... the interrelationship between multiple histories (colonial, national, and personal) as they collide with social, political, and economic imperatives. Starting with Édouard Glissant’s concept of relational poetics, this article explores reterritorialization and deterritorialization in Idrissou Mora-Kpai’s Arlit...

...Ian Merkel This review provides both context for and aesthetic analysis of Idrissou Mora-Kpai’s latest film, Indochina, Traces of a Mother . Starting with a brief synthesis of historical work dealing with colonial soldiers fighting on behalf of France, it attempts to ground the multiple spaces...

... of the Wilfredo Lam Center), Ibis Hernandez Abascal, Maragrita Sanchez Prieto, Jose M. Noceda Fernandez, Hilda Maria Rodriguez, Lourdes Castillo Gonzalez, and Madga I. Gonzalez Mora. They selected works by more than 170 artists and collectives for inclusion in this Biennale, which engaged a substantial...

... in Harlem, Bronx Museum of the Arts, and Caribbean Cultural Center African Diaspora Institute. Cover reproduced with the permission of Mora Beauchamp-Byrd Journal of Contemporary African Art 45 November 201910 Nka before the arrival of the exhibition at the Hayward Gallery (then touring to galleries...

..., author, creative consultant, and editorial director of Nataal. Lynette Yiadom-Boakye, Mystic Edifice, 2020. Oil on linen. 75 x 55 cm. Courtesy the artist; Corvi-Mora, London; and Jack Shainman Gallery, New York. Photo: Marcus Leith Notes 1 Due to the Covid-19 pandemic, Lynette Yiadom-Boakye: Fly...

... or• experiences of minorities and to their ty, and masquerade, their photogra• slogans:" I first heard that joke 400 ganized by Mora J. Beauchamp-Byrd, insistence on being recognized...

...• 1 Mora Hatoum. Slide Diaporama. American university in Cairo, December 16,1998. tions, fail into the traps of banality. Mahmoud Galilaty's series of technically 2 interview with Nigel Ryan, Al Ahram Weekly, 17-23 December 1998. perfect Francis Bacon-like oils on canvas, chained nudes...

... Yiadom-Boakye, Firecrest, 2013. Oil on canvas, 59 x 55 1/8 in. Courtesy the artist; Jack Shainman Gallery, New York; and Corvi-Mora, London. © Lynette Yiadom-Boakye Adusei-Poku...

...: Alfred Knopp, 1993), 242 43. 19 Said, Culture and Imperialism, 243. 20 See Said, Culture and Imperialism; and Okwui Enwezor, Question of Place: Revisions, Reassessments, Diaspora, in Transforming the Crown: African, Asian, and Caribbean Artists in Britain, 1966 1996, ed. Mora J. Beauchamp-Byrd and M...