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emma

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Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 41–47.
Published: 01 May 2002
...Sharon Patton Copyright © 2002 Nka: Journal of Contemporary African Art 2002 Emma Amos, born in Atlanta, Georgia, always knew she would be an artist rather than the homemaker and busi• nesswoman her mother had been. After graduating from Ohio's Antioch College and the Central School of Art...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 104–113.
Published: 01 May 2012
... Spiral, founded in 1963 by Romare Bearden, Norman Lewis, and Charles Alston, was a group of black American artists in New York. This interview with Emma Amos addresses her reasons for joining Spiral, her role as the group’s only woman, the effect of her involvement in Spiral on her artwork, the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 14–17.
Published: 01 May 2001
...Emma Bedford Copyright © 2001 Nka: Journal of Contemporary African Art 2001 DAK'ART of the Magic Emma Bedford t was something that Bili Bidjocka many eager locals are seeking the con• city to the potential...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 37–39.
Published: 01 May 2002
...Emma Bedford Copyright © 2002 Nka: Journal of Contemporary African Art 2002 USHA SEEJARIM THE OPPOSITE OF ILLUSTRATION Emma Bedford rom a distance, the insistent and mesmerizing rhythm of F Zakir Hussain's tablas draws you irresistibly into the dark...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 86–99.
Published: 01 November 2011
..., and incubating the early careers of Emma Amos and others. This essay looks at how Spiral’s trip to the March on Washington and its only exhibition demonstrate a lack of aesthetic and social cohesion in the group’s main collective activities, making it a typical example of post-1945 art collectives...
Journal Article
Nka Journal of Contemporary African Art (1 May 1997) 1997 (6-7): 68.
Published: 01 May 1997
...Emma Bedford Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 78–85.
Published: 01 November 2011
... to our past for and Emma Amos — a dynamic and totally divergent a distinct identity. The Negro artist should take group, ranging in age from twenty-­eight to sixty-­ something out of the present upheaval as part of his five, that includes a court clerk, an art dealer, a floor expression. The...
Journal Article
Nka Journal of Contemporary African Art (1 May 2000) 2000 (11-12): 92–95.
Published: 01 May 2000
...: Confronting Cape Town ot very long ago. the world had a clear picture of South Africa as a Cape Town One City Festival September 22 - October 6 1999 N country which in the space of a few years had miraculously mutated Curator: Emma Bedford from the universally despised...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 127.
Published: 01 May 2001
... Cultural at the South iously contradictory. They beckon to be uncovered. One senses a African National Gallery (SANG) in affinities within very specific cul• dense spirit of investment in these Cape Town, curated by Emma Bed• tural domains...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 13.
Published: 01 May 2001
... Siwi, the Cu ban Maria Magdalena Campos- Pons and the Senegalese Viye Diba and Kani Sy, or the Angolan Antonio Ole and the African American Emma Amos all conversing in one room! What would have been more inspiring than listening to David Bailey and Sonia Boyce narrating the struggle to document and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 136–145.
Published: 01 May 2008
... m m Goodman Gallery Cape in Cape Town.1 Curated by Emma Bedford, it featured the work of nine artists: Frances Goodman, Joy Gregory...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 122–123.
Published: 01 May 2007
... to such a degree on essay on Senzeni Marasela's artwork, The Curator, Editor quotes from these few writers that it Cradock Four (2001), Bester grapples fur• EMMA BEDFORD 2001 - 2003 lacks a reciprocal...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 26–31.
Published: 01 May 2004
... the South African National Gallery. Emma Bedford, 14 Enwezor 2001, 81. editor. Cape Town: South African National Gallery, 2003. Special thanks IS Kendell Geers quoted in Christian Rattemeyer, "Kendell Geers:' to Emma Ross and Jonathan Kidd for research assistance and to Documenta II_Platform 5...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 100–109.
Published: 01 November 2011
... Janet Berry Hess n 1963 the African and Native American artist scant art-­historical attention. Although African Richard Mayhew joined Romare Bearden, Emma American artists like Norman Lewis, Bearden, I Amos, and other prominent African American and Mayhew were in the vanguard of the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 60–65.
Published: 01 May 2003
... behind the scrim one is drawn to everyday details of military occupation and the violent reality of words on the back of a laminated banner. There, Charfi has dislocation and exile. In A Doctor's Office, 2002 bullets have posted a statement by Emma, an eight year old...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 146–151.
Published: 01 May 2008
.... ^ Emma Bedford, ed., Marlene Dumas: Intimate Relations (Johannesburg: facana Media/Roma Publications, 2007). ^ Hannah Arendt, Eichmann in Jerusalem: A Report of the...
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 66–67.
Published: 01 November 1996
...• been none." A line like "to be naked Carrie Mae Weems, Emma Amos, Lorna American feminist discourse. The istic in her texts for the reader to...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 118–127.
Published: 01 November 2011
... • 125 “Where We At” Black Women Artists, 1980. From left to right: Carol Blank, Pat Davis, Victoria Lucus, Crystal McKenzie, Dindga McCannon, Kay Brown, Modu Tanzania, Jeanne Downer, Priscilla Taylor, Emma Zuwadi, Akweke Singho, Linda Hiwot, and Saeeda Stanley by Abramson, under whose...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 158–160.
Published: 01 November 2009
... many others were injured. have an effect, portraying as it did the side to represent the schematic de - nify enslavement and the subsequent curated by Emma Bedford. inhuman...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 161–162.
Published: 01 November 2009
... many others were injured. have an effect, portraying as it did the side to represent the schematic de - nify enslavement and the subsequent curated by Emma Bedford. inhuman...