Search Results for curatorial constellations

... curatorial constellations postcolonial art ENWEZOR S MODEL and Copenhagen s Center for Art on Migration Politics Sabine Dahl Nielsen and O ne of the most remarkable signs of the impor- Anne Ring Petersen tance and adaptability of Okwui Enwezor s work is the way in which the transformative models...

... history in the globalized special issue acknowledge the capacity for the re- twenty-first century. search constellation that accommodates Enwezor s scholarly model, by which African subjects and In many ways, and far afield from bounded geog- the curatorial research/practice of global exposi- raphies...

... with the Sharjah exhibit begged this very question. Three decades after its establishment, Sharjah Biennial finds itself at an inflection point. As Sharjah Art Foundation director Hoor Al Qasimi observed in a well-argued curatorial statement, this year s biennial was to be understood both as an exhibition...

... at a scale that is unique in the world right now, the exhibition was curated by Hoor Al Qasimi to emphasize the intersections and overlaps between constellated local movements and struggles, and, most critically, exploring how we might imagine this world otherwise. This biennial was conceived by the curator...

... show Nigeria Imaginary for the Nigerian Pavilion explores what it might mean to tell a history of Nigerian art constellated with global modern and contemporary art within the underconstruction Museum of West African Art. As the curatorial statement reads: Powers Nka 107 108 Nka Journal...

...-contained Biennial; it is the culmination of all its predecessors, of relationship-building and conversations unfolding over three decades, both within and beyond Sharjah, de-territorializing our local context with its regional equivalents across the postcolonial constellation of the global south. 1 She...

... as material related to his curatorial interventions, writings, and formidable publishing efforts, to reveal pivotal moments in his personal and artistic journeys across five distinct yet overlapping phases of his artistic movement from 1970 to 2023. [email protected] Copyright © 2024 by Nka...

..., is also “a kind of intimate, intersubjective, interrelational obligation,” Enwezor never presumed his role as positionality to be sovereign. The first half of the article introduces the concept of hospitality and sets up Enwezor’s curatorial premise of IP . The second half mobilizes his curatorial...

... projects, and from over twenty years of experience working on curatorial projects and a deep involvement in exchanges and debates with artists and intellectuals.5 The artist expresses ideas and suggests not only an experience of art but also a way of living, proposes other possibilities by using new forms...

... end of the scale, a recent confer• Writing in the introduction to this booklet, the most emotive matters to face the new ence of black academics - who met to Bryan Krafchik indicated that curatorial government" because, whereas changes in discuss...

... Fani-Kayode, Marlene Smith, and others, a chorus gathering force since the late 1970s, when the constellation of artists, activists, and critics of what has come to be known in some circles as the Black Arts Movement burst on to the British art scene. Working in relation to questions of black- ness...

... people in North America aligns with many of Okwui Enwezor’s groundbreaking initiatives around the world. This assemblage of images, poetry, and first-person narratives is an example of the kind of practice in dialogue with the legacy of Enwezor’s decolonial actions and innovative use of curatorial...

... portrayals of the sidewalks themes of the show, as do Roderick Sauls' bright- of Hillbrow and downtown Johannesburg, which, colored jackets lined in surreal imagery. The works contrary to tourist folklore, bustle with life and themselves, it seems, in resisting curatorial trade...

... Biennial, which I was cocurating. Our encounters, however, stretched back in time over several years via secondhand conversations, loan agreements, image clearance forms, and the like. Such is the life of the curator seeking to notarize art into its sanctioned forms to enter history. Early in my curatorial...

... Africa. I remember having lunch many years ago John Picton: In 1989 Rasheed Araeen curated a with colleagues, both academic and curatorial, at a show at the Hayward Gallery in London called conference of the Arts Council of the African Stud- The Other Story. It dealt...