1-20 of 359 Search Results for

gallery

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 4–15.
Published: 01 May 2012
... effects that a strong black community and family had on two artist brothers, Alonzo and Dale Davis, enabling them to open the Brockman Gallery in Los Angeles in 1967. It contextualizes their young lives in Tuskegee, Alabama, where they were steeped in black history and culture and exposed to faculty and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 16–27.
Published: 01 May 2012
...Carolyn Peter; Damon Willick This essay reconsiders Los Angeles’s Gallery 32 and its vital contribution to Los Angeles art history from 1968 to 1970. Founded and run by Suzanne Jackson, Gallery 32 exhibited challenging, controversial work and became a gathering place where not only art but politics...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 134–141.
Published: 01 November 2016
... Hank Willis Thomas’s use of hand gestures in his 2014 Goodman Gallery show? The In itself a clenched fist is nothing and means nothing. Cshow, titled History Doesn’t Laugh, was recently on But we never perceive a clenched fist. We perceive a view...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 122–123.
Published: 01 May 2007
..., Kelly Jones's ing that pixilation simultaneously pro• essay "Tracey Rose: Post-apartheid tects and silences eyewitnesses. In his South African National Gallery Playground" relies...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 152–155.
Published: 01 May 2010
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 126–128.
Published: 01 November 2010
...- ferently: the punctures on the wall yet another level of objectification bition we saw Mutu interrogating the become shrapnel, and the “sleeping gets added by having these images on politics of space. The gallery walls heads” the result of decapitations. display in the vitrines...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 20–33.
Published: 01 May 2011
... (b. 1939) has been on in slow motion, shouting “Qqezu” at mum as she pre- my mind for a long time, and I was delighted tended not to see the showing off; whistles and ankle L when the Standard Bank Gallery in Johan- bells with a unique sound; the large and beautiful nesburg...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 68–75.
Published: 01 May 2012
... Second Annual Outdoor Art Festival along 7th Avenue in August. Exhibition at Countee Cullen Library Gallery, Lincoln Community Center, NAACP Offices, Minars...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 70–79.
Published: 01 May 2013
... lm, television, and it was due to radiation,” suggesting that the global new media exhibitions for galleries across Canada. corporate interests running the hospital cover up She is author of Contact Zones: Memory, Origin, and the extent of contamination and radiation- based Discourses in Black...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 96–113.
Published: 01 May 2013
.../ 1985. He called me and said in that deep, hoarse White Sheets, toured internationally and was shown voice of his, “Barboza, I want you to do the cover for the rst time in New York City at the Bill Hodges for my next album. I don’t want the art director Gallery in late 2010. from Columbia Records...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 108–111.
Published: 01 May 2015
... evolution of ritual and how, - ul Gallery, London Hjellegjerde...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 19–23.
Published: 01 May 2000
... ideas, images, and forms of social exchange that specifically shape notions of race and gender in America. "The Invisible Empire," which was presented at Gallery 101 in Ottawa in 1999, enacted a powerful and elegant synthesis o these elements. Significantly, the works hover between single...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 14–17.
Published: 01 May 2001
... Biennial. New Mexico: SITE Santa Fe, p. 28. Papisthione, De la vie des enfants an2l°S (still), 2000, Video. Emma Bedford is a curator at the South African National Gallery, Cape Town Atelier Graphoui hosted a successful film...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 37–39.
Published: 01 May 2002
...• ened gallery. On the far wall a huge projection of swirling lights is ethereal in contrast to the throbbing pulse of Indian per• cussion that communicates directly to your body, inviting you to dance. The Opposite of Illustration is the title of a video, which Usha Seejarim shot while travelling...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 76–81.
Published: 01 November 2010
... A for the opening exhibition of Michael Steven- son’s new gallery space in Woodstock, it is refracted by the irregular shape of the handblown glass. As the day passes...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 106–112.
Published: 01 May 2011
... narratives of both art history and cultural anthropology. The second goal would not likely be accepted by art-world professionals in Africa, for contemporary African art and artists have unfortunately been suspended between the ethnological museum and the art gallery and between cultural anthropology and art...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 118–127.
Published: 01 November 2011
...Kay Brown Although the Black Arts movement of the 1960s and 1970s signaled one of the most significant developments in recent American art history, black women artists, for the most part, were underrepresented in major gallery and museum exhibitions at the movement’s inception. “Where We At” Black...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 119–123.
Published: 01 May 2014
..., adjacent gallery, Portrait of Nat Turner with the Head of His Master provides a counterpoint with its muted palette and the enclosed space of the master’s bedroom. The viewer is caught in the rough cross-current between the two galleries; the logic of their connection is compelling and the emotional...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 74–94.
Published: 01 November 2018
..., as well as historians, critics, museologists, and anthropologists. One of the exhibitions specifically juxtaposed African art pieces with works by Picasso, Brancusi, Paolozzi, and others. The congress was held at what was then the Rhodes National Gallery in Salisbury, Southern Rhodesia (now the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 28–39.
Published: 01 May 2015
.... The painting’s multivocal potential encompassed an iconography that reads as either warning against or wishing for social unrest and a format that inserts the large-scale figuration of public murals into the more rarified space of the commercial art gallery. As a microhistory focused on Die ’s...