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Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 16–27.
Published: 01 May 2015
...Caitlin Beach In 1919 the sculptor Meta Warrick Fuller modeled the statuette Mary Turner: A Silent Protest against Mob Violence . One of the earliest three-dimensional works of art to address the subject of lynching, the sculpture was dedicated to the memory of Turner, a nineteen-year-old pregnant...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 38–39.
Published: 01 May 1999
... glues them down into a final tableau. In their very nature, able city. On the third floor of the property, Mary Evans keeps a studio, these meticulous patterns redefine drawing and painting by remaining with• which is more of a base for her than a practical workspace. Much of...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 54–63.
Published: 01 November 2014
...Monique Kerman Artist Mary Evans has been working in cut paper since the mid-1990s. In her chosen medium, Evans investigates signs and signifiers of the way humans tend to classify certain races and nationalities, particularly in visual terms. Over the course of her career, her work has evolved to...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 122–133.
Published: 01 November 2016
...Celeste-Marie Bernier Black British artist Barbara Walker works across multiple narrative series to create hard-hitting dramatic tableaux in which she does powerful justice to the psychological, physical, emotional, cultural, social, and imaginative realities of lives as lived by black women, men...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 114.
Published: 01 May 2000
...Mary Sherman Copyright © 2000 Nka: Journal of Contemporary African Art 2000 panels wove images and symbols extremely informative introduction We, however, the silent onlookers KHALID KODI...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 4–15.
Published: 01 May 2012
... Lifting the Veil of Ignorance, Charles the important role played by Viktor Lowenfield in Keck’s monumental public sculpture of Booker T. the art department at Hampton University in Vir- Washington with a kneeling former slave. “One of ginia, and artist Mary Lovelace O’Neal has likewise my most...
Journal Article
Nka Journal of Contemporary African Art (1 November 1995) 1995 (3): 18–21.
Published: 01 November 1995
...MARY ANGELA SCHROTH; FRANCESCA CAPRICCIOLI Copyright © 1995 Nka: Journal of Contemporary African Art 1995 ...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 52–54.
Published: 01 May 2014
... From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. This conversation followed presentations by George E. Lewis and John Corbett on...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 56–58.
Published: 01 May 2014
... From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. This question-and-answer session from the second day of the conference engages...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 60–65.
Published: 01 May 2014
...Claire Tancons From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. Bookended theoretically between a reassessment of the black radical...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 66–73.
Published: 01 May 2014
...Cauleen Smith From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. This article combines remarks and images offered at the conference in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 74–79.
Published: 01 May 2014
...Theaster Gates From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. After examining the vast structural responses to the need for...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 80–89.
Published: 01 May 2014
...Romi Crawford From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. This article attends to the various loci that promote black...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 90–92.
Published: 01 May 2014
... From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. This conversation followed presentations by Theaster Gates and Romi Crawford on...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 94–96.
Published: 01 May 2014
... From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. The final question-and-answer session from the conference, it addresses the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 70–79.
Published: 01 May 2013
...: Deuxième Paris (2004, Niger/France) and Jean-Marie Teno’s Sacred Places (2009, Cameroon/France). In particular, the article considers how the films reterritorialize documentary aesthetics through the use of landscape and testimony as metaphors for Africa’s post-colonial struggles. In doing so, the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 4–19.
Published: 01 May 2011
...Manthia Diawara In 2009, equipped with a camera, Manthia Diawara followed Édouard Glissant on the Queen Mary II in a transatlantic journey from South Hampton, United Kingdom, to Brooklyn, New York. This extraordinary voyage, six days and five nights, resulted in an intellectual biography in which...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 8–13.
Published: 01 May 2014
...The Otolith Group (Kodwo Eshun and Anjali Sagar) From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. The text proceeds from the point...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 14–21.
Published: 01 May 2014
... From “Black Collectivities: A Conference,” held May 3–4, 2013, at Northwestern University’s Mary and Leigh Block Museum of Art, the Museum of Contemporary Art Chicago, and the University of Chicago’s Arts Incubator. Naomi Beckwith talks with Kodwo Eshun and Anjali Sagar of The Otolith Group about...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 42–53.
Published: 01 November 2014
... Brooklyn Museum, where it was on view through March 9, 2014, and continued to the Museum of Contemporary Art, North Miami, in April 2014 and the Mary and Leigh Block Museum of Art at Northwestern University in Evanston, Illinois in September 2014. Copyright © 2014 Nka: Journal of Contemporary African Art...