...Peter Erickson William Kentridge’s 9 Drawings for Projection present white characters in the context of apartheid caught between guilt and redemption, with special attention to the intermediate terrain. Felix in Exile , the fifth film, suggests that the dismantling of the structures of white racism...

..., and more recently in Berlin, Germany where he cur• rently lives, Rhode has been using the wall as a pri• mary medium for his ephemeral drawings and witty perform• ances. Standing as a support to his charcoal drawings, the wall also functions as a backdrop against which to stage...

... for the warmer reception he received outside than inside the United States during the Cold War. In the Soviet Union and its satellite countries, as well as in Mexico, White was judged to be an apostle of the global working class, whose drawings speak for the kinship of the masses of people over the world...

...Yvette Greslé The reviewer pays close attention to the conceptual strategies present in a new body of work by Phoebe Boswell. Produced for a solo exhibition in 2017 at Tiwani Contemporary, London, the work builds on the artist’s exploration of drawing, animation, and technology. The exhibition...

...Christina Knight Jacolby Satterwhite is known for creating virtual worlds that feature multiple avatars of himself voguing within densely rendered neon landscapes. He populates those landscapes with three-dimensional objects painstakingly traced in the animation program Maya from drawings that his...

... installations and tableaux, combinations of superb charcoal and Conté crayon drawings, on weathered wooden planks or cream paper, and found objects. As an artist who draws inspiration from history and the material culture of a bygone era, Lovell doesn’t set out to teach us history, but the subjects and objects...

... hundreds of sketches that he estimated were crucial for his later paintings. This article analyzes Twombly’s North African sketchbooks, a group of drawings in crayon and pencil on typewriter paper that was produced after the artist had returned to Rome and while he investigated African art and culture...

... first survey in the United States, the most comprehensive and innovative show yet for this internationally renowned, multidisciplinary artist. Wangechi Mutu: A Fantastic Journey presented more than fifty works from the mid-1990s to the present, including collage, drawing, sculpture, installation...

... by the queen and the extension of membership in the Royal Academy to a handful. The article draws attention to the ways in which major London galleries such as the Institute of Contemporary Arts, the Serpentine, and the Whitechapel have, over the course of the past two decades, hosted the first main-space solo...

..., climactic in poignant, politically charged lithographs in a realist drawing style set in increasingly abstract environments. By then associated with the Black Arts Movement, he continued to recycle historical figures and references from his earliest work in the milieu of a Black Renaissance in Chicago...

... and liberation is more than a matter of public protest dressed in the aesthetic of blaxploitation. My argument draws on scholarship by Kevin Quashie and Elizabeth Alexander to reveal the potential of the interior and the imagination in representations of Black Power. Journal of Contemporary African Art 47...

... installment of Chahine’s autobiographical film quartet, which he intermittently drew over the course of his thirty-year career, indulges a complex exposé of Chahine the man, the artist, and the political activist. It also draws on mostly imagined, and partly real, episodes in the filmmaker’s life...

... capitalism. Their bodies are made of a collage of dazzling jewels cut from glossy magazines that have rendered them invisible. Drawing on beauty politics, this article maps the visual repertoire of Newsome’s aesthetic and its geopolitical implications. A formal and contextual analysis highlights how the use...

..., particularly Plaiton Suspendu , and speculates on its relation to his later work. In considering Cousins’s sculpture in relation to racial constructions of the immediate postwar period, I draw on prior scholarship focused on postwar African American artists in Paris. I also look to studies of the ways Black...

... in the early 1980s. Making Waves draws attention to a work by Araeen, For Oluwale , which commemorated the racist killing by police officers of David Oluwale, a Nigerian vagrant persecuted in Leeds, England, during the mid-1960s, leading to his death in 1969. While proposing a radical new timeline, the article...

... , but also the variety of art forms it encompasses, including performance, the spoken word, drawing, sculpture, film, and radio. It reaches backward and forward in history, exposing and questioning one of the most contentious collections in the museum, yet always with a deep humanity that acknowledges...

...) both draws on and critiques conventions of documentary photography. Containing appropriated archival photographs, her works are often interpreted as the artist subverting visual stereotypes of black people in order to commemorate their lives and experiences. The author explores the formal strategies...

... attention—the characteristic Africana colors draw the viewer in to further discover and investigate African American history. The colors, textures, subjects, and abstractions in Gatson’s work echo with celebrations of African American history and important icons. Odetta Holmes, Zora Neale Hurston, Harriet...

... artists. This article focuses on two specific exhibitions and artists: Eugene Palmer’s Didn’t It Rain (2018) and Barbara Walker’s Sub Urban: New Drawings (2015), both organized at the University for the Creative Arts, Farnham, UK. The author stresses the contrasting relationship to photography that each...

..., deft and subtle in its ability to address the difficulties of dislocation, deracination, and out-of-placeness that is the everyday lived reality of the diaspora. Akomfrah draws us into Hall’s life through Davis’s discography. We are invited to access Hall, not only through his work, his writings...