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Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 42–49.
Published: 01 November 2011
... Symbionese Liberation Army are most often remembered through their spectacular representation in visual media culture rather than through their political actions or agendas. Video and film projects such as Raymond Pettibon and David Markey’s Citizen Tania (1989), Isaac Julien’s Baltimore (2003), Sharon...
Journal Article
Nka Journal of Contemporary African Art (1 November 2013) 2013 (33): 112–115.
Published: 01 November 2013
... Iscotch use of color and the collective pro- century Ethiopia. Her research interests uniform is so fascinating, fashion-­ cess involved in creating a circa 1996 include cross-­cultural exchange, early forward, or even shocking because it series of shantytown interiors: “By globalization, and...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 30–33.
Published: 01 May 1995
... EXPRESSIONS OF THE SELF AND CROSS-CULTURAL AESTHETICS Salah Hassan TODAY, THE STORY OF EUROPEAN ARTISTS, It has been argued that the neglect of contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 92–93.
Published: 01 May 2003
...Ruth Kerkham Copyright © 2003 Nka: Journal of Contemporary African Art 2003 COEXISTENCE: Contemporary Cultural Production in South Africa The Rose Art Museum, Brandeis University, January 22 - June 29,2003 (The exhibition will also be at the South...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 158–167.
Published: 01 May 2009
... reconsider artists—from different nations and diverse cultur• their curatorial policy. al milieus—share an engagement with, and pas• However, the two exhibitions have the advan• sion for, African textiles." In the display, the dis• 3...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 96–109.
Published: 01 November 2018
...Ugochukwu-Smooth C. Nzewi The creation of the Dak’Art Biennale in 1989 marked a pivotal moment in the African and international art scenes. President Abdou Diouf’s government had emerged from the worst part of Senegal’s economic crisis in the 1980s and was ready to return to international cultural...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 170–183.
Published: 01 November 2018
...Ahmed Bedjaoui A few years after achieving its independence in 1962, Algeria, under the umbrella of the Organization of the African Union, organized the first Pan African Cultural Festival, referred to as PANAF. The festival it took place in Algiers in July 1969 during a time when a few African...
Journal Article
Nka Journal of Contemporary African Art (1 November 2018) 2018 (42-43): 184–193.
Published: 01 November 2018
... met Connie Matthews, the executive director of a UNESCO cultural organization based in Copenhagen and an organizer for the Black Panther Party. Matthews told Wade about the upcoming Pan-African Cultural Festival (PANAF) in Algiers and encouraged him to attend. By then Wade had been working in...
Journal Article
Nka Journal of Contemporary African Art (1 May 1996) 1996 (4): 30–35.
Published: 01 May 1996
Journal Article
Nka Journal of Contemporary African Art (1 November 1996) 1996 (5): 34–37.
Published: 01 November 1996
...Sandra Klopper Copyright © 1996 Nka: Journal of Contemporary African Art 1996 THE POLITICS OF CULTURAL OWNERSHIP IN CONTEMPORARY SOUTH AFRICA riting in the early 1990s, Stuart Hall noted that subjects, their curators, have thrown into sharp focus the country's...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 80–89.
Published: 01 May 2014
... implications of racial/ethnic placing and ney Goldin filmUncle Moses reveals a similarly attachment to place. This means understanding the causal relation between the visual articulation of a impact of these scenarios on cultural production, very particular setting (the intersection or corner including...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 128–137.
Published: 01 May 2013
... place the traces, she applied velvet black3 — an adhesive behind and discovering other places, as well as living substance criminologists use for rendering things in a range of cultures, are part of her own history — visible — to the surfaces, then covered them with as are experiences of...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 94–107.
Published: 01 May 2015
...- Grabski Nka • 105 ufacturing and consumption overlapped locally, Joanna Grabski is the John and Christine Warner Dakar-based tailors have had to contend with the Professor of Art History and Visual Culture at Deni- impacts of imported new and used clothing on the son University. In addition to writing...
Journal Article
Nka Journal of Contemporary African Art (1 November 2009) 2009 (25): 96–105.
Published: 01 November 2009
.... Sarah Nuttall is Professor of Literary and Cultural Studies at Wits Institute for Social and Economic...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 114–119.
Published: 01 November 2014
... straplines and slogans promising services from reincarnation to sexual longevity. These universally resonant signs indexing the unity of cross-cultural depravity open a transcendental void and thus exist as chronicles of apparently self-destructive times in which mass consumption serves to palliate a darker...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 60–65.
Published: 01 May 2014
... tradition and a critique of mainstream performance art history, this article starts in Harlem before taking the reader on a sweeping journey that calls at Chicago and Houston and ends in New Orleans. A cursory introduction to African diasporic public ceremonial culture, the article looks to carnival and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 162–165.
Published: 01 November 2012
... could is to expand the definition of land- tor and independent producer special- reach the limits of the fantastic but scape beyond geographic or physical izing in the arts and cultures of Africa that also, sadly, holds a cruel and bru- space by looking at it as a mental and and its diaspora. She is...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 60–71.
Published: 01 May 2006
...Hazel Carby Copyright © 2006 Nka: Journal of Contemporary African Art 2006 US/UK's Special Relationship: The Culture of Torture in Abu Ghraib and Lynching Photographs Hazel Carby No matter where you are in the United States, American mind. Who...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 86–91.
Published: 01 May 2006
...• undergirds it. For all their other complicated embed• otic" and socially "divisive." Contrary to the logic ded meanings, they are, as James Allen continually that defines the meaning of civic culture racially, the emphasizes, crime scenes, in the way articulated by installation of...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 16–18.
Published: 01 May 1994