the late 1940s and early 1960s. There are also scenes of New York and its own...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 50–59.
Published: 01 May 2008
... overlapping dynamic a manner intended to affect action or judgment, to between the moving and static printed images point out in protest or remonstrance, and to recall evokes the stillness of the past and fleeting quality in memory. of the present. A small portfolio...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 36–45.
Published: 01 November 2012
..., but without Book (1993), the ninety-­one-­image deconstruction the self-­awareness of presentation. His series Col- of Robert Mapplethorpe’s infamous photographic orings, images appropriated from 1970s coloring portfolio of black male nudes, was reinstalled in the books targeted at a black...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 54–63.
Published: 01 November 2014
.... See from oppression and prejudice, and thus offer the also John R. Haddad, “Imagined Journeys to Distant Cathay: Constructing China with Ceramics, 1780–1920,” Winterthur promise of “conciliatory dialogue” and, ultimately, Portfolio 41, no. 1 (2007): 64...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 44–55.
Published: 01 June 2017
..., artist portfolio (PDF emailed to the 13 Luanda, Encyclopedic City allowed this collection to be vis- author), 63. ited, as the Palazzo Cini is usually not open to the public. 3 Carl Andre, “On the Gardens of Japan” (1970), “A Fierce 14 Gioni wrote that...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 30–47.
Published: 01 November 2009
.... Glenn Ligon , Black Like Me or, The Authentic Narrative of Glenn Ligon a Black Man , from the portfolio Narratives , 1995. Griffin’s narrative lends itself to visual transfor - Etching with chine collé on paper, 28 ⅛ x 21 ⅛ in. (71.44 x 53.66 cm...