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Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 96–105.
Published: 01 November 2009
... time. Many allegorize deep human experiences like collapse, disorder, decay, and formlessness. Some images emerge out of the vicissitudes of the medium itself. What happens when ink and glue act on a...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 38–39.
Published: 01 May 1999
... glues them down into a final tableau. In their very nature, able city. On the third floor of the property, Mary Evans keeps a studio, these meticulous patterns redefine drawing and painting by remaining with• which is more of a base for her than a practical workspace. Much of...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 51–53.
Published: 01 May 1999
... models. He employs a variety of media: consistently first unveiled his work in Senegal before traveling to venues clay, plastic, glue, stone, metal, fabric, wood, plaster, rubber, and random abroad, was honored, and deservedly so, as a special guest of the 1995 Dakar...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 92–95.
Published: 01 May 2006
... Popsicle stick people I con• to the side throwing dice for bones. This and all I saw structed at summer camp, fixed with Elmer's glue, of the day I misfiled in memory, under Forgotten. and for which I received much praise. The black Popsicle man was tall, and threw a shadow over me and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 82–91.
Published: 01 May 2009
... "building," a range of materials including acrylic The Canvas and the Artist's Environment paint, glue, water, clay, and burlap. Using every Sy became a practicing artist in the early 1970s, a inch of the canvas, often including the perimeter period when Senegalese artistic...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 70–75.
Published: 01 November 2010
... Cotonou, is reinstalled in the gal- lery: colors and colors of nail varnish, row upon row of vibrant artificial intensity; false nails of every hue and design; glues and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 86–99.
Published: 01 November 2011
..., and he was not argumentative, as hardt there. Then they were talking about Abstract was Norman. He was not flashy. In personality, he Expressionism. A lot of these artists didn’t have any was kind of like the glue for that group. His work he...