... for whom she posed were photographers Berenice Abbott and Addison Scurlock and sculptors Richmond Barthé and Augusta Savage. Her parties were legendary. Whether at Villa Lewaro (her mother’s Irvington, New York, mansion), at The Dark Tower (a converted floor of her 136th Street townhouse), or at her 80...

... of the third floor of ways been a constitutive part of that project of presumed autonomous movements of art the Oscar Niemeyer designed Paroue {like the necessary flip side). De Andrade, history, appeared too narrowly contained...

... of spectatorship: from the physical and auditory to the psychological and emotional. Works presented in the lobby gallery serve as a sort of microcosm of the four-floor exhibition, encapsulating its affective resonance and multidisciplinary format. Garrett Bradley s video transcription of the agony conjured...

... installed on the and aesthetically. floor. Having silk-screened the Nicole Awai is originally from familiar tiles that adorn the Trinidad. She received her M.F.A. floors of most kitchens, Biggers from the University of South subverts...

.... Below, the floor treatment is ONFIGURES CONCEPTUAL Almost the entire exhibition - archi• uniojje in two ways. First, it slopes gently, tectural drawings, sketches, photographs...

..., and feel in relation to the ideology of any par• into a pub. Obviously being black is in each case projected floor to ceiling, and ticular institution. a part of me like being a woman is from side to side, on one wall of a darkened McQueen describes...

... artist Beninese talist economies, where food ends up up ends food where economies, talist capi inthe food of overproduction regarding concerns his express to floor the on piled vegetables and fruit ceramic red and unit, shelving a white gold- breads...

... to installation McCallum and Tarry territory is not only a historical held three discussions in the thing. It's a very literal floor...

... in London, that floors, stairs, and furniture enriched by historical events into palpable shapes subverts traditional museum display decorative carpets, the works offer a count­eracting language that challenges hegemony, power, and authority. They agitate to look beyond the ethnographic gaze and perceive...

... of the floor with silver Mylar. conjured a geological formation. In this context, The room was then lit with colored gels to create water and fall also suggest the viewer’s perception a fiery orange atmosphere, a glowing landscape of danger—­the risk of slipping and falling. meant to evoke...

... and sculpture. hair hang down towards the His hybrid, floor-bound abstrac• ground sumptuously and form...

... of the sun shifts, twenty-­eight distorted squares of light crawl across the wall, and then the floor, of the gallery. When one looks out through the window, the buildings...

... Yam Mound, 2010. Tin and copper, variable dimensions. Collection of the artist in the Osaka exhibition, early on Anatsui made it his policy to incorpo- lery floors were given a special bright monumental installation, Waste Paper rate African motifs into his work as a white finish...

..., rope, and the hymn "Every time I feel the Spirit" are encased, mixed, and contained isolated instances and what was the installation is a call to keep vate layers of self, and to discover within the paintings. On the floor, past is present. Her...

... as we talk about the large works coming alive on the gal- lery walls.2 They are conceived using different weights of paper, found and given, along with ripped old drawings pieced and sewn together on the studio floor, some parts containing messages (such as go last ) written to herself as reminders...

...) is both its strength and installation was constructed with eighteen floor-to-ceiling photographs organized into booths so that one looked into its weakness. While this allows one...

... of color in the form of wall-hangings, table-cloths, blankets, and linoleum floor-coverings. But the sense that he has 48»Nka Journal of Contemporary African Art effectively constructed his image...

... . Ligon’s Black Like Me (1993) their overlaps and interactions. Across the floor of lent to being black. Yet Griffin’s black disguise is an ing “black” in the climactic last line. Griffin twice is one of nine etchings with chine collé in the se - the first room, Ligon displays nine wooden boxes...

...) is compelling. The felled man criticism of a complex kind. Are "stonecut• police who in turn demanded that the show lies on the floor, while his aides in unison ters" today keeping it real by remaining in be shut down on account of the use of the gesture towards the direction...

... at study sketches of the two works; and philosophical the city of Kalba on the Gulf of Oman, some two writings was displayed in four second-floor galleries hours away from Sharjah. Considered together or at the Sharjah Art Museum. A more recent work, individually, the works on display helped...