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Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 12–13.
Published: 01 May 1996
...Kendell Geers Copyright © 1996 Nka: Journal of Contemporary African Art 1996 ...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 66.
Published: 01 November 1996
...Kendell Geers Copyright © 1996 Nka: Journal of Contemporary African Art 1996 VITA ART NOW bell hooks JOHANNESBURG...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 66–67.
Published: 01 May 1997
...Kendell Geers Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 67.
Published: 01 May 1997
...Kendell Geers Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 52–53.
Published: 01 May 1998
..., ancient Egyptian woman. matic, photograph Panel #4 from the series Kendell Geers' Title Withheld (Out of Africa) Das Lichthaus (1989) presents us with a bed• (1997), consists of a rubber mask of Nelson media installation Like Something Not Very...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 12–13.
Published: 01 November 1996
... That these pure events are often misrecognized and not always wel• achieve was to bring to Berlin the work and the persons of Moshekwa comed in the old centers of power was evidenced in the confused and Langa, Pat Mautloa, Kendell Geers, Kay Hassan, and Wayne Barker, five...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 64.
Published: 01 May 1998
... and sundry art laymen. Geers argued Edited by Kendell Geers by some of his comrades as an unac...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 65.
Published: 01 November 1996
... trariness, lived through the an elegiac feeling — its legacy — characters. with the loss of lives and the bru• tality exerted against the citizens Kendell Geers constructs nar• of South Africa...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 121.
Published: 01 May 2001
... form. On the attention by that other bad style contrary, he finds security and a boy, Kendell Geers, in his Title sense of self in producing work...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 66–69.
Published: 01 May 2002
... conceptualism of As both hobbiest and historian, Allen's Kendell Geers, the subtle linguistic medita• brings specificity in terms of context to his tions of Willem Boshoff, and the revisual- mode of conceptualism. Situated in a izions of South African subjectivity by framework reminiscent of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 26–31.
Published: 01 May 2004
.... 13 In "appropriating the tools of surveillance," Rose joins 14 other South African practitioners from Malcolm Payne in the 1970s to the more recent work of Kendell Geers. Indeed for Documenta 11 of 2002, Geers showed color...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 90.
Published: 01 May 2004
... motley group that includes this Nigerian musician and Sokari Douglas-Camp, Kendell and Uli designs combine with artists, the task of the Black activist on a diverse set of cul• Geers, and Fred Wilson. I am texts...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 68–69.
Published: 01 November 1998
... Bidjocka (Cameroon-France), and western influences by Africans, but Kendell Geers (South Africa), at the also the permeation of western cul• Standard Bank National Arts Festival ture by Africa, thus collapsing the no• in Grahamstown, South Africa (2-12 tion of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 104–107.
Published: 01 May 2000
... artists are given such a thorough visibility, especially in convention• al museum exhibitions. I had expected the same names of artists that have become international brand names to appear, like Kendell Geers and Kay Hassan, but was for• tunately surprised. The new names to have emerged are...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 38–49.
Published: 01 May 2008
... last, he shields his face with a camera bellows, recirculates them in new reflective spheres. using it like the protective masks used by beekeep• Working in a similar method, Kode-X (2003) ers. The series was inspired by a photograph of a by Kendell Geers brings together...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 66–71.
Published: 01 May 2003
... side on a narrow shelf (1997-1998), Rhode is closer to Kendell performances drawing from sports, entertainment, and leisure. Geers' Title Withheld (Bottleneck), a simple broken bottleneck In so doing Rhode seems to be building the necessary bridge placed on a...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 66–67.
Published: 01 November 1996
...• such a thing as a popular memory who represented France in iAfricusi -Kendell Geers...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 64–66.
Published: 01 November 1998
... Africa. with the added input of five more South African artists (Willen Boshoff, The visual dialogues set up in the exhibition metamorphosed as the Abrie Fourie, Kendell Geers, Raymond Smith and Minnette Vari). show travelled between its three South African venues...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 40–47.
Published: 01 May 2003
... regret a single thing that we did. Ponger, Kendell Geers, Bodys Isek Kingelez, Black Audio Film Collective or Trinh T. Minh-ha or at Constant—these artists, film mak• DCM: The wall texts and lengthy videos were also a point of con• ers, and researchers were mapping and exploring interesting inter...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 46–111.
Published: 01 November 2012
... newly commissioned and recently establishing the Smithsonian in the 1800s, and produced works by Fernando Alvim, Ghada Amer, the debate over what form it would take in the Oladélé Bamgboyé, Allan deSouza, Kendell Geers, new United States. The correlation between the Moshekwa Langa, Hassan Musa...