Search Results for kellner

...Clive Kellner Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...

...Clive Kellner Copyright © 1998 Nka: Journal of Contemporary African Art 1998 REVIEW Bidjocka's complicity within the ART OF DARKNESS...

... the continent and Clive Kellner showed extraordinary vision and disapora, Africa Remix is on a scale the size of tenacity in raising the funding it took to bring an which the city has not seen since Okwui Enwezor's exhibition of the size of Africa Remix to the conti• Second Johannesburg Biennale...

..., be wrong. Clive Kellner is on this roundtable, so from two generations on the English side to sever• perhaps he can enlighten us as director of the al—or more—generations on the Afrikaans). For gallery. some of my generation, a reflection on critical relations between "Africa...

... “Walker Heiress Leaves NY to Join Hubby in Dixie,” Baltimore Van Vechten about Black Art and Letters, ed. Bruce Kellner Afro-American, October 29, 1927, 7. (Westport, CT: Greenwood Press, 1979), 154. 17 Dudley, “Ideal African-American Interior,” 108. 7 Gabriele Polona, “Is Crowned...

... Clive Kellner, Karen E. Milbourne, Riason Naidoo, Sokari’s work at one of Prakash Deswani’s African Enid Schildkrout, Chris Spring Music Villages in Holland Park near the CI. Years later, when I joined the Africa section of Chika Okeke...

... Rasmussen, ed., Latin American Artists of the 21 An interesting comparison in this regard both to Rose's work and that Twentieth Century, New York:The Museum of Modern Art, 1993. of modern African photographers is that of the African American pho• 6 Clive Kellner, "A History of Invention:' co...

..., and politics. Sign up for new issue alerts at dukeu.press/alerts. Ryan Bishop, Mark Featherstone, Eva H. Giraud, and Douglas Kellner, editors, Subscribe today. Three issues annually $58 Print only $25 Digital only dukeupress.edu/cultural-politics ...

... University of South Florida. reinvention. As the fast pace of politi• -Clive Kellner icon of the dress. References to Camouflage could be understood to cal transition creates new possibili• Conrad, references to Kurtz, and ref...

... a subjectivity and sexu- more of the artists in the show. I am especially grateful to Jane ality that run counter to the normative socializa- Alexander, Rayda Becker, David Bunn, Kwezi Gule, Clive Kellner, Terry Kurgan, Philip Miller, Nandipha Mtambo, Zanele Muholi...