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Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 50–53.
Published: 01 May 1996
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 4–15.
Published: 01 May 2012
... education painted with his toes. Alonzo and Dale often vis- and an example for the many dignitaries from ited Freeman’s family home to look at his work different parts of the world, especially those from and watch him paint. Alonzo remembers his African and Caribbean nations, who made frequent most...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 50–61.
Published: 01 November 2011
... series, only recently seen in its entirety in an exhibition curated by the Neuberger Museum in Purchase, New York, of Ringgold’s 1960s paintings, should be considered a brilliant contribution to the trajectory and consequently the narrative of American art at all levels. Copyright © 2011 Nka: Journal...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 59–60.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 November 1995) 1995 (3): 14–15.
Published: 01 November 1995
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 92–95.
Published: 01 May 2001
...Chika Okeke Copyright © 2001 Nka: Journal of Contemporary African Art 2001 of fantastic forms, a world of humanoids, birds, reptiles. She decorative quality of the paintings. Predictably each com• seemed to have tried and indeed succeeded in freezing, even posite picture has not...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 116.
Published: 01 May 2000
...Nadine S. Kibanda Copyright © 2000 Nka: Journal of Contemporary African Art 2000 theoretical essays by other writers, MONKEY'S RIGHT TO PAINT...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 82–91.
Published: 01 May 2009
...Joanna Grabski Copyright © 2009 Nka: Journal of Contemporary African Art 2009 TRACES AND ECHOES Mixed Media Paintings of KALIDOU SY Joanna Grabski uring...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 62–69.
Published: 01 November 2010
...Maria Magdalena Campos-Pons Cullen Washington’s work exudes energy, rawness, and a visceral urban vibe, manifesting a fighting engagement with painting practice, painting history, and painting’s entrapments and luring out into the open the hidden implications of masculinity and race versus the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 152–155.
Published: 01 May 2010
... one body over another. Everything Matters presents a selection of Poynton’s single- and multiple-figure paintings to address the depicted postures, expressions, and possible iconographic and historical elements in each painting, along with similar details supplied by artist and viewer, all of which...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 90–97.
Published: 01 May 2012
... feedback from our viewers, high-­strung society of crystal-­clear glass. which gave encouragement, inspiration, and direc- Lawrence wants, as she writes on one of her tion for the future. . . . The future works of Afri­ paintings, to “take the past and the present and COBRA became more powerful and...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 69–70.
Published: 01 May 1995
..., Flashback, 1994 (Xeroxes on paper on board). Collection of the artist. Courtesy June Kelly Gallery, NYC. ent media: painting, drawing, sculpture and tion include these painters: Tochukwu TOYCE...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 40–47.
Published: 01 May 2015
...Nicholas Miller This article examines AfriCOBRA cofounder Jeff Donaldson’s painting Ala Shango (1969) in relation to the 1968 Chicago riots and the militaristic and Pan-Africanist rhetoric of the Black Nationalist movement. Specifically, I discuss the artist’s appropriation and incorporation of a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 56–61.
Published: 01 May 2001
... on local, regional and national (painting) student in the Michaelis School of Fine Art, culture. His work challenges the Euro-American Cape Town. Spring/Summer 2001...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 146–151.
Published: 01 May 2008
... landscap e of th e fam ily wine farm, 1976, aged twenty-three, to engage in fur ther a place fraught with its ow n conflicts:"Africa strug• study in Holland. I The re she enco untered paint • gles with nature. Droughts and floods and ances• ing in the real, instead of th rough reproduc tion, to rs and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 28–39.
Published: 01 May 2015
... devastated Detroit and Newark, NJ, she painted Die expressly for the show. The wall-size canvas depicts an interracial cast of clean-cut antagonists trying to kill one another. Although the painting represented the kind of large-scale, politically motivated figuration that had been out of favor since the...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 16–27.
Published: 01 June 2017
... innovative techniques of painting that demonstrate the depths of his commitment to gestural abstraction as his primary mode of creative expression. Attentive to shifting terrain in technology, culture, and African American history during his lifetime, Whitten’s work participates in a memorial project that...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 14–29.
Published: 01 November 2017
...Mia L. Bagneris Unequivocal in his professed lack of interest in incorporating any sort of African influence into his work, Palmer Hayden once famously quipped: “I never had any desire to paint anything about Africa. I painted what Negroes, colored people, us Americans do … we’re a brand new race...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 40–51.
Published: 01 November 2016
...Peter Erickson This essay explores Kerry James Marshall’s paintings of black artists in studio settings who are often positioned at the easel with an unfinished self-portrait. The series begins with a portrait within a portrait of a historical figure— Scipio Moorehead, Portrait of Himself, 1776...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 234–249.
Published: 01 November 2018
... fractured yet imaginative Creole communiqués have a counterpart in the paintings, sculptures, and collages of the Haitian-born, Paris-based artist Hervé Télémaque (b. 1937). After studying in the mid-1950s at the Centre d’Art in Port-au-Prince, Haiti, Télémaque moved to New York City, where he attended the...