Search Results for mosquera

...Gerardo Mosquera Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...

.... Outing Eurocentrism as a kind of ethnocen- trism, curator and critic Gerardo Mosquera's writ• ings on the subject reveal the ways in which the apparently philanthropic program of diversity in fact manifests itself as an ideological machine that generates Western values as normative. Opposed...

... of the Biennale Octavio Zaya, Ger- ardo Mosquera, Hou Hanru, Yu Yeon Kim, Colin Richards...

... Gay (London: Sage, 1996). of the West with the rest of the world. 6 See Frantz Fanon, "L'experience vecue du noir" in Peau "Whether we like it or not," as Mosquera noire, masques...

... by the imposing work focal point for challenging fixed ideas Kellie Jones, Gerardo Mosquera, United Nations — Africa Monument: of boundaries, borders against the Octavio Zaya, Hou Hanru, Colin Oasis 1997, by Chinese artist Wenda changing...

... counterparts, she did not her Cuban foundations. She stated that, death in 1982. Cuban critic Gerardo have to excavate African elements from "During the time I've spent in America, Mosquera points out that Lam was the her past, or sift them out as fragments in I've thought a lot...

... Gerardo Mosquera pointed to in "Global Visions towards a new interna• tionalism in visual arts," when he wrote: "By all means...

... and son. One of the rooms in the of which both Fernando Ortiz and Gerardo Mosquera speak and to which installation is a recreation of a teenager's room, complete with pinups, the appellation of kitsch denies an inherent authenticity. baseball cards, mountain bike...

... and Francine Clark Art Institute, 2003). Place 16, no. 1 (2010): 116 31. 11 Participants of Platform 3 included Petrine Archer-Straw, Jean Bernabé, Robert Chaudenson, Juan Flores, Stuart Hall, Isaac Julien, Dame Pearlette Louisy, Jean-Claude Carpanin Marimoutou, Gerardo Mosquera, Annie Paul, Virginia Pérez...

...• Gerardo Mosquera warned us many years ago now ings of canonization, which advance an elite class about creating an exotic marketplace of "others" of carefully chosen artists and ignore an enormous for New York curators to "shop for" and "discover" set of visual practices upon...