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Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 66–73.
Published: 01 May 2014
... consider this work an overlooked precedent to the types of prac- Creative Arts at San Francisco State University and tices described in Nicolas Bourriaud, Relational Aesthetics (Paris: her MFA from the UCLA School of Theater-­Television-­ Presses du Réel, 1998). Film. Her interests range from...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 163–165.
Published: 01 November 2009
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 204–205.
Published: 01 May 2008
... postcard, Anderson is pictured with a 1998, just weeks after Atlantis opened and teaches at the California College live turkey in her arms and several its seascape, Sun International banned of the Arts in San Francisco. more sitting in a wooden...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 4–15.
Published: 01 May 2012
... curatorial consultant to the Museum away in a small, predominantly black college com- of the African Diaspora in San Francisco, where she munity founded on Booker T. Washington’s affir- curated an exhibition titled Choose Paint! Choose mation of the virtue of self-­reliance, a notion that Abstraction...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 210–217.
Published: 01 November 2016
.... Lewis Watts is a San Francisco Bay Area-based photographer and professor emeritus of art at the University of California, Santa Cruz. Lewis Watts, Metro, Paris...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 36–49.
Published: 01 May 2013
... 1937 North Beach was the most interesting place to 1939 Johnson was active in the Works Progress T in America — where he could move in and out Administration/Federal Art Project (WPA/FAP) of di erent circles of artists and friends and de ne program in San Francisco. Many progressive art...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 34–46.
Published: 01 May 2007
..., and for six exposures in August on Francisco Society of Women Artists.41 The critic the sand dunes at Oceano (Nude on Dunes, 1939), Alfred Frankenstein, in an exhibition review in nearly two hundred miles to the south. According the San Francisco Chronicle, singled out the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 122.
Published: 01 May 2001
... within them as migrant 3 has more to do with including (sic) Now!" Then toppling the artillery gun aimed into manhole; stream. If works like these offer the formerly off-limits exoticized flower arrangements, he scrawled or Francisco...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 106–119.
Published: 01 November 2009
... like the posthumous nuclear guilt, Minshall offered a In 1985, a group of Trinidadian artists calling 1980s and 1990s. His mas’ were characterized by San Francisco-based activist group Retort, whose buoyant parade of sins. To Bush’s purported anti - themselves “Project MAS...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 76–83.
Published: 01 May 2012
... the last balloon. And it was Chicago again and Har- lem again, and San Francisco and DC and Cleve- land and everywhere. And COBRA was born.1 And...
Journal Article
Nka Journal of Contemporary African Art (1 November 2001) 2001 (15): 64–69.
Published: 01 November 2001
...Catherine Bernard Copyright © 2001 Nka: Journal of Contemporary African Art 2001 TRANSFORMER THE WORK OF WILLIE COLE The Elegba Principle, 1994, Installation view (detail), Capp street Project, San Francisco...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 120–125.
Published: 01 May 2009
..., make it a potential medium. As a surface, its materiality—a continuous Francisco de Goya y Lucientes (1746-1828), The Duchess of Alba, 1797 (A102). Oil on canvas, 210.2 x 149.2 cm. cohesive system and a ruptured field—encompass...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 122–125.
Published: 01 November 2010
... with the continents named in their in their in named continents the with mismatched as read races whose ures fig- human with recast here etching, titled similarly Goya’s de Francisco on...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 16–27.
Published: 01 May 2012
... aesthetic tradi- She graduated from San Francisco State College in tions.8 For many, like art historian Samella Lewis, 1966, having majored in painting and minored in “a primary obligation of African American artists theater, and then spent a year traveling in South was to understand and use, whenever...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 144–150.
Published: 01 May 2006
... Newsreel, and Independent Television Service. (2002). Strange Fruit. San Francisco, Calif.: California Newsreel. This documentary takes a historical look into the antilynching song "Strange Fruit," first made famous by Billie Holiday. Abel Meeropol's (he used the pseudonym Lewis...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 30–47.
Published: 01 November 2009
... San Francisco Museum of Modern Art. mation because his intervention in racial looking © Glenn Ligon, gift from the artist, courtesy of Regen Projects. 30 •Nka Journal of Contemporary African Art...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 22–31.
Published: 01 November 2011
... Midwest (Woodie We wanted ultimately to create a poetry, a litera- King and Ron Milner), a Black Arts West (Ed Bul- ture, a dance, a theater, a painting that would help lins, Marvin X, Furaha Broadus) in San Francisco/ bring revolution! Oakland/Berkeley. Both Emery Douglas...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 148–151.
Published: 01 November 2012
... Center of the Earth (San 10. Eilertsen interview with Cave in Nick it attains a level of ecstasy consonant Francisco: Yerba Buena Center for the Arts, Cave, 231. 2009), is similarly minimalist in its docu- with that of Wilson’s Loomis...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 25–29.
Published: 01 May 1995
... Francisco is in wood and also on canvas. I put all kinds of things into those spaces. Therefore African architecture is purely a quotation that is transformed within a postmodernist context, to give new meaning. Exactly, like Pollock or Baselitz or Keifer or Rauschenberg. Their...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 58–61.
Published: 01 May 1998
... able writings, artistic and intellectual inter• Ulmann who are as much part of this epoch as San Francisco and the Corcoran Gallery in ventions they have shared with the world the their black counterparts such as Langston Washington, D.C...