...Iheanyi Onwuegbucha [email protected] © 2024 by Nka Publications 2024 Sue Williamson Lebohang Kganye apartheid collective memory cross-generational dialogue REVIEW SUE WILLIAMSON AND LEBOHANG KGANYE Tell Me What You Remember THE BARNES FOUNDATION, PHILADELPHIA MARCH 5 MAY 21...

... African American Brett Cook Wura-Natasha Ogunji Nigerian art TRANSCULTURAL CONVERSATIONS American and Nigerian Art in Dialogue Peju Layiwola Journal of Contemporary African Art • 41 • November 2017 140 • Nka DOI 10.1215/10757163-4271696 ©...

..., and theoretical encounter with bodies that are not accommodated by normative social, political, and institutional spaces in dialogue with Boswell’s work. For Every Real Word Spoken , Boswell Phoebe , Tiwani Contemporary , London , March 10 – April 22 , 2017 Copyright © 2017 by Nka Publications...

.... children, namely your sculptures. How does In addition to his mythology, the dialogue touches on Kwatsityw'iziko fit in to this narrative? two other defining characteristics of Hlobo's work: his use of Xhosa, his first language, and the absence of cynicism. NICHOLAS HLOBO...

..., "Whe n quali• called 'blackness' is concurrent with efforts to ty becomes a loaded wo rd , identity is a pressing make race socially and politically irrelevant The issue Fast-forward to 2003 wh en th e Art curator engages in dialogue with his Un iversity of Institute of Chicago purportedly...

... is a shared experience between Angola, Cuba and South Africa: "1 was interested in the possibility of making an archive of the intimate memories and traces of that time. The exhibition is more a dialogue between victims than between winners and losers." What is taken up in the exhibition, with varying...

... in their contexts. Muluneh s dialogue can be situated within this legacy of visual modernism crossing over, or being intertextual, in that her consideration of modernism (for example, seen in Kahlo s influence on some work) extends beyond the boundaries of the visual to engage language. In the photograph Age...

..., musicality, and social exhibitions is the way they scrutinize the dialogue pattern. The artists are no more interested in between tradition and modernity and emphasize defending a social hierarchy or genuine communi• the engaging approach of the contemporary ty references...

... the ocean, “We live this.”2 Tanger (CdT) cofounder Yto Barrada has explained, We can read Barrada’s photography, as well as the border shut at the moment that Europe gained her role at the CdT, in response to and in dialogue an increasingly visible presence in Morocco with the with the mutating...

... with the faculty and students at Cheik Anta Diop University in Dakar. Most important, our intervention in Dakar was driven by our conviction that we were not only entering into a dialogue with the local community, but also going in as equal partners and respecting the efforts of the Senegalese art community...

... no claim to particulars." of the traditional and the modern and the extended dialogue with 6 Western centers of modernism and modernist practice, he points While I would wish to argue that the particulars are important, also to the asymmetrical...

... world in a critical dialogue about the significant to Evans’s working method. As she imagery that bombards people in a postindustrial describes it, “It is pretty, and it is standard. These are society, she developed an interest that was, as she just bog-standard people that you get from graph...

... at the Palais de Tokyo in Paris, the city where Damas helped form the Negritude movement and where he published his first poetry collection.23 Experiencing a homecoming of sorts while being put in dialogue with a filmmaker whose work established related cross-cultural and cross-continental connections, Homage...

... insights they offer. Plato s Socratic dialogue in The Republic makes it explicit that the philosopher does not accept seductive art, particularly art that is based on the ingenious mind of an artist who presents a detailed issue through creative imagination. While Plato specifies the poet, the painter...

... and postmodernism in a fascinating dialogue with their tradition and heritage. If anything, the Short Century has shown beyond any doubt the complexity and diversity of the African experience in constructing its moder• nity and post-modernity. This is one aspect the Short Century displays...

... as well. The loss and dislocation, but also with nostalgia a few years, Atnafu returned to Howard dynamics of her work can thus be seen as a for the glorious past. Like other Ethiopian University in 1994, this time to pursue her dialogue with Skunder and other pioneers...

... dialogue between the performers Elaine Mitchener by the characteristic sounds of soukous, which typi- and Astronautalis, filmed during a performance cally features an intense interplay between many at the Victoria and Albert Museum in London. A guitars, coupled with a beat and melody that owes live...

... Khayat Art Avenue, a development of the Al Quoz district. The gallery, which champions artists from the African continent and aims to foster a cross-cultural dialogue, plays a pivotal role in expanding the critical discourse on contemporary African art in the Middle East. Within Yaw Owusu s latest body...

...). The exhibition "Heart of Contemporary African artis very Darkness" fuses these complex ques• much in the news. As the demand for tions into a dialogue that could be artists from the Continent and the understood as a contemporary image Diaspora has increased...

... postcolonial offer a possible alternative of crossing generation with contemporary prac- borders and dynamic movement, as in tice. Pieprzak engages with the his- Karroum’s Le bout du monde expeditions torical attempts of painters from the and the group Videokaravaan. Pieprzak Beaux-­Arts...