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Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 58–61.
Published: 01 May 1998
... curators in their past work have been con• topic. In drawing such a map, their determi• London, I sat and listened to a British cerned with the serious and intellectual rami• nation was to probe if such a thing as Harlem T...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 104–113.
Published: 01 November 2015
...A’Lelia Bundles This essay examines the role A’Lelia Walker played as a fashion and social trendsetter in Harlem during the 1920s. The only daughter of early-twentieth-century hair-care-industry pioneer Madam C. J. Walker, she carved her own niche as a patron of the arts and philanthropist. An...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 74–77.
Published: 01 May 2004
... energy born of Kim's unconventional approach David Hammons, Untitled, 2003. Installation view, the Studio Museum in Harlem to contemporary art. That being said, "Black Belt's" conceptual thrust is undeniably...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 198–202.
Published: 01 November 2017
... 1970s. Cahan’s research into four museums—the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, and the Studio Museum in Harlem—reveals how art institutions responded incrementally to black artists’ demands for equity. Despite the different degrees of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 68–75.
Published: 01 May 2012
... Furniture Store, and various Harlem churches. Black Arts Theatre (BAT) is founded by Amiri Baraka, Larry Neals, Joe Overstreet, and others. Funded by Haryou Act and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 72–77.
Published: 01 November 2011
...Edward S. Spriggs This essay documents how Edward S. Spriggs, early director of the Studio Museum in Harlem, built the museum’s artist-in-residence program with the idea of engaging the community by providing studios to artists in need of space and by creating a printmaking workshop. The essay also...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 80–89.
Published: 01 May 2014
... contributor to this the Studio Museum in Harlem and is currently associ- issue. It implies appreciable music (as compared to less apprecia- ate professor in visual and critical studies and liberal ble music) produced by musicians and artists of African descent. arts at the School of the Art Institute...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 21–23.
Published: 01 November 1996
... taking place, is unique. Jazz music, after all, requires a great deal of book's text: "In Harlem lots of roomers have got cars bigger than the concentration and communication on the part of its performers. room they live in," says the poet's character, Sister Mary...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 33–35.
Published: 01 May 2002
.... Veneciano, flight he had been working on consistently for many years Curator of Richards' 1995-96 Artist-in-Residence exhibi• right up until his untimely death in his studio. tion at The Studio Museum in Harlem, wrote in the exhi• One cannot help but notice the eerie...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 150–157.
Published: 01 November 2009
...- viewer’s nursery-school impressions into an em - vivant No Place (pre)Constructed at The Studio barrassing realization that one is now a peeping Museum in Harlem in 2008, the viewer could...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 90–99.
Published: 01 November 2010
... Studio Museum in Harlem, the (www.afrofuturism.net/text/about.html). Taipei Fine Arts Museum, the Center for Book Arts, 23. Mark Dery, Flame Wars: The Discourse of Cyberculture (Dur- ArtPrize, the Brooklyn Fine Arts Magazine, and ham, NC: Duke University Press, 1994), 180...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 60–67.
Published: 01 May 2012
...Kay Brown This essay outlines the formation of the Weusi Artists, begun in Harlem in 1965 as an African American artists’ collective. The word Weusi translates as “blackness” in Swahili. Together the artists founded a gallery and academy of fine arts and studies, both of which became great...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 152–155.
Published: 01 May 2011
...Susanna Newbury Zwelethu Mthethwa: Inner Views , at the Studio Museum in Harlem from July 15 to October 24, 2010, was the first major US museum exhibition of the South African photographer since 2003. The show drew from three of the artist’s photographic series to focus on the domestic interiors of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 60–65.
Published: 01 May 2014
... tradition and a critique of mainstream performance art history, this article starts in Harlem before taking the reader on a sweeping journey that calls at Chicago and Houston and ends in New Orleans. A cursory introduction to African diasporic public ceremonial culture, the article looks to carnival and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 154–164.
Published: 01 November 2017
...Tobias Wofford African art has played a role in the practices of studio-trained African American artists since the Harlem Renaissance. As knowledge about African art has grown and changed, so too have the ways in which artists have appropriated such art and imagined their relationship to the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 80–89.
Published: 01 November 2016
... paradox of prevailing racism and ignorance is one of the most challenging tasks for future black artists and academics. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 post-black Afropolitan temporalities generation Studio Museum in Harlem POST-POST- BLACK? Nana Adusei...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 14–29.
Published: 01 November 2017
... Exposition Coloniale Internationale as a great colonial minstrel show—an artificial spectacle of blackness constructed for the white gaze. Copyright © 2017 by Nka Publications 2017 Palmer Hayden Exposition Coloniale Internationale African Americans in Paris visual satire Harlem Renaissance THE...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 72.
Published: 01 May 1995
... the Studio Museum in described as "a nationwide season of African arts in galleries, muse• Harlem. She replaces ums, community centers...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 86–99.
Published: 01 November 2011
... list. Moreover, each person came to the Spiral’s third founder, Charles “Spinky” Alston, group at the invitation of the founders or by recom- seems to have been more interested in creating a mendation from one of the first invitees. The selec- space for community, as he had done in Harlem tion...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 4–7.
Published: 01 November 2011
... Art Movement is radically opposed to any The Black Arts movement of the 1960s and concept of the artist that alienates him from his com- 1970s grew out of the achievements of artists of munity. Black art is the aesthetic and spiritual sister the Harlem Renaissance. These artists found a new of...