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Journal Article
Nka (2008) 2008 (22-23): 196–197.
Published: 01 May 2008
... with what seemed like abandon, but once I read them, they were completely clear. This experience was one of many that occurred on the "voyage," result• Forcast. Collage; photograph, texts, oil on canvas, 55 cm x 73 cm. ing in what was a powerful journey for © Obi...
Journal Article
Nka (2012) 2012 (30): 36–43.
Published: 01 May 2012
.... Billops and Hatch are also theater producers. Hatch, during the 1962–63 theater season, received an Obie for the musical Fly Blackbird, cowritten with C. Bernard...
Journal Article
Nka (2011) 2011 (28): 142–145.
Published: 01 May 2011
... by yellows and reds, with black and white working mostly as 1 7 Assorted Seeds II, 1989. Wood, 27 /8 × 31 /8 in. Photo: Museum for African Art/Kelechi Amadi-Obi a contrast to bring out this earthy range in which his art...
Journal Article
Nka (1998) 1998 (9): 46–51.
Published: 01 November 1998
..., more open section is the obi in which the man receives his this sense, suggest the four winds, the four pillars of the earth, and visitors; the smaller space behind is the man's private space. The open such other mythologic ideas that were, at some point, symbolic of the section...
Journal Article
Nka (2011) 2011 (28): 114–129.
Published: 01 May 2011
...” manganese, 16 × 10 in. Photo: Kelechi Amadi-­Obi for the in the early 1990s were largely read by the liberal Museum for African Art, New York art world as evidence of an alarming reactionary politics — a regression pitted against...