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ligon

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Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 88–89.
Published: 01 May 2004
...Soraya Murray Copyright © 2004 Nka: Journal of Contemporary African Art 2004 detritus to cultural artifact. Baechler, in particular, has been finds standard social studies GLENN LIGON...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 30–47.
Published: 01 November 2009
...Peter Erickson Copyright © 2010 Nka: Journal of Contemporary African Art 2009 2_erickson:nka_book_size 2/28/10 6:11 PM Page 30 Black Like Me Glenn Ligon...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 36–45.
Published: 01 November 2012
...Susanna Newbury Glenn Ligon : AMERICA, the artist’s recent mid-career survey, argued that Ligon’s relationship to twentieth-century painting serves as an alternative means of examining the topics of identity, politics, and history that undergird the artist’s oeuvre. The exhibition reveals that the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 74–83.
Published: 01 November 2017
...Peter Erickson This article traces the poetic and artistic evocations of Billie Holiday’s performance of “Strange Fruit” through cross-media strands linking Michael S. Harper, Rita Dove, and Glenn Ligon. Taken together, the work of these three black artists forms a network of memorials that act to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 116–118.
Published: 01 May 2014
...Kim Bobier In Bound to Appear Huey Copeland traces the late 1980s and early 1990s resurgence of aesthetic and intellectual endeavors that broached the transatlantic slave trade. Copeland’s inquiry rests on four installations from 1991 to 1993 by Renée Green, Glenn Ligon, Lorna Simpson, and Fred...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 206–207.
Published: 01 May 2008
... in the early twen• tieth century, outlining its origins in resistance, connection to black cultur• al politics, and continued current deployment in contemporary criticism. His treatment of selected moments in the work of contemporary African American artists Isaac Julien, Glenn Ligon...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 67.
Published: 01 May 1998
...• painting that were the hallmark good company for Gallagher to meets copyright Glenn Ligon and ages in various media, with little...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 26–33.
Published: 01 May 2001
... administration would have to exert itself in some and create a different frame for which my show w exist, and that concerned me. I had been working one way for many years, and he # t* Glenn Ligon, Untitled #2 (Hands/Stranger in the Village), 1999, new director) reformed the sense of structure...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 68–81.
Published: 01 June 2017
..., memory, loss, absence, and displacement. Journal of Contemporary African Art • 40 • May 2017 68 • Nka DOI 10.1215/10757163-3885940 © 2017 by Nka Publications Glenn Ligon, A Small Band, 2015. Neon and paint, 74 3/4 x 797 1/2 in. Courtesy the artist; Luhring Augustine, New York...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 110–120.
Published: 01 November 2016
... course her voice, of popular storytelling as early as the seventeenth as she no longer speaks for herself), her ethnicity century. Richard Ligon’s 1657 A True and Exact (she is imaged much darker, because she is assumed History of the Island of Barbadoes provided one of to be a slave), her liberty...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 140–144.
Published: 01 November 2014
... Glenn Ligon or Yinka Shonibare (and (and Shonibare Yinka or Ligon Glenn...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 8–19.
Published: 01 November 2013
..., purely visual object. We are then left to our own devices: the viewer’s experiential and inter­ pretive challenge is to make sense of the leap into the visual arena that the artist enjoins us to follow. Glenn Ligon, for example, retains the words in the visual field, where the text is clearly...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 88–93.
Published: 01 May 2008
... reading of the black body in public space and artist Glenn Ligon—suggests not a sloughing David Huffman, Untitled, 2007. Mixed media on canvas, 60 x 72 in. Spring/Summer 2008 Nka «89 off of blackness itself, but of the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 80–89.
Published: 01 November 2016
... curator Thelma a marketing strategy for a newly appointed curator.8 Golden and the artist Glen Ligon coined the term The third exhibition called Flow presents the work of post-black in 2001 with Freestyle, the first in a series of twenty artists of African descent, some who live and four Studio...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 28–33.
Published: 01 November 1996
... of minstrelsy and going times in 87 seconds - through to the Golden on videotape", poeti• cally suggests that the Ligon, Notes on the Margin of the Black Book, 1993...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 6–15.
Published: 01 May 2009
... the expertise of Glenn Ligon postblack became both variety of possible positions and their contingen• studium and punctum.9 The term referenced nego• cies. With each new naming, another moment of tiating the cultural, linguistic, and political defini• self-determination passes...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 74–77.
Published: 01 May 2004
... imaginary. This work does not engage iconic appro• These debates are in many respects deciding the fate (and the priation with the sophistication and imaginative brilliance of historical worthiness) of allegedly marginal artists. Kara Walker, Glenn Ligon, or Chris...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 90–101.
Published: 01 May 2007
... Golden and artist Glenn Ligon, "Post-Black" is a oday's New York art scene has seen a ritual• kind of shorthand phraseology initially used T istic return to the ethos of the street hustler. between the two friends to indicate a certain effu• The outsider narrative of the urban...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 110–117.
Published: 01 November 2011
... postmodernist era, if we are calling it that, Galla- white critics, which is “how dare you make this work gher and many of her contemporaries, like Walker, in this environment.” It suggests that the work can Michael Ray Charles, Glenn Ligon, Lorna Simpson, only be about one thing and can only be...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 114–127.
Published: 01 May 2013
.... BW: But you had been doing video even before you even went to Amsterdam? Brendan Wattenberg: This spring I was reading an inter- view between Glenn Ligon and Thelma Golden — and I don’t GN: Yeah. I did a couple of videos on Super 8, when I was want to...