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Journal Article
Nka (2013) 2013 (33): 46–55.
Published: 01 November 2013
..., it resembled New Left Review, and Grey Room. the “lumpenproletarian revolts” that Marx described. Bruckner maintains that social and historical analogies differ from politi- Notes...
Journal Article
Nka (1994) 1994 (1): 41.
Published: 01 May 1994
Journal Article
Nka (2021) 2021 (49): 144–162.
Published: 01 November 2021
... associated with the Art and Liberty group can be called “surrealist” at all, as Egypt’s surrealist moment left more prominent traces in painting and literature. Nonetheless, Art and Liberty’s activities acknowledged photography as a creative medium at an early, experimental stage in its development, before...
Journal Article
Nka (2012) 2012 (31): 158–161.
Published: 01 November 2012
... a combination of cynicism, nostalgia, even sadness. The politics and the politically oriented art of the twentieth century recall utopian hopes that ended in dashed expectations. Yet art that speaks the language of the twentieth-century insurgent Left also recalls the brutality attributed to those struggles...
Journal Article
Nka (2011) 2011 (28): 58–66.
Published: 01 May 2011
... the rituals are familiar—circumcision, induction into the military, marriage, a birthday toast— their representations are left deliberately open-ended and ambiguous. Through his meticulous technique, Emmanuel rigorously examines these liminal moments of transition and, by extension, the tenuous and unstable...
Journal Article
Nka (2011) 2011 (29): 62–71.
Published: 01 November 2011
...Clyde Taylor This essay attempts to locate the historical significance of Black Arts as a potent, widely social modernism, unlike the café/salon confines of the Paris model. The Black Arts and Black Aesthetics movements were at the center of a rupture of misidentified blackness left over from...
Journal Article
Nka (2013) 2013 (33): 20–37.
Published: 01 November 2013
... in South Africa’s National Gallery. His career flourished until he joined up to serve his country in World War II. In 1956, during the “urban removals” enforced by the Nationalist government’s apartheid policy, Tladi and his family were brutally dispossessed of their freehold property and left homeless. He...
Journal Article
Nka (2017) 2017 (40): 6–7.
Published: 01 June 2017
... influenced several generations of intellectu- continents, leave a mark on cultural studies: Paul als—anticolonials, postcolonials, postwar leftists Willis, Dick Hebdige, Pratibha Parma, Paul Gilroy, impatient with the orthodoxies of the Old Left, Hazel Carby, and Michael Denning, to name only newly...
Journal Article
Nka (2009) 2009 (24): 116–119.
Published: 01 May 2009
... exits stage left. Throughout the film Saphir the notion of transition. The inherently aspira- there is a developing dialogue between the sea—as tional aspect of a staircase is countered in this case site of both connection and separation—and the by the fact that these stairs...
Journal Article
Nka (2009) 2009 (25): 128–143.
Published: 01 November 2009
... and metropolises as well as produced rights. Perhaps this state of exception explains the studied at the Photo Academy (Fotoacademie) in their lives left in the sparsely furnished rooms can a negative backlash accompanied by the rise of a silence and lack of absolute outrage toward the treat - Amsterdam...
Journal Article
Nka (2000) 2000 (11-12): 72–79.
Published: 01 May 2000
.... At the reouest of other political parties were unbanned, there took place what was the Vrye Weekblad, a left-wing Afrikaans-language newspaper that to be the last major celebration of Afrikaner predominance in South representedyet another faction of Afrikaner political opinion, Gideon...
Journal Article
Nka (2016) 2016 (38-39): 40–51.
Published: 01 November 2016
...- the point of origin supplied by this fragile legacy portrait” in favor of the more convoluted “portrait to the anonymous contemporary black portraitists of himself” underscores the question of the black depicted in the rest of Marshall’s series is both beau- man’s entitlement. Moorhead’s left hand...
Journal Article
Nka (1998) 1998 (9): 62–63.
Published: 01 November 1998
... (appropriately enough) in perience. The museum's large center gallery was dominated by Union Souare, where such prominent intellectuals as W.E.B. Du several striking black and white compositions from the late Bois held classes in the 1940s and 1950s for left-wing garment...
Journal Article
Nka (2009) 2009 (25): 60–95.
Published: 01 November 2009
... looked to extract those images that passage in Kapu ści ński’s book about the dogs in Luanda, best articulate my concerns both photographically and abandoned when the Portuguese left, which inspired the conceptually. And I have to say I’ve struggled quite a bit dogs of my Nadir series...
Journal Article
Nka (1996) 1996 (5): 21–23.
Published: 01 November 1996
... overhead bulbs do precious little to illuminate the member has chosen to separate himself from the room itself. The space beneath them. But each bulb, glowing in the darkness, provides Left to right: Fashion Cenimi, 1962; Woman Walking, 1950; TwoMen, Torsos, 1979. contrast...
Journal Article
Nka (2021) 2021 (49): 132–143.
Published: 01 November 2021
... Rateb, Mohammad Zulfiqar, or even Monis Taha Hussein?1 Does the literary memory recall that Beshr Fares wrote his play Crossroad Divergence in both French and Arabic? Every one of them left a certain gleam that shines in the muse of literature. Is it extinguished now forever? Perhaps those who remain...
Journal Article
Nka (2001) 2001 (13-14): 26–33.
Published: 01 May 2001
... you take not completing the Whitney Biennial which was already underway when you left? Thelma Golden: My life at the Whitney Museum changed profoundly, not when I resigned, but really when David Ross resigned. What people don't realize is that the significant changes at the Whitney...
Journal Article
Nka (2010) 2010 (27): 42–47.
Published: 01 November 2010
..., gently veiled by a curtain of abstract witness the journey of a brave, intriguing painter dots, with tears running down her face. and are left to muse on the influence of environ- Despite the bright colors, glitter, and resin, ment on art and on the reinvention of artistic styles there’s...
Journal Article
Nka (2010) 2010 (27): 76–81.
Published: 01 November 2010
... to finding a future for left-­wing politics. Yet Anticipating Ever and the works in Sidestep reveal an acute sense of line, space, and surface—­of beauty. Underneath his...
Journal Article
Nka (2000) 2000 (11-12): 80–85.
Published: 01 May 2000
... over their appearance. "I like porous surfaces," he once said, for, the gift that, when it comes, speaks commandingly to the soul "especially things that remain in sands, textures left by sneakers, trac• and irreversibly moves us."4 A bearer of such gifts from that point...