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Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 12–17.
Published: 01 May 2000
...') seeks to deny the benefits a basic psychiatric service lectuals in Martinique, France and Tunisia respectively. would provide in such countries and/or fails to deal with the individ• We found no previous films about Fanon, apart for a short ual psychic cost of post-colonialism and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 24–27.
Published: 01 May 2000
...Thomas Mulcaire Copyright © 2000 Nka: Journal of Contemporary African Art 2000 AFRICAN FILM FESTIVAL Thomas Mulcaire JH...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 38–45.
Published: 01 May 2004
... Edward George, Lina Gopaul, Avril Johnson, David Lawson, and new audience and a new generation to the work of the Trevor Mathison remains terra infirma. There are good reasons Black Audio Film Collective. An artworld audience internal and external to...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 10–13.
Published: 01 May 1998
... American context, the* m showing film in a cinema and showing house suggests a sharecrop-^L #film under these conditions. Bear, Five per's cabin...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 34–37.
Published: 01 May 1998
...Liz Mermin Copyright © 1998 Nka: Journal of Contemporary African Art 1998 1998 NewYork African Film Festival liz mermin his year's New Yo rk A frican F ilm on o pe ning night: Zo la Maseko's short The bl eak and its not clear in th e end who, if Fes tival...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 50–53.
Published: 01 May 1997
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 116–117.
Published: 01 May 2015
... representations of Algerian society different from those of their male counterparts. Considering her three earlier documentaries, one finds recurring themes that also run through Sahraoui’s latest film, Yema , including violence against women, the urgent need to resist, and the Kabyle landscape with its olive...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 120.
Published: 01 May 2001
... student of oppression. Many artists rejected British art was not "main• on the book's cover, all the film. Currently, she is research• this sensibility and refused to stream," but is that to say that plates are reproduced in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 70–79.
Published: 01 May 2013
...: Deuxième Paris (2004, Niger/France) and Jean-Marie Teno’s Sacred Places (2009, Cameroon/France). In particular, the article considers how the films reterritorialize documentary aesthetics through the use of landscape and testimony as metaphors for Africa’s post-colonial struggles. In doing so, the...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 71.
Published: 01 November 1996
... AMERICAN SUCCESS STORY BASQUI AT artist and so did his Afro-Puerto MIRAMAX FILMS Rican mother. In the escape...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 66–73.
Published: 01 May 2014
... of traditional African American cul- depth, range, and sophistication are only now being tural and spiritual practices. Similar to how my idea fully appreciated, is the “out” being who got me here. of experimental film is the application of film craft, It’s a controversial topic...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 80–89.
Published: 01 May 2014
... spatial design and blocks and corners, find routine articulation in film, planning. They are the residual effects of steady, music, and video forms. As such, I consider the progressive physical traffic and movement. Rou- significance of these settings and their representa- tine use renders them...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 94–107.
Published: 01 May 2015
... about expres- demand for their work in the past decade. The cloth sive culture in Dakar, she recently directed and pro- scraps thus stood for the byproducts of productive duced the feature-length documentary film Market work as much as they pointed to the threat of local Imaginary, 2012 (distributed...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 74–81.
Published: 01 May 2007
... IN AFRICAN CINEMA Souleymane Cisse, Film still from Yeelen, 1987 74* Nka Journal of Contemporary African Art s I recently paged through a voluminous body languages of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 82–89.
Published: 01 May 2007
... American history as marked by vio• scene that sets the stage for the telling of the film's A lence has always been strikingly visual. In main story, the police stop a group of African her assessment of the mix of violence and American men and forcefully search them and entertainment that...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 10–15.
Published: 01 May 2008
... know I could write; I didn't know I could become a photographer; I didn't know I could compose; I didn't know I could write poetry or direct films. When I direct...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 20–27.
Published: 01 May 2008
... the object. system of Prouve's work bare. Angela's art brings to our attention the ways in Manthia Diawara is the Distinguished Professor of which the tropical house was undone in Niamey, Film and Comparative Literature and Director of packed in containers, and shipped to...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 118–119.
Published: 01 November 2010
... loose dogs on the prowl, Giardini examines vacated public spaces in between the festivities, after the visitors, critics, and journalists have departed. These images conjure a haunted ruin, creating a tension with other images in the film that are more firmly rooted in current sociocultural contexts. In...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 129–131.
Published: 01 November 2010
... vandalizing of meaning, stabil- drawn especially for the film. The lu- ity, and transparency. In thematizing cid, graphic marks on these cell walls inevitable decay and entropy, they act anticipate the marks and faces drawn even against themselves, undoing their on the walls in Ballen’s...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 4–19.
Published: 01 May 2011
... Glissant elaborates on his theory of Relation and the concept of “Tout-monde.” This conversation is from that film: Édouard Glissant: One World in Relation (2009). Copyright © 2011 Nka: Journal of Contemporary African Art 2011 One World in Relation...