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moon

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Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 16–19.
Published: 01 November 1998
... all contain stamp-like imprints of organic forms Brancusi on an African bank note from The Museum of Contemporary African M,W&, installation. Museum on the Moon Fall/Winter 1998...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 78–83.
Published: 01 May 2002
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 94–96.
Published: 01 May 2004
...Salah M. Hassan Copyright © 2004 Nka: Journal of Contemporary African Art 2004 MARIA MAGDALENA CAMPOS-PONS: Interiority or Hill-Sided Moon Luna! Alocado corazon celeste ipor que bogus asi, dentro de copa llena de vino azul, hacia el...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 24–27.
Published: 01 November 1998
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 6–15.
Published: 01 May 2009
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 68.
Published: 01 May 1998
... Butitis a tribute to the heft of Black force the gestalt of the images moon. Without reducing the artist's core of Aubral's reading, the mater• Lightthat in hewing so closely...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 109.
Published: 01 May 2002
... positive But for him, there has always moons', clarify an 'idea' of land• Screen pictures on display across space (created by transparent been the suggestion of an inter• scape; paint has a more the street at the Wilmer Jennings...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 18–25.
Published: 01 May 2001
..., Coming to Jones Road shows the slaves (lit only by the and in no time all steppin' quiet to the shacks. 'You all come light of the moon in a dense sky of dark blue and white on just follow me,' Barn Door whispered. 'We going north to clouds) in a line that stretches across the canvas—an almost...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 50–61.
Published: 01 November 2011
... color, combined I switched from ivory black to Mars black, which dries faster and has a beautiful matte finish. Then I 54 • Nka Journal of Contemporary African Art • 29 • Fall 2011 Flag for the Moon: Die Nigger, 1969. Oil on stretched canvas, 36...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 51–53.
Published: 01 May 1999
... over. his training as a physical therapist influenced, and in fact enhanced his ability as It is no exaggeration to say that since the inauguration of his larger-than- Opposite: Ousmane Sow installing Little Big Horn on the Pont des Arts, Paris, Marchl999. Above: Two Moon from...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 40–43.
Published: 01 November 1996
... enough to make any circle out, highlighting its significance as a moon or sun form by lasting impression. She is drawn to the culture and art of Africa, yet hanging these separate forms above the entrance to her installations. she is distanced from it to the extent that she enjoys...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 176–187.
Published: 01 November 2017
... allegories Congolese into diverse were worksadept ofat events.” In July 1969 a Zambian space academy hoped to beat the United States to the moon. They 4 It is unclear whether this sensitivity was deeply Strother Nka • 179 rooted...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 62–63.
Published: 01 November 1998
... that many New mained, for decades, at the fringes of art history and apprecia• York School painters tended toward humanistic or anthropomor• tion. That has changed over the last decade or so, as several phic titles, Lewis regularly used space age metaphors. Moon and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 16–19.
Published: 01 May 2008
... him to dream. "Beneath In the early 1960s, I sat in my mom's beauty the light of many moons I've still heeded Poppa's shop reading Life magazine and discovered the advice," Parks noted in his memoir. "I'm still smil• photographs of Gordon Parks. As a pre-teen, I still ing...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 138–141.
Published: 01 May 2013
... adreamscape as it see to is object this at looking of way one While sphere. in ayellow set stars eight and moons, reddish of pair a body, askeletal children, of figures some things, other show, among that windows smaller nine are her Above inadoor. encased frame window a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 142–145.
Published: 01 May 2011
... sewn- ing wall hangings of colored brilliantly flow- elegantly yet shaped centrically ec- his In concerned. a all for been triumph have should exhibition This Sacred Moon Sacred Anatsui, El...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 48–61.
Published: 01 May 2015
... series (2009–2010) con- sists of three short videos: Lull, Gateway, and Moon- light hown, sconsecutively as single-screen projec- tions.18 In all three, fire and black...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 116–117.
Published: 01 May 2015
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 32–41.
Published: 01 November 2011
... Widener Nka • 37 and symbolize the act of doing, transferred into an ing and rootedness. One overall effect of this piece art of being and becoming: a format which symbol- is to heighten a vertical cosmological sensibility: izes human existence.” In his commentary, Puri- stars and moon above but...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 140–151.
Published: 01 November 2011
... incorporated snippets designs from Zaire. Similarly, the acrylic col- of African masks from magazines in his signature lage Moon Masque (1971), exhibited at FESTAC collages of the 1960s and 1970s, such as Village of in Nigeria in 1977, has at its center a white-­faced Yo (1964). Even Ringgold’s soft...