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Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 70–71.
Published: 01 May 1995
... Philip Amonoo, CRITICAL INTERVENTIONS:BEYOND ABJECTION interests were represented, although textile including this writer. The rank of sculptors JUNE KELLY GALLERY work was conspicuously absent. Though the was represented by Chris Afuba, Frank...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 48–55.
Published: 01 May 2003
... Delhi and Lagos. In addition to "deterri- ventional limits of the discipline. This was especially evident in torializing" the exhibition, Mr. Enwezor questioned "universaliz• the 100 Days-100 Guests lectures/events in which artists, critics ing conceptions of cultural and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 40–47.
Published: 01 May 2014
... American community in ways that reflected and enacted larger societal institutional and political conceptions. Copyright © 2014 Nka: Journal of Contemporary African Art 2014 COLLABORATIVE IMPROVISATION AS CRITICAL PEDAGOGY Journal of Contemporary African Art • 34...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 24–28.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 50–61.
Published: 01 May 2013
... video is the product of volitional collaboration and negotiation between Breitz and the cast of Generations . Consequently, the piece avoids some of the critical shortcomings occasionally associated with her earlier work and embodies, in a provocative and parallel sense, Frantz Fanon’s emphasis on the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 138–141.
Published: 01 May 2013
... and artists the replaced have movement the for advocated who critics those of ideas the if as Italmost is artists. its to than champions movement’s the to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 96–99.
Published: 01 May 2001
... directors of the Aspassio Haronitaki, Serie: Les Hybrides. 96 • Nka Journal of Contemporary African Art highly critical: the French still don't get...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 112–123.
Published: 01 November 2012
... national pavilions for title ILLUMInations testifies to the abiding impact of T South Africa and Zimbabwe and the inau- its legacy today. For all the criticism that has been lev- guration of a pavilion for Haiti. The Democratic eled at the idealization of rationalist Enlightenment Republic of the...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 136–139.
Published: 01 November 2014
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 124–141.
Published: 01 November 2012
... inventive approach play with scripted forms and visual lexicons, revel- to script, which has earned him critical acclaim in ing in their materiality and questioning the complex the ever-­changing, always contingent “canon” of processes through which the spectator experiences global contemporary art. He...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 74–79.
Published: 01 May 2014
... space development, object making, per- to work in one way or another, collectively or indi- formance, and critical engagement with many pub- vidually? There are times when groups work, and lics. Gates founded the nonprofit Rebuild Foundation there are times when it’s better that y’all really just...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 140–144.
Published: 01 November 2014
...Ian Bourland This essay reviews and critically contextualizes a recent group exhibition at University of Massachusetts Amherst. The show was part of a larger program considering the legacy of W. E. B. Du Bois. It featured artists such as Carrie Mae Weems, Julie Mehretu, LaToya Ruby Frazier, and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 142–147.
Published: 01 November 2012
... producing them through lithographic prints. Be- 1950s and 1960s.13 Its popular circulation in Brit- cause of this mass production, some of his greatest ain prompted the Guardian to call it “evocative of critics dismissed his works as “kitsch.”10 Seeing his British popular culture.”14 Boris Gorelik has...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 80–89.
Published: 01 May 2014
... business, music, film, and art, even while of Orchard and Delancey in New York) in one film proffering a critical response to their insularity.9 frame and the dense collectivity of Jewish persons These are not examples of collectives named who circulate around this corner in the next frames. as such...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 110–115.
Published: 01 May 2014
... the for any critical dialogue on contemporary art — is book, such as his interest in abstraction, his prefer- Sanyal Nka • 111 ence for nonfixed forms, and, most important, the wall-­hanging projects, and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2006) 2006 (20): 72–85.
Published: 01 May 2006
...). Fall 2006 Nka-83 Southern Illinois University, Carbondale; American 6 Katha Pollitt, "Show and Tell in Abu Ghraib," The Nation, Studies Colloquium, Rutgers University; Visual and May 24, 2004, p. 9. Critical...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 16–18.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 29–33.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 12–17.
Published: 01 May 1995
... among his most well-known works. Their lyricism, pre• most harrowing artistic treatise on war since Goya. For cision, and brevity of signification are breath-taking and instance Egonu's "Woman in Grief" from 1968, while unrivaled. Former Studio critic George Whittet...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 68–69.
Published: 01 May 1995
... (think, of course, of Picasso, of Geoffrey Jacques is a writer and critic. He public viewing in the evening of April 11, Giacometti and Dubuffet). And the figurines lives in New York...