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Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 48–55.
Published: 01 May 2001
...Michael D. Harris Copyright © 2001 Nka: Journal of Contemporary African Art 2001 MEANWHILE THE flIRlS WERE FLAVINS: Maria Magdalena Campos-Pons Michael D. Harris...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 94–96.
Published: 01 May 2004
...Salah M. Hassan Copyright © 2004 Nka: Journal of Contemporary African Art 2004 MARIA MAGDALENA CAMPOS-PONS: Interiority or Hill-Sided Moon Luna! Alocado corazon celeste ipor que bogus asi, dentro de copa llena de vino azul, hacia el...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 62–69.
Published: 01 November 2010
...Maria Magdalena Campos-Pons Cullen Washington’s work exudes energy, rawness, and a visceral urban vibe, manifesting a fighting engagement with painting practice, painting history, and painting’s entrapments and luring out into the open the hidden implications of masculinity and race versus the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 96–113.
Published: 01 May 2013
... Sun Ra) appears in Miles’s apartment, Barboza recalls the youthful- in Diaspora Memory Place: David Hammons/Maria seeming forty- ve- year- old Miles Magdalena Campos- Pons/Pamela Z, edited by Cheryl Finley and Salah M. Hassan (2008). put...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 11.
Published: 01 May 2004
... Hammons, Maria Magdalena Campos-Pons and Pamela Z, are among the most influential artists currently active in the con• temporary art scene in the United States, and internationally. In spite of the diverse media and genres in which these three artists work, they share a conceptualist approach to art...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 50–59.
Published: 01 May 2008
... renowned artists—Maria Magdalena Campos- decades, such a shift reminds us that printmaking Pons, Rachid Korai'chi, and Berni Searle—were always has been and will continue to be a rich and invited to propose individual works that would diverse tradition that encompasses the "personal, come together in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 56–71.
Published: 01 May 2009
...." emblem of the original journey, the Middle Passage—to confront the history in order to III. Going Underwater in Maria Magdalena Campos- change it. Pons's Art Willie Cole's "Anxious...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 13.
Published: 01 May 2001
... Siwi, the Cu ban Maria Magdalena Campos- Pons and the Senegalese Viye Diba and Kani Sy, or the Angolan Antonio Ole and the African American Emma Amos all conversing in one room! What would have been more inspiring than listening to David Bailey and Sonia Boyce narrating the struggle to document and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 128–129.
Published: 01 May 2007
... Maria Magdalena Campos Pons (who lives and works in Boston). Inserting an accomplished...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 60–65.
Published: 01 May 2014
... struggles 24, 2013). 9. See www.mitchellcenterforarts.org/events/recent/en-­masse and civil rights movements. As mass demonstra- (ac­cessed July 28, 2013). tions continue to shake the nation and as some pon- 10. Frank Guridy, “Enacting Diaspora: Gender...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 152–153.
Published: 01 May 2013
... Memory Place: David Hammons, Maria lic appearances. He then spends the Magdalena Campos- Pons, Pamela Z, ed. Salah Western popular film, and African cin- M. Hassan and Cheryl Finley (Munich: Prestel...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 220–223.
Published: 01 November 2016
...-century orientalist allegory to black men especially, implied equally artistic peers Alison Saar and Maria with the sensual in much of Wiley’s Campos-Pons. art: gold-leaf-backed “saint” portraits Bound is partly the outcome of adorned with delicate...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 34–46.
Published: 01 May 2007
... the sitting, and there is no evidence 46* Nka Journal of Contemporary African Art Maria Magdalena Campos-Pons I Rachid Korai'chi I Berni Searle Philagrafika and Temple Gallery present Re .Print Re .Present Re:View curated by Salah Hassan Exhibition...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 70–71.
Published: 01 May 1995
... leaves in its wake pon• points to the artist's desire to reimage and Similarly, along the same line of investiga• derous questions. In spite of all that, Mr. reconnect the strands of meaning welded to tion, evolved "Home Bass", built as a continu• Anderson is able...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 60–65.
Published: 01 May 2003
... white veil extends out from and over her entire body. Her arms Magdalena Campos-Pons on which she has written on her back, embrace the top and bottom of her pregnant belly—a glass bowl "Identity is a tragedy." And Leonard Emmerling's comment on filled with tiny red seeds...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 50–54.
Published: 01 May 2004
... Journal of Contemporary African Art TREE ARTISTS/THREE PROJECTS DAVID HAMMONS MARIA MAGDALENA CAMPOS-PONS PAMELAZ CD CD CM 4 CD THE UNITED STATES...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 150–157.
Published: 01 November 2009
... Campos-Pons, Pamela Z (New York: Prestel, 2008), pp. 196–209. 156 •Nka Journal of Contemporary African Art Nk...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 128–139.
Published: 01 November 2011
... world’s ills, but rather one place where we go to make sense of them. —Elizabeth Alexander, The Black Interior pon meeting Kara...