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Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 96–113.
Published: 01 May 2013
.... play, as an index to the importance to him of dress- ing fashionably, indeed, of living within the world of fashion. (Le to the reader of this piece is Walter Barry Maxwell teaches at Cornell University in the Benjamin’s observation in the Passagenwerk that “to elds of comparative literature and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 48–55.
Published: 01 May 2009
... in The reaction was violent. As the corpses' skin which Malam engages to create his pieces—in par• began to fall away in the fetid water, a crowd gath• ticular his larger, full-body casts—take place out• ered, demanding that the bodies be removed. The side and tend to call...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 70–79.
Published: 01 May 2010
...Régis Durand In this interview Régis Durand asks the French Algerian artist Kader Attia about his 2008 exhibition at the Centro Huarte de Arte Contemporáneo (Navarra) and his ideas for the four different pieces exhibited. Durand is particularly interested in the genesis of these different works...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 112–115.
Published: 01 May 2015
... exhibition at the October Gallery in London, he has narrowed in on one self-invented sign, the “microcron”—a circlet of dots or globes—as the focal point of his symbolic system. But is the microcron visually interesting enough to hold this dominant position? In his strongest pieces, which have historically...
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 132–142.
Published: 01 May 2019
...Ekaterina Golovko This article explores two contemporary works (Kader Attia’s Open Your Eyes [2010] and Neïl Beloufa’s Kempinski [2011]), alongside Alain Resnais’s and Chris Marker’s 1953 classic short film Les statues meurent aussi ( The Statues Also Die ). The pieces belong to different contexts...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 98–108.
Published: 01 May 2014
... reflect this understanding. Over one hundred pieces from five decades fill seven rooms. After training in Khartoum and London, El-Salahi returned home and developed a visionary, syncretic style that reflected his personal interrogation of Sudanese visual identity. The show—a retrospective of an artist who...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 50–61.
Published: 01 May 2013
... video is the product of volitional collaboration and negotiation between Breitz and the cast of Generations . Consequently, the piece avoids some of the critical shortcomings occasionally associated with her earlier work and embodies, in a provocative and parallel sense, Frantz Fanon’s emphasis on the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 52–58.
Published: 01 November 2016
...Trica Keaton Au Nègre Joyeux , a large sign that dates from the late eighteenth century, is prominently on display in an area of high tourism in Paris, France. There is no accompanying historical plaque to explain its provenance or significance, and sources about the piece are contradictory as well...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 120–121.
Published: 01 November 2010
... elicit comparisons to woven cloth, chain mail, mosaics, and so on. Anatsui’s own invitation of such semiotic fluidity is considered in light of his work’s titles. The “meaning” of these recent pieces is to be found in two dimensions: the comparative resonances they set up in the viewer’s mind, and the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 74–94.
Published: 01 November 2018
..., as well as historians, critics, museologists, and anthropologists. One of the exhibitions specifically juxtaposed African art pieces with works by Picasso, Brancusi, Paolozzi, and others. The congress was held at what was then the Rhodes National Gallery in Salisbury, Southern Rhodesia (now the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 64–76.
Published: 01 May 2019
... Brazil, during the cocktail reception hosted in his honor. By choosing to produce a performance piece that engaged with such concerns, Murillo aligned himself with a roster of contemporary Brazilian artists, whose works have been tackling similar issues through different media, including performance...
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 94–107.
Published: 01 May 2019
... starting points are two of Cardoso’s key works: Repúblika (2014), created for the commemoration of the fortieth anniversary of the death of Amílcar Cabral, and Ferrugem ( Rust ), exhibited at the Tarrafal labor camp in 2017. She explores how these pieces act as political gestures of decolonization through...
Journal Article
Nka Journal of Contemporary African Art (1 May 2019) 2019 (44): 144–157.
Published: 01 May 2019
...Silvi Naçi Rico Gatson is a cultural producer. Long before other artists, his work embodied the pursuit of light and pushed the boundaries of modernity by building new structures for understanding and representing black bodies in contemporary dialogue and the art market. Each piece commands...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 196–201.
Published: 01 November 2016
... the narratives and bend an association of ideas so that a black individual in a period setting is no longer synonymous with slave subservience and, by extension, does not instill fear or mistrust. She becomes the center of her own tale and hastens it forward. Creating pieces that simulate Old Masters...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 34–37.
Published: 01 November 1998
...- progress, a three-piece project in which he has transformed found Christmas trees into a sculpture by burning them, wrapping...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 134–136.
Published: 01 May 2007
...Nancy Hynes Copyright © 2007 Nka: Journal of Contemporary African Art 2007 part of the transformation is through piece is Sasa; it was created by El EL ANATSUI creative combination...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 96–105.
Published: 01 May 2011
... wood series in which the chainsaw became the expressive instrument for making the sculptures. Now, what I did with that was to use a series of wood pieces in one composition...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 10–13.
Published: 01 May 1998
...; its destruction^ M Easy Pieces, and Deadpan are not just evokes Abraham Lincoln's Civil f films—they are film installations, which War caveat, 'a house...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 32–41.
Published: 01 November 2011
... that recalled the gagging of Black Panther leader Bobby Seale during the Chicago 8 trial. Another piece, The Door (Admissions Office), featured an inked body outline...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 58–61.
Published: 01 November 1996
... piece that instantly draws you closer to it, that makes you aspects of modern African art which have appeared in Japan in empathize with it? The strength of the piece derives from its recent memory. Nestled comfortably within the verdant serenity poetry, a poetry...