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Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 50–61.
Published: 01 November 2011
...Michele Wallace In an article written by her daughter Michele Wallace, Faith Ringgold’s Black Light series is presented as part of an experiment in the 1960s quest for the creation of a “black aesthetics” best understood in relation to Ringgold’s life and the evolution of her oeuvre. Black...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 28–39.
Published: 01 May 2015
...Anne Monahan The year 1967 was a transitional moment for the rehabilitation of activist art and the formation of black identity. It was likewise significant for Faith Ringgold, who was preparing the solo exhibition that would introduce her to the New York art world. That summer, after riots...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 18–25.
Published: 01 May 2001
... "going to put Jones Road on the map." This, Ringgold is doing in a variety of ways. The Jones Road Series and The Anyone Can Fly Foundation The Jones Road series will "channel" (Ringgold's Photographic portrait of Faith Ringgold. term) a multi-part narrative from the late...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 92–99.
Published: 01 November 2013
... existence. In its cathedral setting, this presentation of her work also created space to reflect on questions of faith and demonstrated the powerful dialogues that can emerge when contemporary art is shown in social environments with deep historical, societal, or spiritual resonances. Copyright © 2013 Nka...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 71.
Published: 01 May 1999
... installation faith in the midst of adversity.The universal constructs. rests an altar-like arrangement. amplifies communal voices of pain, remaining space in the gallery is The exhibit, "Cowries, Crosses, Charred wood, power objects, small...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 102.
Published: 01 May 2003
... practices and identities of these ousness, or "being cool." The Worlds are Born, is a visual poem artists is that they are formed by first image depicts the person as of remembrance and faith. Wade...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 104–113.
Published: 01 May 2012
...? She was the official pho- tographer on her own of all the openings of anybody’s work. And if you want to see them, you just ask and she will show them, but it should be an occasion, because it’s a big deal to pull out all those slides. Why didn’t they invite Faith Ringgold? They were scared to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 127.
Published: 01 May 2001
... incredible 'Celebrate Life Framed Visions openness and faith in entrusting South African National Gallery Hefuna articulates a complex their personal belongings and (SANG) in Cape Town...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 38–43.
Published: 01 November 2015
..., hair, which are extended through commercials this burden still exists, and Tamara & Tireka has not with slow-motion shots of “manageable” hair that been immune to it. moves—the same commercials I saw as a child. While Douglass had faith in the objectivity of The legacy...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 74–77.
Published: 01 May 2002
... forcibly tegrating or, in case this fails, by eliminating them "articulating the identity of a country." To begin with, the Coco Fusco's work, faithful to what Benjamin thought of as depositaries of identities are not countries, but individuals and, the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 118–127.
Published: 01 November 2011
... greatest supporters of the vidual artists such as Camille Billops, Elizabeth women artists. In 1968 I had been fortunate to have Catlett, lnge Hardison, Loïs Mailou Jones, Faith worked as a printmaking apprentice at their Harlem Ringgold, and Betye Saar were gaining high repute cooperative gallery...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 4–5.
Published: 01 May 2015
...-oriented practice that drew on such intellectual and artis- tic precedents as Negritude, Pan-Africanism, and the assertive black aesthetic championed by Amiri Baraka and others. The work of these three groups and that of other artists active during the 1960s, including Faith Ringgold and Betye...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 114.
Published: 01 May 2000
... experienced a variety of forms of blunt, without ever being bombas• Khalid Kodi, Desire, Faith, then Fly, 1999...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 53–57.
Published: 01 May 1995
... possibility for a radical faith in the vitality of mythology as the text of popular culture and magic as its technique of empowerment. Charles Merewether (Merewether, 1991) Ouattara has arrived in New York and proclaimed: "There is no difference between myself and a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 60–67.
Published: 01 May 2012
... Saunders; noted artists and scholars onstrating the longevity of community involvement Faith Ringgold, Ben Jones, and Benny Andrews, and and support; it paved the way for “Harlem Week,” a AfriCOBRA members Frank Smith, Barbara Jones major celebration held to this day. Hogu, Napoleon Henderson, Akili...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 140–151.
Published: 01 November 2011
... left in shadow, pro- “I am pushing, more or less in the direction of sym- jecting depth, even moodiness. As Faith Ringgold bolism, African symbolism and Haitian symbol- once said, Negro Youth “expressed Loïs’s talent for ism, color and design.”2 In Damballah, named after portraiture and forecast...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 92–95.
Published: 01 May 2006
..., Of the group, one had sold. Jack described it as a and in the unlikeliest of events, bought something of photo of a colored prostrates in the middle of a street value, and resalable, a person of faith could see in the and standing around the colored were whites. The happenstance a happy grace...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 112–113.
Published: 01 May 2002
... charts Fusco exhaus• Fusco then, has a faith in the this. An awareness of abjection, tion with it too, as the changing Kodwo Eshun is a London based ambivalent power of abject art to she argues, was foundational to art climate obliges...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 98–99.
Published: 01 May 2003
... considered dystopia. burg, under bridges-to practice more stable is paired with some• Translated by Finn Printz-Pahlson At the same time, though, the their faith. They invigorate and one considered sicker. Chang...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 60–69.
Published: 01 May 2010
... clear, as is the artist’s gradual remove from the boundaries, such appropriations are as relevant kind of idealistic faith in the restorative powers of to the construction of, for instance, Jewish identi- representation visible in his earlier work. In this dis- ties as to the construction of...