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Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 74–79.
Published: 01 May 2014
... collectives Wor groupness — I was initially asked to support as a funder. I was asked — as part of an institution, the University of Chicago Arts and Public Life Initia...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 162–165.
Published: 01 November 2012
... look you When glimpse. a mere through accessible not are world the world. the around women of thousands of life daily the been have prostitution forced and Rape societies. destroy to tools as used been always have women West, the to East the from North, the to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 128–137.
Published: 01 May 2013
..., revealing signi cations that explode the gaze is centered on traces of everyday violence. His continuum of our sense of the present. Through a motto is: show history the badge of Scotland Yard.2 plumbing of the historical depth of things, everyday His utopian sense says: what’s here and now can- life...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 158–167.
Published: 01 May 2009
..., but the choice twine to create astonishing geometric designs. The was an attempt to present the accomplishment of chant of the looms accompanies the weaver and each artist to introduce an appealing conversation the life in the community all day long. From birth between...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 70–75.
Published: 01 November 2010
... whole of the life of Cotonou. Gaba’s procession had the feel of a private festivity—­eccentric, maybe, but not invasive or demanding of attention. What was noticeable in the general public response was the opposite of a fearful overreaction: for the most part people glanced up, then went...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 4–15.
Published: 01 May 2012
... by the his friends, Alonzo grew zinnias because he liked US government, as well as major corporations, to their bright colors. His friends teased him when illustrate that blacks could excel in American life they found out, so he began tending his zinnias if given the opportunity — even under...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 118–127.
Published: 01 November 2011
.... Carol Blank became vice president; Miriam Francis, treasurer; and Modu Tanzania, secretary. Guide- lines for WWA committees named the gallery/ resource committee, the screening committee, and the graphics committee, which oversaw the group’s Kay Brown, The Kick of Life, ca. 1974. Color etching...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 110–115.
Published: 01 May 2014
...Sunanda K. Sanyal Susan Mullin Vogel’s El Anatsui: Art and Life examines the artist’s recent studio practice and the bottle-top tapestries that have won him international acclaim. Vogel’s meticulous investigation of Anatsui’s experiment with medium and process and his commitment to nonfixed forms...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 94–107.
Published: 01 May 2015
... in Diba’s precedent mixed-media work. With more than four decades of artistic practice and a doctorate in urban geography from the University of Nice, Diba has long explored issues involving urban life in his work. In this installation, the artist translated the order and disorder of Dakar’s streets...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 14–15.
Published: 01 November 1998
... art movement in Nigeria. He had configured a gressive hard-edged energy which caused some and on hunger strikes as he and others fashioned a new image and a new life for himself. to dub it "Mau Mau" Mondrian—a reference to revolution against imperialism and colonial hege...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 92–95.
Published: 01 May 2001
... process removes or adds a few new pictorial and composition suggested an abundant, almost carniva- elements, while retaining much of the basic color composi• lesque celebration of life and nature expressed by the human, tion. To do this, the artist says, "One has to make very hard...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 47–53.
Published: 01 November 2001
... street and not see a striking visual image that is either mechanically reproduced or a performed image of urban self-fash• mm d City Life In ioning. The...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 144–149.
Published: 01 November 2009
...Kathe Sandler Copyright © 2010 Nka: Journal of Contemporary African Art 2009 9_sandler:nka_book_size 2/28/10 6:32 PM Page 144 BRIGHT MOMENTS The Life and Work of ST. CLAIR BOURNE...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 28–41.
Published: 01 November 2010
... by Nka Publications Pale Reflections and Fables of Life George Osodi’s “Real People” of the Niger Delta Frank A. O. Ugiomoh Ugiomoh Nka • 29 eorge Osodi’s photographs...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 140–151.
Published: 01 November 2011
...Cheryl Finley Throughout her life Loïs Mailou Jones admired African art and culture. But it was through the mask—its spiritual significance, theatrical expression, cultural importance, and emotive possibilities—that she found herself as an artist, designer, and educator. With a career buttressed by...
Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 69–70.
Published: 01 May 1996
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 24–27.
Published: 01 May 1997
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 72.
Published: 01 November 1996
...Matthew DeBord Copyright © 1996 Nka: Journal of Contemporary African Art 1996 LUSH LIFE: A BIOGRAPHY OF ducted almost psychically in terms Toland's idea does tarnish somewhat Duke's son, who seemed to harbor a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 34–39.
Published: 01 May 2014
... history of collectivism by distinguishing between two root forms, one derived from formal enfranchisement of political life and the state and the other from the laissez-faire informality of economic life and the market. While we are very aware of the social and political costs associated with...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 164–168.
Published: 01 November 2018
... American contingent and documented the festival, creating an archive of more than fifteen hundred images. After this life-changing experience, the young artist returned home to Brooklyn and went on to produce exceptional photographs of unique moments in the cultural history of the United States and the...