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Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 41.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 68.
Published: 01 November 1996
...Robert Condon Copyright © 1996 Nka: Journal of Contemporary African Art 1996 FOUR SOUTH language is effectively used to AFRICAN ARTISTS conceal and reveal the truth...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 19–23.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 70–79.
Published: 01 May 2010
...Régis Durand In this interview Régis Durand asks the French Algerian artist Kader Attia about his 2008 exhibition at the Centro Huarte de Arte Contemporáneo (Navarra) and his ideas for the four different pieces exhibited. Durand is particularly interested in the genesis of these different works...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 196–210.
Published: 01 November 2018
... Mashiangwako, Thami Mnyele, and Lefifi Tladi—personified black consciousness (BC) and cited its importance to their art making, historians still largely translate their work through the comfort of surrealism’s familiar frame. This article focuses on the professional lives of four men who were pointedly...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 116–118.
Published: 01 May 2014
...Kim Bobier In Bound to Appear Huey Copeland traces the late 1980s and early 1990s resurgence of aesthetic and intellectual endeavors that broached the transatlantic slave trade. Copeland’s inquiry rests on four installations from 1991 to 1993 by Renée Green, Glenn Ligon, Lorna Simpson, and Fred...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 152–154.
Published: 01 November 2012
...NJ Hynes This review examines Contested Terrains , an innovative show that presents the work of four “emerging” artists: Adolphus Opara, Michael MacGarry, Kader Attia, and Sammy Baloji. The exhibition plays with our notions of past and present, fracturing our sense of the contemporary and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 6–15.
Published: 01 May 2015
... Tottenham in 1985. This text considers four wire photographs from the Baltimore Sun ’s historical photo archive. Wire photos differed from traditional photographic prints insofar as the wire print resulted from breakthrough technology that allowed a photographic image to be scanned, transmitted over “the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 94–107.
Published: 01 May 2015
... in Diba’s precedent mixed-media work. With more than four decades of artistic practice and a doctorate in urban geography from the University of Nice, Diba has long explored issues involving urban life in his work. In this installation, the artist translated the order and disorder of Dakar’s streets...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 14–29.
Published: 01 November 2017
..., raised and manufactured in the U.S.” However, in the early 1930s during the artist’s Paris sojourn, Hayden painted four works that incorporate African content, including three watercolors featuring African dancers. With exaggeratedly rounded heads, elongated jawlines, grinning outsized lips, and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 198–202.
Published: 01 November 2017
... 1970s. Cahan’s research into four museums—the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, and the Studio Museum in Harlem—reveals how art institutions responded incrementally to black artists’ demands for equity. Despite the different degrees of...
Journal Article
Nka Journal of Contemporary African Art (1 November 2016) 2016 (38-39): 218–219.
Published: 01 November 2016
...Cherise Smith Jordana Moore Saggese’s Reading Basquiat: Exploring Ambivalence in American Art is a monographic study of Jean-Michel Basquiat, an artist who experienced a near meteoric rise and fall. In four chapters, the author gives the artist’s work the scholarly and historical attention it...
Journal Article
Nka Journal of Contemporary African Art (1 November 1998) 1998 (9): 46–51.
Published: 01 November 1998
... began what was to be more than a CONFIGURA 2 in Erfurt Germany. The section he participated in was decade long process of refining the strategies of uli which had been called "The Altar of Culture" in which artists from four other countries defined by Uche Okeke in the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 128–129.
Published: 01 May 2007
... table and a short video thick, almost textural layers which cre• ago the Museum embarked on a 150 of the four artists speaking about their ates an impenetrable dark surface and million dollar construction and renova• work. This first gallery...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 155–157.
Published: 01 November 2012
... installation, spanning MASS MoCA’s North Adams. In this way MoCA’s complex, the work is an enor- four large galleries and five distinct the work recalls Stuart Hall’s defini- mous structure modeled after a small works. The installation juxtaposes the tion of diaspora (a transnational com- conical fishing...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 56–59.
Published: 01 May 2003
... Documenta extended both in time and in space through bition, Platform_5. A privileged, consuming but inventive, four platforms, interdisciplinary thematic seminars organized in rewarding and productive way of interweaving theory and prac• Vienna, New Delhi, St. Lucia and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 88–93.
Published: 01 May 2002
... bones ultimately acquired by the Musee de l'Homme in Paris.1 Candice Breitz, Ghost Series #5,1996, C-print, 27 x 40" Of the four works, Rose's Mami bears the most potential for...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 42–47.
Published: 01 November 2010
... Tate Britain N. J. Hynes alking into the first room of Chris Ofili’s The seven rooms are arranged more or less chron- retrospective at the Tate Britain is walking ologically. The first four contain works in the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 104–106.
Published: 01 May 2002
... compositional devices. And it is the dual nation. On all four pictures, the banner-font of the stuff of the Real? attention to formal and conceptual particu• text reads, "Real Niggas Don't Die." For sure, Still more controversial is the inclusion of lars, in fact the possibility...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 30–47.
Published: 01 November 2009
... three and four decades, respectively, after the original moment. This time gap provides a measure of the ongoing difficulty of recognizing and...