Search Results for decoloniality

..., this article highlights the artistic contributions of figures such as Ayrson Heráclito, Alex da Silva, Kiluanji Kia Henda, and Filipe Branquinho. The works of these artists are analyzed as reflections of decolonial practices, intertwined with discourses of resistance against the exploitation of natural...

... Sissokho is a curator, cultural producer, and writer with a specific interest in intellectual, political, and artistic aspects of decoloniality within the arts and culture. Notes 1 After Two Temple Place, the exhibition moved to York Art Gallery, York, June 24 September 18, 2022. 2 Ladi Kwali was born...

... decoloniality Global South SHARJAH BIENNIAL 15 100 Nka Journal of Contemporary African Art 53 November 2023 DOI 10.1215/10757163-10904118 © 2023 by Nka Publications CREATING SPACE for Enwezor s Curatorial Vision Selene Wendt Carrie Mae Weems, The In Between (detail), 2022 2023. Commissioned by Sharjah...

... and erasures—of women artists and histories of liberation struggles. This article introduces early works by each artist as a basis for understanding how their biennale projects are decolonial and feminist in order to argue that the deterritorialized may reterritorialize—create new spaces of enunciation...

... measure. was considered as an exhibition curator and bien- Foreshadowing Decoloniality and Whiteness nial organizer and not as an academic the rep- Almost twenty years after Documenta11, the loss of etition of this statement among those we questioned Enwezor comes during a critical reckoning...

... practice as a means to open up ways to reconceive hospitality as a site of interruption, absolution, and abolition, and it reaffirms scholarship that conceives Enwezor’s exhibition making as a decolonial practice. © 2021 by Nka Publications 2021 2012 La Triennale Intense Proximite curating...

... people in North America aligns with many of Okwui Enwezor’s groundbreaking initiatives around the world. This assemblage of images, poetry, and first-person narratives is an example of the kind of practice in dialogue with the legacy of Enwezor’s decolonial actions and innovative use of curatorial...

... to reclaim an African birthright rooted in a decolonial counter-history of Ethiopia and Egypt. Transported in Fuller’s work beyond present conditions of archaeological dispossession and eugenicist anti-Blackness, these territories become the grounds for reestablishing kinship across the Black Atlantic...

... reflects historical injustice, and his position was a leitmotif in the necessary decolonial dis- One: The first time I listened to his reading at a course. His analysis of systemic racism helped establish global art center was in 1996, when he gave a talk at the co-presences of Off centers in the art world...

... and Audre Lorde. 10 The task and object of study of uncolonialism arguably differs from decolonialism in the sense that decolonial thought thinks after empire, while uncolonialism concentrates it energy on the presence of lost, mislaid, or partially destroyed forms of culture from the imperial moment...

... and political dynamics of a world in motion. It also considers the consequences of the historical, cultural, and artistic entanglement of Africa and Europe at the intersection of modernity, decoloni- zation, and new migrations. Salah M. Hassan © 2020 by Nka Publications 2020 ...

... South Africans in the 1994 political elections detonated an explosion of inde- Scholars have argued that Enwezor s themes of scribable euphoria and decolonial agendas around migration and cultural traffic as sites of crises were the country. It was ground zero for an art system that had hardly scratched...

... believe the following themes: Enwezor s optimism about democratic systems still Democracy Unrealized (Vienna and Berlin) holds, his crucial point articulates through the lens Experiments with Truth: Transitional Justice and of a Marxist decolonial project my long-developed argument that relational...

... in to the fact that Documenta11 has been inscribed the sphere of artistic canons.28 in exhibition history as a postcolonial event and thus linked to a critical tradition that has been seen As the quote indicates, Enwezor sought to ex- by later decolonial theorists as a critical tradition pand the practices...

... of unqualified or even better control. nity in moments of “violent political ambiance.”17 In this “location of resistance existing . . . in the Her larger project toward queer socialities mines interstices between decolonial processes, transna- “attempts at recognition” like Hemphill’s and the tional...

... visibility and produced discourse, concretizes any decolonial discussion of postcolonial modernisms, rendering legible the dynamics that fed into and continue to inform exposure of a few and the obsolescence of many works exhibited at Tendances, generally works, it should be added, that already at the time...

..., colonial and decolonial. To say that the world of the screen had invaded the off-screen world, as we can see in the style of paintings by Ndiaye of the front entrances of cinema houses, is to realize that our daily actions are constituted by cinematic moments; whereas before, films imitated life in epic...

... race and colonialism are still the most pertinent to an understanding of the problems of postcolonial societies and subjectivities, in both the 'first' and 'third' worlds. Fanon is perhaps the most important black theorist of decoloni• sation, but the detail of his ideas has been ignored...

... decolonial practice to unfold. Throughout her work, Whittle exposes what she refers to as the luxury of amnesia through complex, interwoven narratives that offer a more complete picture of the connection between colonial history and the social injustices of our time. The luxury of amnesia is a really potent...

..., Subaltern Knowledges, and Border Thinking (Princeton, NJ: Princeton University Press, 2010); Mignolo, The Darker Side of Western Modernity: Global Futures, Decolonial Options (Durham, Balona de Oliveira Nka • 55 ...