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Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 136–153.
Published: 01 November 2018
... Moroccan independence in 1956, these artistic practices were interwoven with a deep commitment to postcolonial national culture and a clear anticolonial stance. These same ideas can be read in the exhibition history of this group of artists. Together, the exhibitions suggest an alternative cartography of...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 50–52.
Published: 01 May 1995
...Donald Odita Copyright © 1995 Nka: Journal of Contemporary African Art 1995 THIS EXHIBITION WAS MADE POSSIBLE BY Donald Odita The...
Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 68.
Published: 01 May 1996
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 56–59.
Published: 01 May 2003
... Lagos, the fifth platform being tice in the curatorial process, where theory was, simply, allowed the Documenta exhibition in Kassel, Documenta 11 established to construct and find its own paths and territories. not only a different research and planning structure, but also...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 96–115.
Published: 01 May 2006
...Helen Langa Copyright © 2006 Nka: Journal of Contemporary African Art 2006 Two Antilynching Art Exhibitions: Politicized Viewpoints, Racial Perspectives, Gendered Constraints Helen Langa wo art exhibitions protesting lynch violence public awareness of the problem...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 28–37.
Published: 01 May 2008
...Elizabeth Harney Copyright © 2008 Nka: Journal of Contemporary African Art 2008 EXHIBITIONS APERTURES AND IMAGINARIES Lessons from Snap Judgments Elizabeth Harney s I...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 104–113.
Published: 01 May 2008
...Joanna Grabski Copyright © 2008 Nka: Journal of Contemporary African Art 2008 THE DAK'ART BIENNALE EXHIBITING CONTEMPORARY ART AND GEOPOLITICS IN AFRICA Joanna Grabski ak'Art, Senegal's Biennial of Contempo• Framing the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 92–99.
Published: 01 November 2013
...Pep Subirós The exhibition Jane Alexander: Surveys (from the Cape of Good Hope) was presented by the Museum for African Art in collaboration with the Cathedral of St. John the Divine in New York City from April to July 2013. Through combinations of sculpted figures, tableaux, installations, and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 171–172.
Published: 01 May 2009
... Dedale is especially well suited to the ity with greater force and conviction et Le Dedale especially for the 2003 Fault Lines exhibition," she goes on, than almost any of the artist's other Venice Biennial's Fault Lines (shifting "conveying, as...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 92–99.
Published: 01 November 2014
... want to assert their own culture, all Two years ago I took part in a presentation L’art a la while knowing that there is no possible return to the past, pointe (Art on the Forefront). Artists were invited to exhibit and that today it is all about strategy, and about negotiation in...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 100–113.
Published: 01 November 2014
... to participate in a large exhibition at Galleria d’Arte Moderna in Rome and didn’t have what TE: Well, television is such an influential medium, affecting I felt was an appropriate new work to show. So I had to our understanding and knowledge of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 114–127.
Published: 01 May 2013
... by Cylena Simonds Featured in the 2008 exhibition The Poetics of Cloth: Afri- and featuring videos from 2003 to 2010, the survey estab- can Textiles/Recent Art at New York University’s Grey Art lishes Ndiritu as a prominent voice among artists whose Gallery, Still Life was later acquired by the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 42–53.
Published: 01 November 2014
...Trevor Schoonmaker This essay is a slightly modified excerpt of the introduction to Trevor Schoonmaker, Wangechi Mutu: A Fantastic Journey (Durham, NC: Nasher Museum of Art, Duke University, 2013), a catalogue published on the occasion of the exhibition of the same name . The exhibition is Mutu’s...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 68–81.
Published: 01 June 2017
...Selene Wendt The interconnectivity of seemingly disconnected situations and stories throughout the 56th International Art Exhibition All the World’s Futures (2015), curated by Okwui Enwezor and organized by La Biennale di Venezia, contributes to an exhibition that is simultaneously fragmented...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 68–77.
Published: 01 May 2011
...Prita Meier During the summer of 2010 the cityscape of Berlin became an important site for contemplating the role and meaning of “Africa” in current exhibition-and art-making practices. Who Knows Tomorrow , a multivenue exhibition organized by the Nation-algalerie, moved beyond multicultural...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 44–59.
Published: 01 May 2012
...Salah M. Hassan In 1986 Gallery 1199 in New York and the Muse Community Museum in Brooklyn jointly organized a two-part exhibition for “Where We At” Black Women Artists, the collective of African American women artists. The exhibition was an initiative of “Where We At,” when its members decided to...
Journal Article
Nka Journal of Contemporary African Art (1 November 2017) 2017 (41): 192–197.
Published: 01 November 2017
...Brett M. Van Hoesen This article provides a review of the French-Algerian artist Kader Attia’s solo exhibition, Sacrifice and Harmony , a selection of twenty-nine works of installation, video, sculpture, collage, and assemblage, hosted by the Museum für Moderne Kunst (MMK) in Frankfurt, Germany...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 38–47.
Published: 01 May 2010
... history is one of the main topics in António Ole’s artwork. The artist was born into a mixed Angolan and Portuguese family in 1951. His first exhibitions in Luanda took place at the end of the 1960s, before independence. After finishing his film studies in Los Angeles in the early 1980s, Ole returned to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 70–79.
Published: 01 May 2010
...Régis Durand In this interview Régis Durand asks the French Algerian artist Kader Attia about his 2008 exhibition at the Centro Huarte de Arte Contemporáneo (Navarra) and his ideas for the four different pieces exhibited. Durand is particularly interested in the genesis of these different works...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 4–15.
Published: 01 May 2012
.... These artists, along with other Southern to by residents as “the village.” The Brockman Gal- California artists of the era, were included in the lery was founded during the heyday of the so-­called notable 1989 exhibition 19 Sixties: A Cultural Awak- Black Arts movement. Though numerous galler...