...Kendell Geers © 2021 by Nka Publications 2021 Adding Poetry to Politics Kendell Geers, Self-Portrait, 1995. Courtesy and © Kendell Geers Kendell Geers Africa95 opened on October 4, 1995, at the Royal Academy of Arts in London, seven months and a few days after the First Johannesburg Biennale...

...Kendell Geers Copyright © 1996 Nka: Journal of Contemporary African Art 1996 ...

...Kendell Geers Copyright © 1996 Nka: Journal of Contemporary African Art 1996 VITA ART NOW bell hooks JOHANNESBURG...

...Kendell Geers Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...

...Kendell Geers Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...

... Egyptian woman. matic, photograph Panel #4 from the series Kendell Geers' Title Withheld (Out of Africa) Das Lichthaus (1989) presents us with a bed• (1997), consists of a rubber mask of Nelson media installation Like Something Not Very room, a nude...

... and sundry art laymen. Geers argued Edited by Kendell Geers by some of his comrades as an unac...

... 14 other South African practitioners from Malcolm Payne in the 1970s to the more recent work of Kendell Geers. Indeed for Documenta 11 of 2002, Geers showed color photographs from 1999, depictions of the security apparatuses used to guard pri• vate residences in Johannesburg, "where people...

... are often misrecognized and not always wel• achieve was to bring to Berlin the work and the persons of Moshekwa comed in the old centers of power was evidenced in the confused and Langa, Pat Mautloa, Kendell Geers, Kay Hassan, and Wayne Barker, five sometimes violent reaction...

.... On the attention by that other bad style contrary, he finds security and a boy, Kendell Geers, in his Title sense of self in producing work Withheld (Neck), and it's inter...

..., and trariness, lived through the an elegiac feeling — its legacy — characters. with the loss of lives and the bru• tality exerted against the citizens Kendell Geers constructs nar• of South Africa...

... conceptualism of As both hobbiest and historian, Allen's Kendell Geers, the subtle linguistic medita• brings specificity in terms of context to his tions of Willem Boshoff, and the revisual- mode of conceptualism. Situated in a izions of South African subjectivity by framework reminiscent...

... this Nigerian musician and Sokari Douglas-Camp, Kendell and Uli designs combine with artists, the task of the Black activist on a diverse set of cul• Geers, and Fred Wilson. I am texts reminiscent of Fela's irrev...

... of a by Kendell Geers brings together industrial steel traditional Angolan pwo mask that Mutima dis• shelving, broken green glass embedded in cement covered in a book at Lisbon's National Museum of blocks, and objects wrapped in chevron tape that Ethnology. Mutima's photographs comment...

...), and western influences by Africans, but Kendell Geers (South Africa), at the also the permeation of western cul• Standard Bank National Arts Festival ture by Africa, thus collapsing the no• in Grahamstown, South Africa (2-12 tion of pure, homogenous cultures. July 1998...

..., especially in convention• al museum exhibitions. I had expected the same names of artists that have become international brand names to appear, like Kendell Geers and Kay Hassan, but was for• tunately surprised. The new names to have emerged are: Brett Murray, Samson Mnisi, Thabiso Phokompe...

... African artists (Willen Boshoff, The visual dialogues set up in the exhibition metamorphosed as the Abrie Fourie, Kendell Geers, Raymond Smith and Minnette Vari). show travelled between its three South African venues. The Castle of The preoccupation with exorcism...

...• such a thing as a popular memory who represented France in iAfricusi -Kendell Geers...

... on a narrow shelf (1997-1998), Rhode is closer to Kendell performances drawing from sports, entertainment, and leisure. Geers' Title Withheld (Bottleneck), a simple broken bottleneck In so doing Rhode seems to be building the necessary bridge placed on a pedestal than...

... Bruly Bouabré (Cote d Ivore); the Laboratoire Agit-Art group (Senegal); Rachid Koraïchi (Algeria); and South African art- ists Malcolm Payne, Willem Boshoff, and Kendell Geers. He situated them within the classical art of Africa and the same conceptualist strategies prevalent in the West. 4 Enwezor...