... Moroccan independence in 1956, these artistic practices were interwoven with a deep commitment to postcolonial national culture and a clear anticolonial stance. These same ideas can be read in the exhibition history of this group of artists. Together, the exhibitions suggest an alternative cartography...

.... This article considers his exhibition-making practice within the context of hospitality. Conventionally, hospitality entails warmly welcoming guests to make themselves at home. This interaction between guest and host involves not only implicit codes of etiquette and manners but also an economy of exchange...

...Isaac Julien © 2021 by Nka Publications 2021 Curating at the My core artistic premise and point of departure to Royal Academy curate the first two galleries of the Royal Academy Summer Exhibition of Arts, London, Summer Exhibition 2020 was to 2020 pay homage to my friend, the late, great...

...Donald Odita Copyright © 1995 Nka: Journal of Contemporary African Art 1995 THIS EXHIBITION WAS MADE POSSIBLE BY Donald Odita...

... Clinic, 2023. Courtesy Sharjah Art Foundation. Photo: Danko Stjepanovic S ince its founding thirty years ago, Sharjah Biennial has established itself as one of the pivotal international shows of contemporary art that have redefined the exhibition as an epistemological form. Reflecting the cultural...

... and Lagos, the fifth platform being tice in the curatorial process, where theory was, simply, allowed the Documenta exhibition in Kassel, Documenta 11 established to construct and find its own paths and territories. not only a different research and planning structure, but also...

...Elizabeth Harney Copyright © 2008 Nka: Journal of Contemporary African Art 2008 EXHIBITIONS APERTURES AND IMAGINARIES Lessons from Snap Judgments Elizabeth Harney s I...

...Joanna Grabski Copyright © 2008 Nka: Journal of Contemporary African Art 2008 THE DAK'ART BIENNALE EXHIBITING CONTEMPORARY ART AND GEOPOLITICS IN AFRICA Joanna Grabski ak'Art, Senegal's Biennial of Contempo• Framing...

...Helen Langa Two Antilynching Art Exhibitions: Politicized Viewpoints, Racial Perspectives, Gendered Constraints Helen Langa wo art exhibitions protesting lynch violence public awareness of the problem, and by moving T in the United States were held in New York...

... suited to the ity with greater force and conviction et Le Dedale especially for the 2003 Fault Lines exhibition," she goes on, than almost any of the artist's other Venice Biennial's Fault Lines (shifting "conveying, as it does, the ideas of fis...

...Pep Subirós The exhibition Jane Alexander: Surveys (from the Cape of Good Hope) was presented by the Museum for African Art in collaboration with the Cathedral of St. John the Divine in New York City from April to July 2013. Through combinations of sculpted figures, tableaux, installations...

... by Cylena Simonds Featured in the 2008 exhibition The Poetics of Cloth: Afri- and featuring videos from 2003 to 2010, the survey estab- can Textiles/Recent Art at New York University’s Grey Art lishes Ndiritu as a prominent voice among artists whose Gallery, Still Life was later acquired by the Walther...

... their own culture, all Two years ago I took part in a presentation L’art a la while knowing that there is no possible return to the past, pointe (Art on the Forefront). Artists were invited to exhibit and that today it is all about strategy, and about negotiation in abandoned churches...

...- in the center of the installation. How did it evolve? gral to your overall visual language. Why is this particular aspect so important to you? TE: I had been invited to participate in a large exhibition at Galleria d’Arte Moderna in Rome...

...- was important in providing national exposure and ing and travel awards to study art forms in other developing a group identity for black artists through countries, as well as by availing themselves of exhi- its exhibitions and award programs. Johnson inhab- bitions at local museums. Johnson, Streat, and Jack...

... was bedridden. He also and nation in African and African diasporic cinema notes that a er his brother’s death, “they never said and new media and has curated lm, television, and it was due to radiation,” suggesting that the global new media exhibitions for galleries across Canada. corporate interests...