1-20 of 89 Search Results for

harri

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Nka (2000) 2000 (11-12): 56–63.
Published: 01 May 2000
...Richard Klein Copyright © 2000 Nka: Journal of Contemporary African Art 2000 Lyle Ashton Harris, Untitled (Face#l 8 Giennj.'l 998/1999, Unique Polaroid, 24x20, Collection of Gregory Miller. Journal of Contemporary African Art a conversation Lyle Ashton Harris - 20x24: Recent...
Journal Article
Nka (2004) 2004 (19): 20–25.
Published: 01 May 2004
... •IrY INTERVIEW WITH THOMAS ALLEN HARRIS OKWUI ENWEZOR 20 • Nka Journal of Contemporary African Art This interview was conducted in 2003. Thomas Allen Harris is gle that is very critical to your...
Journal Article
Nka (2010) 2010 (27): 90–99.
Published: 01 November 2010
...Nicole J. Caruth In April 2009 Kira Lynn Harris debuted a new body of work in a solo presentation at CUE Art Foundation in New York. This article examines two site-specific installations in that exhibition: 2001, Mirror , which references Stanley Kubrick’s film 2001: A Space Odyssey , and Prism...
Journal Article
Nka (1994) 1994 (1): 29–33.
Published: 01 May 1994
Journal Article
Nka (2016) 2016 (38-39): 186–195.
Published: 01 November 2016
...Lyle Ashton Harris This essay was originally presented as a speech I was invited to give at New York University’s conference Black Portraiture[s]: The Black Body in the West in 2013. The essay addresses my personal experiences as well as critical observations of the performance and production...
Journal Article
Nka (2011) 2011 (29): 128–139.
Published: 01 November 2011
...Michael D. Harris This essay is a personal meditation on Kara Walker’s work seven years after the author’s critical assessment of her work in the book Colored Pictures . Walker’s work is linked to African American cultural practices like signifyin’ and speaking in tongues and is found to have...
Journal Article
Nka (2006) 2006 (20): 130–131.
Published: 01 May 2006
...Robert L. Harris, Jr. Copyright © 2006 Nka: Journal of Contemporary African Art 2006 1 Lynching and « US History 5 Robert L. Harris, Jr. T his is a very important conference and topic Race is a subject that is on many people's minds...
Journal Article
Nka (2001) 2001 (13-14): 48–55.
Published: 01 May 2001
...Michael D. Harris MEANWHILE THE flIRlS WERE FLAVINS: Maria Magdalena Campos-Pons Michael D. Harris Artwork is judged according to its capacity...
Journal Article
Nka (2007) 2007 (21): 110–114.
Published: 01 May 2007
...Michael D. Harris Copyright © 2007 Nka: Journal of Contemporary African Art 2007 THE UNRULY ART OF MCARTHUR FREEMAN Michael D. Harris cArthur Freeman works in an unruly ple in this country and wonders how seeing black• M manner. His...
Journal Article
Nka (2018) 2018 (42-43): 124–135.
Published: 01 November 2018
... racial injustice in the United States, are evident in the challenges faced by Dunham, as well as in the boycott of the festival by Harry Belafonte and James Baldwin. The intrusion of unresolved histories and liberation struggles erupted in significant controversies within the festival and in charges...
Journal Article
Nka (2011) 2011 (29): 42–49.
Published: 01 November 2011
... that the historical past is effectively “dead” because of its seemingly fixed status as a static object in structures of nostalgia and memory. Film, video, and installation work by Fusco, Julien, Pettibon, Bill Jones, Lyle Ashton Harris, and Carrie Mae Weems position still photography and graphic images in ways...
Journal Article
Nka (2014) 2014 (35): 74–83.
Published: 01 November 2014
... of media studies at Pitzer College. The show, which ran from September 19 to December 5, 2013, included the work of nine international artists from Africa, Europe, and the United States, including John Akomfrah, Cheryl Dunye, Rotimi Fani-Kayode, Lyle Ashton Harris, Zanele Muholi, Mwangi Hutter, Andrew...
Journal Article
Nka (2019) 2019 (45): 18–33.
Published: 01 November 2019
... by a Caribbean artist.6 Williams shifted from socially conscious fig- uration, in works like Human World (1950) and his Plantation Studies, to pure constructivist abstrac- tion, as in Painting in Six Related Rhythms (1954). Guyanese novelist Wilson Harris charted Williams s progression from figuration...
Journal Article
Nka (1996) 1996 (5): 54–57.
Published: 01 November 1996
.... Stan, and was unappealing to Pierce — and Harry is a spectre, calling A vignette involving Pierce and Soldier epitomizes the film's nar• their urbanism and success alienation. The narrative closes with the rative stance. They are walking down the street, when a rival...
Journal Article
Nka (1995) 1995 (2): 50–52.
Published: 01 May 1995
... Lyle Ashton Harris, Constructs #I I, 1989 (Gelatin-silver print). Collection of the artist. Courtesy of JackTilton Gallery...
Journal Article
Nka (2022) 2022 (50): 116–131.
Published: 01 May 2022
... the realistic portraiture, contained mostly within the faces and hands, all the more provocative. Shawnya Harris notes that the intertwining bodies, shades of gold, and tight patterns surrounding the figures liken the work to Austrian painter Gustav Klimt s The Kiss (1907 08).42 Harris s observation points...
Journal Article
Nka (2006) 2006 (20): 96–115.
Published: 01 May 2006
... African Art Harry Sternberg, Southern Holiday, 1935. Lithograph. Collection of Whitney Museum of American Art. Purchase, with funds from The Lauder Foundation, Leonard and Evelyn Lauder Fund...
Journal Article
Nka (2016) 2016 (38-39): 60–69.
Published: 01 November 2016
... of the women were willing, they became the vanguard Britain’s major cities. It was a potent, capricious of racial degeneration.31 mode of dress worn en masse by black, working class immigrants, accompanied by a deep-rooted love Then there is Harris: affair with hot calypsos, sensuous Latin...
Journal Article
Nka (2022) 2022 (50): 8–21.
Published: 01 May 2022
... and focused on architectural and landscape drawing.5 Hunster s dioramas likewise use ambiguity to tran­ scend spatial and social limitations. Photomontages produced from photographs taken at Tuskegee Normal and Industrial Institute in Alabama also hedge toward boundlessness. They were made by Harry Shepherd...
Journal Article
Nka (2017) 2017 (41): 74–83.
Published: 01 November 2017
..., that visual Billie Holiday by visual artists include Lyle Ashton Harris perform- ing as Holiday and Sanford Biggers’s juxtaposition of music and art is an entirely separate realm uncontaminated trees. See Lyle Ashton Harris and Anna...