Search Results for paulo

... Carlos Basualdo 5S»Nka Journal of Contemporary African aulo Herkenholf's choice of anthropophagia (cannibalism) as P the theme for the 24th Biennial of Sao Paulo was doubtless one of the great successes of this editionof the biennale...

...Christian Chambert Copyright © 2003 Nka: Journal of Contemporary African Art 2003 tering art in Brazil and spawning THE 25TH SAO PAULO a growing interest in art region• ally...

... Dhabi; with Diawara she has co-authored texts on Goya, Glissant, and contemporary art (Cahiers d Art, Paris); Glissant, André Breton and the new sacred (Arts & Cultures, Barbier Mueller, Geneva), and an article on Paulo Nazareth (The Power Plant, Toronto). Notes This text was originally commissioned...

... to Angola, and today he is one of the country’s most important artists. Even though he has exhibited in important venues like the biennales of Venice, São Paulo, and Havana, one of his main concerns is the establishment of better connections within the African continent. Thus he aims to work and exhibit...

...Rachel Nelson Since 2007 Kiluanji Kia Henda’s artworks have been shown extensively on the international art circuit and included in exhibitions from Guangzhou to São Paulo, from Luanda to Venice. By considering some notable art projects and exhibition experiences that have occurred...

... arena goes back at least to his 1989 participation in Bienal de São Paulo, where he was awarded the festival s grand prize. Reporting on the choice of Puryear to represent the United States at Bienal de São Paulo, the New York Times wrote in 1988, Martin Puryear, a widely praised abstract sculptor, has...

... of the Northeast and the urban South. All these elements indicate a debt to Cinema Novo and to the politics of that era. City of God is based on an eponymous novel by the professor of anthropology and poet, Paulo Lins. A former resident of the community that gives its name to the novel...

... of Venezia and La Habana and Kwanju and Johannesburg, 1998 is I a somewhat different year. Although we have seen and will see a few more of the big shows this year, with Dak'Art just over in Senegal and the Sydney and Sao Paulo biennials coming ahead in the Fall, in the main 1998 has been...

... participated in major group exhibitions including the Sao Paulo Bienal and The Edge of Awareness, an itiner- antinternational exhibition to commemorate the fiftieth anniversary of the World Health Organization. The later featured work by Ghada Amer, Ouattara, Touhame Ennadre, Willie Bester and myself, among...

... at FESTAC. 17 For more on Edwards s relationship with Benin City and Benin bronze casters, see Rebecca Wolff, Nigeria is OK for Me Memory and History in Ibadan Oke (1992) and Ile Ogun (2003 in Melvin Edwards: Lynch Fragments (exhibition catalogue), ed. Rodrigo Moura and Adriano Pedrosa (São Paulo: Museu...

... brasileiro (São Paulo: Anhembi, 1959); Bastide, O carnaval de Recife, Revista do Brasil 1 (1944): 49 52; and Bastide, Les carnavals du Brésil, Revue française de l élite européenne 150 (1963): 69 71. See also, Claude Mettra, Histoire du Carnaval: Entre folie et inversion du monde, défense contre la mort...

.... The Nuc­ leo Contemporaneo and the Nucleo Storico, his main installations of work by contemporary and modern artists in the Central Pavilion of the Giardini and the Corderie of the Arsenale, build from the landmark program of transhistorical exhibitions he organized at the Museu de Arte de São Paulo...

.... ^Ruth Rosengarten, 1996. Between the lines. Jornal de Exposicao, Sao Paulo Biennale, 22: Don't mess with Mister In-between. 15: Artistas da Johan Snyman is a professor of philosophy in Africa...

... to Switzerland, then London, Frederic Bruly Bouabre," Musee national des together artists for the Magiciens de la the Canary Islands, Tokyo, Paris, arts d'Afrique et d'Oceanie, 21 septembre Terre exhibition), one of the most well Nantes, Sao Paulo...

... exhibitions. For example, Carnival of Autumn Leaves (1973) appeared in Histórias Afro-Atlânticas, Museu de Arte de São Paulo and Instituto Tomie Ohtake, São Paulo, Brazil (June 29 October 21, 2018), and A Glimpse of Mars (1969) featured in Peindre la nuit, Centre Pompidou-Metz, Metz, France (October 13, 2018...

... like Venice, the Ministry of Culture. It has authority cialty journals (Art in America, Third Text, Havana, Sao Paulo, etc., over the management of human, material, Revue Noire, etc articles published in For the international parts of the exhi...

.... Photo: Sharjah Art Foundation 88 • Nka Journal of Contemporary African Art • 40 • May 2017 opposite the Sharjah Art Foundation’s office. I previously encountered an iteration of the work NEW FROM at the 31st São Paulo Biennial in November 2014. DUKE UNIVERSITY PRESS Its intense power...

..., distinctive work, such as that of Tania Bruguera. In contrast, the this was an overreaction. In response, two of the key interna• Bienal de Sao Paulo came to seem conformist. Havana's self- tional agencies sponsoring the Bienal withdrew their funds. The made successes inspired...

... Art in Cairo in 1952. He participated in several biennales and international platforms such as the Venice Biennale in 1950, Sao Paulo Biennale in 1952, and the Alexandria Biennale in 1955. He also held individual exhibitions at the University Museum of Indiana University of Pennsylvania in 2006...