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film

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Journal Article
Nka (1998) 1998 (8): 10–13.
Published: 01 May 1998
... an American context, the* m showing film in a cinema and showing house suggests a sharecrop-^L #film under these conditions. Bear, Five per's cabin...
Journal Article
Nka (1998) 1998 (8): 34–37.
Published: 01 May 1998
...Liz Mermin Copyright © 1998 Nka: Journal of Contemporary African Art 1998 1998 NewYork African Film Festival liz mermin his year's New Yo rk A frican F ilm on o pe ning night: Zo la Maseko's short The bl eak and its not clear in th e end who, if Fes tival...
Journal Article
Nka (1997) 1997 (6-7): 50–53.
Published: 01 May 1997
Journal Article
Nka (2000) 2000 (11-12): 12–17.
Published: 01 May 2000
... a basic psychiatric service lectuals in Martinique, France and Tunisia respectively. would provide in such countries and/or fails to deal with the individ• We found no previous films about Fanon, apart for a short ual psychic cost of post-colonialism and underdevelopment which...
Journal Article
Nka (2000) 2000 (11-12): 24–27.
Published: 01 May 2000
...Thomas Mulcaire Copyright © 2000 Nka: Journal of Contemporary African Art 2000 AFRICAN FILM FESTIVAL Thomas Mulcaire JH...
Journal Article
Nka (2004) 2004 (19): 38–45.
Published: 01 May 2004
... a Edward George, Lina Gopaul, Avril Johnson, David Lawson, and new audience and a new generation to the work of the Trevor Mathison remains terra infirma. There are good reasons Black Audio Film Collective. An artworld audience internal and external...
Journal Article
Nka (1996) 1996 (5): 71.
Published: 01 November 1996
... this AN AMERICAN SUCCESS STORY BASQUI AT artist and so did his Afro-Puerto MIRAMAX FILMS Rican mother. In the escape...
Journal Article
Nka (2013) 2013 (32): 70–79.
Published: 01 May 2013
...: Deuxième Paris (2004, Niger/France) and Jean-Marie Teno’s Sacred Places (2009, Cameroon/France). In particular, the article considers how the films reterritorialize documentary aesthetics through the use of landscape and testimony as metaphors for Africa’s post-colonial struggles. In doing so...
Journal Article
Nka (2015) 2015 (36): 116–117.
Published: 01 May 2015
... representations of Algerian society different from those of their male counterparts. Considering her three earlier documentaries, one finds recurring themes that also run through Sahraoui’s latest film, Yema , including violence against women, the urgent need to resist, and the Kabyle landscape with its olive...
Journal Article
Nka (2001) 2001 (13-14): 120.
Published: 01 May 2001
... is a student of oppression. Many artists rejected British art was not "main• on the book's cover, all the film. Currently, she is research• this sensibility and refused to stream," but is that to say that plates are reproduced...
Journal Article
Nka (2020) 2020 (47): 94–113.
Published: 01 November 2020
... to flourish and people to unite. Furthermore, the 2019 edition hosted the Cultural Caravan for Peace, bringing together various political actors from the North and South. While building on creative and imaginary forces (arts, literature, film, dance, theater, et cetera) and elevating public spirit, the Ségou...
Journal Article
Nka (2021) 2021 (48): 162.
Published: 01 May 2021
... and flaunt and rich young men with fine eyes sheer rags succumbing without emotion save numbed terror Steve McQueen OBE, CBE, is an artist, film director, and screenwriter based in London and Amsterdam. 162 Nka Journal of Contemporary African Art 48 May 2021 DOI 10.1215/10757163-8971496 © 2021 by Nka...
Journal Article
Nka (2016) 2016 (38-39): 174–180.
Published: 01 November 2016
... Victoria’s favorite sculptor; and Professor Cyril Ransome, Prince Alemayehu’s private tutor. It is part of a larger book and documentary/narrative film project written and directed by Yemane I. Demissie. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 imperialism Africa Ethiopia...
Journal Article
Nka (1995) 1995 (3): 46–49.
Published: 01 November 1995
Journal Article
Nka (2014) 2014 (34): 66–73.
Published: 01 May 2014
...- depth, range, and sophistication are only now being tural and spiritual practices. Similar to how my idea fully appreciated, is the “out” being who got me here. of experimental film is the application of film craft, It’s a controversial topic, but I’m comfortable saying technique...
Journal Article
Nka (2014) 2014 (34): 80–89.
Published: 01 May 2014
... and blocks and corners, find routine articulation in film, planning. They are the residual effects of steady, music, and video forms. As such, I consider the progressive physical traffic and movement. Rou- significance of these settings and their representa- tine use renders them legible...
Journal Article
Nka (2010) 2010 (27): 118–119.
Published: 01 November 2010
..., and loose dogs on the prowl, Giardini examines vacated public spaces in between the festivities, after the visitors, critics, and journalists have departed. These images conjure a haunted ruin, creating a tension with other images in the film that are more firmly rooted in current sociocultural contexts...
Journal Article
Nka (2010) 2010 (27): 129–131.
Published: 01 November 2010
... or vandalizing of meaning, stabil- drawn especially for the film. The lu- ity, and transparency. In thematizing cid, graphic marks on these cell walls inevitable decay and entropy, they act anticipate the marks and faces drawn even against themselves, undoing their on the walls in Ballen’s...
Journal Article
Nka (2011) 2011 (28): 4–19.
Published: 01 May 2011
... Glissant elaborates on his theory of Relation and the concept of “Tout-monde.” This conversation is from that film: Édouard Glissant: One World in Relation (2009). Copyright © 2011 Nka: Journal of Contemporary African Art 2011 One World in Relation...
Journal Article
Nka (2011) 2011 (29): 42–49.
Published: 01 November 2011
...Amy Ongiri In Death 24x a Second Laura Mulvey argues that cinematic images belie the deathlike qualities of still photography because of their ability to invoke the appearance of life through motion. This essay examines film and video projects that use found footage and still images from the Black...