... an American context, the* m showing film in a cinema and showing house suggests a sharecrop-^L #film under these conditions. Bear, Five per's cabin...

...Liz Mermin Copyright © 1998 Nka: Journal of Contemporary African Art 1998 1998 NewYork African Film Festival liz mermin his year's New Yo rk A frican F ilm on o pe ning night: Zo la Maseko's short The bl eak and its not clear in th e end who, if Fes tival...

... a basic psychiatric service lectuals in Martinique, France and Tunisia respectively. would provide in such countries and/or fails to deal with the individ• We found no previous films about Fanon, apart for a short ual psychic cost of post-colonialism and underdevelopment which...

...Thomas Mulcaire Copyright © 2000 Nka: Journal of Contemporary African Art 2000 AFRICAN FILM FESTIVAL Thomas Mulcaire JH...

... a Edward George, Lina Gopaul, Avril Johnson, David Lawson, and new audience and a new generation to the work of the Trevor Mathison remains terra infirma. There are good reasons Black Audio Film Collective. An artworld audience internal and external...

...: Deuxième Paris (2004, Niger/France) and Jean-Marie Teno’s Sacred Places (2009, Cameroon/France). In particular, the article considers how the films reterritorialize documentary aesthetics through the use of landscape and testimony as metaphors for Africa’s post-colonial struggles. In doing so...

... this AN AMERICAN SUCCESS STORY BASQUI AT artist and so did his Afro-Puerto MIRAMAX FILMS Rican mother. In the escape...

... world during the last century is Youssef Chahine’s Alexandria, Again and Forever (1990). This critically acclaimed film is a rich example of Arab cinema that celebrates non-normative personal identity while simultaneously rethinking traditional notions of nation under colonial rule. This third...

... representations of Algerian society different from those of their male counterparts. Considering her three earlier documentaries, one finds recurring themes that also run through Sahraoui’s latest film, Yema , including violence against women, the urgent need to resist, and the Kabyle landscape with its olive...

... is a student of oppression. Many artists rejected British art was not "main• on the book's cover, all the film. Currently, she is research• this sensibility and refused to stream," but is that to say that plates are reproduced...

... by Ahmad Badrakhan in 1940, a film that might have inspired Telmisany while working on the illustrations for the French translation. The second collection by the same author is titled Tempest Beneath a Skull, published in Arabic by Dar El Gamea in 1941.8 The collection includes twelve drawings by Telmisany...

... Victoria’s favorite sculptor; and Professor Cyril Ransome, Prince Alemayehu’s private tutor. It is part of a larger book and documentary/narrative film project written and directed by Yemane I. Demissie. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 imperialism Africa Ethiopia...

... to flourish and people to unite. Furthermore, the 2019 edition hosted the Cultural Caravan for Peace, bringing together various political actors from the North and South. While building on creative and imaginary forces (arts, literature, film, dance, theater, et cetera) and elevating public spirit, the Ségou...

... and flaunt and rich young men with fine eyes sheer rags succumbing without emotion save numbed terror Steve McQueen OBE, CBE, is an artist, film director, and screenwriter based in London and Amsterdam. 162 Nka Journal of Contemporary African Art 48 May 2021 DOI 10.1215/10757163-8971496 © 2021 by Nka...

... and pro- scraps thus stood for the byproducts of productive duced the feature-length documentary film Market work as much as they pointed to the threat of local Imaginary, 2012 (distributed by Indiana University industry falling into ruin because of the impacts of Press) and is completing a book...

.... This is where the artist s canvas, the film frame or any space of creation, must reimagine the future of the humanities, beyond the obsession of sameness and the ensuing violence, to maintain fixed identities. We will say that the opacity created by the artworks of Gallagher and Cleijne, which sparkle...

... and nostalgic representations of iconic film houses, but as refigurations of landscape paintings. As Glissant puts it, landscape ( le paysage ) is not only a character on equal footing with the human and nonhuman species that occupy it in literature, paintings, and film; it has also become clear...

... IN AFRICAN CINEMA Souleymane Cisse, Film still from Yeelen, 1987 74* Nka Journal of Contemporary African Art s I recently paged through a voluminous body languages of the characters...