...Liz Mermin 1998 NewYork African Film Festival liz mermin his year's New Yo rk A frican F ilm on o pe ning night: Zo la Maseko's short The bl eak and its not clear in th e end who, if Fes tival opene d to a full house , Foreigner ( 1997) and Ramad an Sul emari's...

... a basic psychiatric service lectuals in Martinique, France and Tunisia respectively. would provide in such countries and/or fails to deal with the individ• We found no previous films about Fanon, apart for a short ual psychic cost of post-colonialism and underdevelopment which...

...Thomas Mulcaire Copyright © 2000 Nka: Journal of Contemporary African Art 2000 AFRICAN FILM FESTIVAL Thomas Mulcaire JH...

... a Edward George, Lina Gopaul, Avril Johnson, David Lawson, and new audience and a new generation to the work of the Trevor Mathison remains terra infirma. There are good reasons Black Audio Film Collective. An artworld audience internal and external...

... an American context, the* m showing film in a cinema and showing house suggests a sharecrop-^L #film under these conditions. Bear, Five per's cabin...

...: Deuxième Paris (2004, Niger/France) and Jean-Marie Teno’s Sacred Places (2009, Cameroon/France). In particular, the article considers how the films reterritorialize documentary aesthetics through the use of landscape and testimony as metaphors for Africa’s post-colonial struggles. In doing so...

... AT artist and so did his Afro-Puerto MIRAMAX FILMS Rican mother. In the escape hatch...

... world during the last century is Youssef Chahine’s Alexandria, Again and Forever (1990). This critically acclaimed film is a rich example of Arab cinema that celebrates non-normative personal identity while simultaneously rethinking traditional notions of nation under colonial rule. This third...

... representations of Algerian society different from those of their male counterparts. Considering her three earlier documentaries, one finds recurring themes that also run through Sahraoui’s latest film, Yema , including violence against women, the urgent need to resist, and the Kabyle landscape with its olive...

... is a student of oppression. Many artists rejected British art was not "main• on the book's cover, all the film. Currently, she is research• this sensibility and refused to stream," but is that to say that plates are reproduced...

... to flourish and people to unite. Furthermore, the 2019 edition hosted the Cultural Caravan for Peace, bringing together various political actors from the North and South. While building on creative and imaginary forces (arts, literature, film, dance, theater, et cetera) and elevating public spirit, the Ségou...

... succumbing without emotion save numbed terror Steve McQueen OBE, CBE, is an artist, film director, and screenwriter based in London and Amsterdam. 162 Nka Journal of Contemporary African Art 48 May 2021 DOI 10.1215/10757163-8971496 © 2021 by Nka Publications © 2021 by Nka Publications 2021 ...

... by Ahmad Badrakhan in 1940, a film that might have inspired Telmisany while working on the illustrations for the French translation. The second collection by the same author is titled Tempest Beneath a Skull, published in Arabic by Dar El Gamea in 1941.8 The collection includes twelve drawings by Telmisany...

... about expres- demand for their work in the past decade. The cloth sive culture in Dakar, she recently directed and pro- scraps thus stood for the byproducts of productive duced the feature-length documentary film Market work as much as they pointed to the threat of local Imaginary, 2012 (distributed...

... Victoria’s favorite sculptor; and Professor Cyril Ransome, Prince Alemayehu’s private tutor. It is part of a larger book and documentary/narrative film project written and directed by Yemane I. Demissie. Copyright © 2016 Nka: Journal of Contemporary African Art 2016 imperialism Africa Ethiopia...

... or vandalizing of meaning, stabil- drawn especially for the film. The lu- ity, and transparency. In thematizing cid, graphic marks on these cell walls inevitable decay and entropy, they act anticipate the marks and faces drawn even against themselves, undoing their on the walls in Ballen’s...

... Glissant elaborates on his theory of Relation and the concept of “Tout-monde.” This conversation is from that film: Édouard Glissant: One World in Relation (2009). Copyright © 2011 Nka: Journal of Contemporary African Art 2011 One World in Relation...

...Amy Ongiri In Death 24x a Second Laura Mulvey argues that cinematic images belie the deathlike qualities of still photography because of their ability to invoke the appearance of life through motion. This essay examines film and video projects that use found footage and still images from the Black...

...- depth, range, and sophistication are only now being tural and spiritual practices. Similar to how my idea fully appreciated, is the “out” being who got me here. of experimental film is the application of film craft, It’s a controversial topic, but I’m comfortable saying technique...