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Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 120–133.
Published: 01 November 2014
...Chika Okeke-Agulu In this conversation artist Bill Gaskins discusses his recent work The Cadillac Chronicles, which consists of photographic diptychs showing black men and their Cadillacs. Topics covered include how Gaskins came to the work; its reception, with an emphasis on how racial politics...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 74–94.
Published: 01 November 2018
..., dance, and architecture, it involved practitioners such as Simon Okeke, Selby Mvusi, Pearl Primus, and Pancho Guedes; scholars such as Saburi O. Biobaku, Hugh Tracey, and Janheinz Jahn; and leading figures from the international art world such as Alfred H. Barr, William Buller Fagg, and Udo Kulterman...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 34–40.
Published: 01 May 1994
...Chika Okeke Copyright © 1994 Nka: Journal of Contemporary African Art 1994 ...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 92–95.
Published: 01 May 2001
...Chika Okeke Copyright © 2001 Nka: Journal of Contemporary African Art 2001 of fantastic forms, a world of humanoids, birds, reptiles. She decorative quality of the paintings. Predictably each com• seemed to have tried and indeed succeeded in freezing, even posite picture has not...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 104–106.
Published: 01 May 2002
...Chika Okeke Copyright © 2002 Nka: Journal of Contemporary African Art 2002 STUDIO CALL Charles H. Nelson Jr. Keeping it REAL...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 90.
Published: 01 May 2004
...Chika Okeke Copyright © 2004 Nka: Journal of Contemporary African Art 2004 tures and art forms," by bringing almost compelled to think that Schoonmaker's answer to the BLACK PRESIDENT...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 80–151.
Published: 01 May 2010
...Chika Okeke-Agulu This panel, convened from September 4 to October 10, 2009, is the second of a three-part series on issues in contemporary African art. The first panel, which appeared in issue 22/23 of Nka, focused on large-scale exhibitions, which have been instrumental in bringing the work of...
Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 58–59.
Published: 01 May 1996
...Chika Okeke Copyright © 1996 Nka: Journal of Contemporary African Art 1996 ...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 24–27.
Published: 01 May 1998
...Chika Okeke Copyright © 1998 Nka: Journal of Contemporary African Art 1998 This year marks the third pate in, this course of action— DAK'ART, The Biennial of...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 4–5.
Published: 01 June 2017
...Chika Okeke-Agulu Copyright © 2017 Nka: Journal of Contemporary African Art 2017 From the Editor institutions and platforms that became laboratories of new, modernist, and eventually contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 4–5.
Published: 01 May 2013
...Chika Okeke-Agulu the social imaginary — especially in an Egypt riven From the Editor by religious anxieties and political oppression. Chika Okeke-Agulu If Silence of the Sheep carried a frontal...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 30–35.
Published: 01 May 2013
...Chika Okeke-Agulu Ghada Amer’s 2010 work 100 Words of Love is the product of a tactical realignment with aesthetic principles evident in her early work, and a radical rearticulation of those principles as groundwork for new sculptural forms. While it is impossible to predict the works’ reception...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 4–5.
Published: 01 May 2015
...Chika Okeke-Agulu Ferguson riots, are however not simply visual From the Editor meditations on the Ferguson incident; rather they memorialize the radical public testifying to the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 5.
Published: 01 November 2016
...Okwui Enwezor; Chika Okeke-Agulu; Salah M. Hassan RAMEZ ELIAS In Memoriam (1958–2016) t is with deep sorrow that we, the editors of Nka: Journal of Contemporary African Art, mourn...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 54–57.
Published: 01 May 1998
...Chika Okeke Copyright © 1998 Nka: Journal of Contemporary African Art 1998 The...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 71.
Published: 01 May 1997
...Chika Okeke Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 46–51.
Published: 01 November 1998
...Chika Okeke Copyright © 1998 Nka: Journal of Contemporary African Art 1998 ObioraRhythm s of TransitionUdechukw, 1997, oil on canvas. u While it may be easy to find in his recent work, a number of links to recent international artistic...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 8–9.
Published: 01 May 2008
...Chika Okeke-Agulu Copyright © 2008 Nka: Journal of Contemporary African Art 2008 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. African continent. (Let me admit that...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 8–29.
Published: 01 November 2009
...Chika Okeke-Agulu Copyright © 2010 Nka: Journal of Contemporary African Art 2009 1_okeke_agulu:nka_book_size 3/1/10 1:36 PM Page 8 his essay reconsiders the work of two...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 4–5.
Published: 01 November 2010
...Chika Okeke-Agulu Copyright © 2010 Nka: Journal of Contemporary African Art 2010 Modern Art (NGMA). Apparently, a local collector From the Editor had brought the painting—­recently offered to him...