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hip hop

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Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 60–65.
Published: 01 May 2002
...Derek Murray Copyright © 2002 Nka: Journal of Contemporary African Art 2002 ONE PLANET 11J } \ |1 J jJMi V H ji | hip hop' AND CONTEMPORARY Journal of Contemporary African Art Nikki S. Lee, The Hip Hop...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 48–53.
Published: 01 November 2010
...Kris Juncker Inadvertently, Tate Britain may be forecasting the fate of hip-hop and its artistic expression through a midcareer retrospective of Chris Ofili’s work. The exhibition presents a number of stages of his development, with an emphasis on the breakout, commercially successful work...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 210–217.
Published: 01 November 2016
... complexities. French hip-hop is the second-largest-selling in its genre in the world, and it is not surprising that it has resonated with young immigrant populations. There is a vital jazz scene in France but also a growing specter of racism. I am interested in recording the ways in which black bodies exist in...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 218–219.
Published: 01 November 2016
...-written assertion that Basquiat’s work owes a debt to hip-hop. Instead, Saggese considers the artist’s attention to and affection for improvisational jazz and the ways it impacted his practice. In the final chapter, the author takes up Basquiat’s engagement with Beat poets and the cultures they created...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 212–221.
Published: 01 November 2018
... Manning Marable’s biography of Malcolm X, A Life of Reinvention (2011). Copyright © 2018 Nka: Journal of Contemporary African Art 2018 Malcolm X Islam youth hip hop extremism ...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 90–101.
Published: 01 May 2007
... Kehinde Wiley, Portrait 90- Nka Journal of Contemporary African Art carded as the detritus of academic stoicism, humorlessness, and essentialism. Just as hip-hop...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 74–77.
Published: 01 May 2004
... hip-hop. These shows occupy the contradictory cerns are universally applicable, the link between spectacle and position of complicating "rooted" notions of racial particularity, Otherness was strikingly articulated by "Black Belt's" fetishistic "realness," and authenticity...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 88–89.
Published: 01 November 2001
... disintegrating hip- Black Photography impressive trio of participating Woods and Keisha Scarville, both hop posters. The work of both artists (Anthony Barboza...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 117.
Published: 01 May 2000
.... technology, but as a means of get• There's a lot of truth backing al institutions has also given hundreds of clubs that flourished ting around. up this assumption. Hip-hop, of Africans, in brighter times, to push in the decade after the Second...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 220–223.
Published: 01 November 2016
...- Wiley’s near exclusive turn to hip- continuing widespread commentary Louis David’s propagandistic portrait hop subjects, facilitated by the sartorial visvis the Brooklyn Museum’s recent retrospective covering roughly the past fourteen years, Roberta Smith hit on something when she...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 54–61.
Published: 01 November 2015
...- thetic and sensibilities. Originally titled Dandy Lion . . . Behold a Gentleman, in reference to “Behold a Lady,” by Andre 3000, one of hip-hop’s most notable dandies...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 67.
Published: 01 May 1998
... Whitney Biennial and being seen referencing the hip hop group on the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 118–119.
Published: 01 May 2007
... the AIDS crisis, and the birth of hip- mysterious richness of Basquiat's is often undervalued as an ahistorical hop. In the company of Basquiat's images. Some of the most captivating expression of black male...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 80–89.
Published: 01 May 2014
... receptive space, even when the rest of the world “interpretations of hip hop cannot be neatly cat- is not.16 The block is literally and figuratively an egorized as ‘resistant’ or ‘compliant.’ ”13 It seems extension of the corner. Literally, it is the “expanded obvious that the motif of the corner...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 8–9.
Published: 01 May 2007
... to the making of tique of race and masculinity as major tropes of repre• his black-and-white photographs of post-September sentation in the larger than life hyperrealist portraits of 11th New York City. Petrine Archer-Straw's essay is a African American men and hip hop icons that domi...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 70–79.
Published: 01 November 2013
... a series term matter in the series title refers to the things of nine prints that signify the characteristics of the and people around the subjects and their relation- hiphop remix that depended on purposeful repeti- ships to them. Who matters? What matters? Who tions, riffs, splices, and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 126–139.
Published: 01 November 2017
... baggy jeans, hood- turned his attention to African sources, appropriat- ies, and athletic shoes representative of hip-hop ing poses from pre- and postcolonial sculpture. For culture, yet the portraits were modeled after art example, his painting Dogon Couple (2008) mimics a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 52–54.
Published: 01 May 2014
...- • Corbett • Black Collectivities Nka 53 est. Lee Perry. There were a number of hiphop musicians, like Dr. Octagon; there’s the Detroit techno scene. I mean, you know, “The Last Angel of History” is a kind of manifesto...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 92–93.
Published: 01 November 2001
...Derek Conrad Murray Copyright © 2001 Nka: Journal of Contemporary African Art 2001 tion in Jazz and Hip-Hop music) Inside the main space, Kori reminiscent of landscapes. Freestyle 1 introduces twenty...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 88–93.
Published: 01 May 2008
... black-feminist cri• is adept at reconceptualizing hip-hop's masculin- tiques of normative racial blackness as it was con• ist pose by queering the reified and mythically structed during the Civil Rights and Black Power constructed black male body that has become eras. Within these...