Search Results for marshall

... tension palpable. Marshall has brought the nation’s difficult historical legacy inside the nation’s museum. Copyright © 2014 Nka: Journal of Contemporary African Art 2014 IN THE TOWER KERRY JAMES MARSHALL National Gallery of Art, Washington, DC June 28...

...• tion, and was seen as thus recording reality objectively. Kerry lames Marshall's most recent exhibition "Mementos" at The Renaissance Society, Chicago, and Brooklyn...

...Peter Erickson This essay explores Kerry James Marshall’s paintings of black artists in studio settings who are often positioned at the easel with an unfinished self-portrait. The series begins with a portrait within a portrait of a historical figure— Scipio Moorehead, Portrait of Himself, 1776...

...Cora Marshall Copyright © 1999 Nka: Journal of Contemporary African Art 1999 REVIEW CHARLOTTE KA Hammonds House Gallery Atlanta, Georgia In the African American...

...Jordana Moore Saggese In 1992, during the first retrospective of Basquiat’s work, Richard Marshall lamented: “Jean-Michel Basquiat first became famous for his art, then he became famous for being famous, then he became famous for being infamous—a succession of reputations that often overshadowed...

...Anna Arabindan-Kesson [email protected] © 2022 reprinted from Marshall Brown and James Glisson, eds., The Architecture of Collage: Marshall Brown 2022 NOTES FROM THE JOINT COLLAGE ETHICS Anna Arabindan-Kesson A certain kind of promiscuity underlies the project of collage. Its...

... Copyright © 2006 Nka: Journal of Contemporary African Art 2006 Kerry James Marshall, Heirlooms and Accessories, 2002. Inkjet prints on paper in wooden frames with rinestones. Three parts, 87 x 54.25 x 3 in. each. Courtesy of the Artist 134* Nka Journal of Contemporary...

... Black artists have found selves that go far, far beyond the limited expectations of what Black is, isn t or should be. 10 Paintings by Amy Sherald and Kerry James Marshall are intended to highlight this by showing Black figuration that uses inaccurate pigments (a greyish tone for Sherald, and a jet...

... to traverse dif- ferent disciplinary boundaries with ease and rare theoretical facility in foregrounding the exceptional global impact of Fela s music. Tejumola continued to sustain his commitment to marshaling and producing useful texts for the wider scholarly com- munity, including the coedited volumes...

...• acclaimed artists such as Kerry James Marshall or tered oversights and exclusions, yet these venues Dawoud Bey, who have thoughtfully explored the have specific mandates and finite resources. social construct of black identity?7 And what to Concurrent with the Black Is, Black...

... through palimpsests of both Willie Cole, Leonardo Drew, David must "read" the image visually form and writing. Particularly Hammons, Kerry James Marshall, and textually, to access further indicative of the power of this Tyrone Mitchell, Alison...

.... McEwen, Frank. New Art From Rhodesia, Salisbury; National Gallery, 1963. Sina, a painter, exhibited widely throughout Africa, Mount, Marshall Ward. African Art: The Years Since 1920, Europe, and the US...

... Kara Walker or Kerry James Marshall, Marshall, James Kerry or Walker Kara...

...), the copious representa- tions of women (Kellie Jones), White s photography (Deborah Willis), White s activism in southern California (Ilene Susa Fort), and his teaching ac- tivities (Esther Adler), as well as a personal remem- brance by Kerry James Marshall, is a boon and platform for further related critical...

... James Marshall, Ouattara, Rotimi of their counterparts from around the world will Fani-Kayode, Carrie Mae Weems, Jean-Michel Bas- remain inaccessible to vast sections of the populace quiat, Ghada Amer, Terry Adkins, and others—have in Africa. Only through the creation of such institu- distinguished...

... initiate in a form of mystery. We understand her- Kodwo Eshun: In a sense, with The Radiant we’re meticism from Marshall McLuhan: it’s the notion admittedly outsiders, so The Radiant links to earlier of participation mystique, and it’s something that’s films, such as the film we made in PalestineNervus...

... but the doll of the tude as a way of passing within black culture. same name, now bare-breasted but nevertheless Currently teen culture is obsessing over Marshall wearing the same inane grin. Allusions to pup• Mathers, a Midwestern blond-haired kid whose petry are all too obvious. More difficult...

... 1, 2012, the artists were painting the images of those killed. 70 • Nka Journal of Contemporary African Art • 36 • May 2015 “He who delegates never dies.” Ex-president Mubarak and his successor, field marshal Tantawi, share the same face. By Omar Picasso...

...- by Fusco, Julien, Pettibon, Kerry James Marshall, ger match every face from that time with a name, I Bill Jones and Suzy Lake, Lyle Ashton Harris, and still recognized hers. Like most of those who had seen Carrie Mae Weems position still photography in her, I hardly knew who she was. What I did know...

..., and Elizabeth Catlett in forms of racial violence against black and other non- the 1940s and 1950s, and Carrie Mae Weems, Kerry white bodies. Today, works by critical theorists such James Marshal, Terry Adkins, Robert Gober, and Hank Susan Sontag, and Hazel Carby (whose essay...