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emma

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Journal Article
Nka (2022) 2022 (50): 116–131.
Published: 01 May 2022
...Phoebe Wolfskill [email protected] Copyright © 2022 by Nka Publications 2022 Making Art about Art Emma Amos s Foundations in London Phoebe Wolfskill E mma Amos s oeuvre is generally interpreted in terms of her identity as an African American woman. This designation is expected...
Journal Article
Nka (2020) 2020 (47): 68–81.
Published: 01 November 2020
...Carlos Garrido Castellano This article explores the capacity of visual arts to deal with transnational, multidirectional processes of remembering and spatial redefinition. Through analyzing two sets of work by Emma Wolokau-Wanambwa that address the tradition of formal art training at Makerere...
Journal Article
Nka (2002) 2002 (16-17): 41–47.
Published: 01 May 2002
...Sharon Patton Copyright © 2002 Nka: Journal of Contemporary African Art 2002 Emma Amos, born in Atlanta, Georgia, always knew she would be an artist rather than the homemaker and busi• nesswoman her mother had been. After graduating from Ohio's Antioch College and the Central School of Art...
Journal Article
Nka (2012) 2012 (30): 104–113.
Published: 01 May 2012
... Spiral, founded in 1963 by Romare Bearden, Norman Lewis, and Charles Alston, was a group of black American artists in New York. This interview with Emma Amos addresses her reasons for joining Spiral, her role as the group’s only woman, the effect of her involvement in Spiral on her artwork...
Journal Article
Nka (2001) 2001 (13-14): 14–17.
Published: 01 May 2001
...Emma Bedford Copyright © 2001 Nka: Journal of Contemporary African Art 2001 DAK'ART of the Magic Emma Bedford t was something that Bili Bidjocka many eager locals are seeking the con• city to the potential...
Journal Article
Nka (2002) 2002 (16-17): 37–39.
Published: 01 May 2002
...Emma Bedford Copyright © 2002 Nka: Journal of Contemporary African Art 2002 USHA SEEJARIM THE OPPOSITE OF ILLUSTRATION Emma Bedford rom a distance, the insistent and mesmerizing rhythm of F Zakir Hussain's tablas draws you irresistibly into the dark...
Journal Article
Nka (2011) 2011 (29): 86–99.
Published: 01 November 2011
..., and incubating the early careers of Emma Amos and others. This essay looks at how Spiral’s trip to the March on Washington and its only exhibition demonstrate a lack of aesthetic and social cohesion in the group’s main collective activities, making it a typical example of post-1945 art collectives. Copyright ©...
Journal Article
Nka (1997) 1997 (6-7): 68.
Published: 01 May 1997
...Emma Bedford Copyright © 1997 Nka: Journal of Contemporary African Art 1997 ...
Journal Article
Nka (2011) 2011 (29): 78–85.
Published: 01 November 2011
... past for and Emma Amos — a dynamic and totally divergent a distinct identity. The Negro artist should take group, ranging in age from twenty-­eight to sixty-­ something out of the present upheaval as part of his five, that includes a court clerk, an art dealer, a floor expression. The Negro...
Journal Article
Nka (2000) 2000 (11-12): 92–95.
Published: 01 May 2000
...: Confronting Cape Town ot very long ago. the world had a clear picture of South Africa as a Cape Town One City Festival September 22 - October 6 1999 N country which in the space of a few years had miraculously mutated Curator: Emma Bedford from the universally despised...
Journal Article
Nka (2008) 2008 (22-23): 136–145.
Published: 01 May 2008
... at the m m Goodman Gallery Cape in Cape Town.1 Curated by Emma Bedford, it featured the work of nine artists: Frances Goodman, Joy Gregory...
Journal Article
Nka (2023) 2023 (52): 120–135.
Published: 01 May 2023
...-cecilia-alemani (accessed April 20, 2022). 2 La Biennale di Venezia, Statement by Cecilia Alemani. 3 La Biennale di Venezia, Statement by Cecilia Alemani. 4 British Council: UK at the Venice Biennale, In Conversation with Sonia Boyce and Emma Ridgway, httpsvenicebiennale.britishcouncil.org/sonia...
Journal Article
Nka (2001) 2001 (13-14): 127.
Published: 01 May 2001
... Cultural at the South iously contradictory. They beckon to be uncovered. One senses a African National Gallery (SANG) in affinities within very specific cul• dense spirit of investment in these Cape Town, curated by Emma Bed• tural domains...
Journal Article
Nka (2023) 2023 (53): 74–87.
Published: 01 November 2023
..., Interview: Sonia Boyce, in Sonia Boyce Feeling Her Way, ed. Emma Ridgway and Courtney J. Martin (New Haven, CT: Yale University Press, 2022), 27. 16 Gavin Jantjes, The Long March from Ethnic Arts to New Internationalism in Black British Culture and Society: A Text Reader, ed. Kwesi Owusu (London...
Journal Article
Nka (2001) 2001 (13-14): 13.
Published: 01 May 2001
... Siwi, the Cu ban Maria Magdalena Campos- Pons and the Senegalese Viye Diba and Kani Sy, or the Angolan Antonio Ole and the African American Emma Amos all conversing in one room! What would have been more inspiring than listening to David Bailey and Sonia Boyce narrating the struggle to document...
Journal Article
Nka (2004) 2004 (19): 26–31.
Published: 01 May 2004
... at the South African National Gallery. Emma Bedford, 14 Enwezor 2001, 81. editor. Cape Town: South African National Gallery, 2003. Special thanks IS Kendell Geers quoted in Christian Rattemeyer, "Kendell Geers:' to Emma Ross and Jonathan Kidd for research assistance and to Documenta II_Platform 5...
Journal Article
Nka (2011) 2011 (29): 100–109.
Published: 01 November 2011
... Janet Berry Hess n 1963 the African and Native American artist scant art-­historical attention. Although African Richard Mayhew joined Romare Bearden, Emma American artists like Norman Lewis, Bearden, I Amos, and other prominent African American and Mayhew were in the vanguard...
Journal Article
Nka (2007) 2007 (21): 122–123.
Published: 01 May 2007
... to such a degree on essay on Senzeni Marasela's artwork, The Curator, Editor quotes from these few writers that it Cradock Four (2001), Bester grapples fur• EMMA BEDFORD 2001 - 2003 lacks a reciprocal engagement...
Journal Article
Nka (2022) 2022 (50): 4–7.
Published: 01 May 2022
... American artists outside of the United States. As Phoebe Wolfskill demonstrates, it is, for example, through Emma Amos s time in London that we can learn about and gain insights into her little-known embracing of abstraction. And, in an altogether different part of the globe and a mid-twentieth century...
Journal Article
Nka (2019) 2019 (45): 150–153.
Published: 01 November 2019
...- lective, Spiral, spearheaded by Romare Bearden, in a subtle homage to their only public exhibition.3 The sole woman affiliated, Emma Amos, was represented by a landscape-suggestive abstract, Black and White Spiral Painting (1964), mutually enhanced by the stylistic shift of her flatly bold, realist Eva...