... in a hospital at Clamart (near Paris, France) at the age of 98. ly imprinted on his mind, made sense when many years later he was In the day of the eclipse, his son Wonga returned Mancoba's ashes confronted with Cimabue's Crucifixion at Assisi (Italy) and he under...

... - the South African artist Ernest Mancoba and the Ethiopian artist Skunder Boghossian - passed away as we were preparing for this issue of Nka. We are proud to include in this issue a moving tribute to Mancoba by Elza Miles, the South T African scholar and art critic. We are also extremely...

... of his work, that form the subject of my recent monograph on him, Uzo Egonu: An African Artist in the West. Egonu's choice of Europe as a base, like Gerard Sekoto's or Ernest Mancoba's, signalled a new age of cosmopolitanism, and his death in England, like Sekoto's...

..., Abdel Hadi al- Gazzar, David Goldblatt, Ernest Mancoba, Seydou Keita, John Muafangejo, Wilfredo Lam, Amir Nour, Uzo Egonu, Malick Sidibé, and many others. And we continue to track the work of emerging artists, such as Grace Ndiritu, Nadia Kaabi-Linke, Kiluanji Kia Henda, Mikhael Subotzky...

..., I was in Cape Town for a symposium on Ernest Mancoba at the A4 Arts Foundation. Before returning to the United States, I spent a day with Penny Siopis for a visit and conversation in her studio at the Michaelis School of Fine Art, University of Cape Town. I have grown familiar with the space...

... founded in Paris in 1948. Like Mancoba, Maqhubela saw in abstrac- tion a way to bring together African and Western cultural experiences. It was a natural progression...

...• colonial project. The fall of empire signalled a discourse ture. Ernest Mancoba had come to the same conclusion of reversals. Not only did the direction of migration in South Africa in 1936. Egonu would later describe his between the centre and the outposts change, bringing...

... by Aina Onabolu, oratively with the other curators here to present Ernest Mancoba, or Ibrahim El Salahi fit into these works across departmental boundaries, primarily spaces, if they are even collected at all? through temporary exhibitions. To Laurie’s point about displaying the El Anatsui...