...Derek Conrad Murray Copyright © 2003 Nka: Journal of Contemporary African Art 2003 OKWUI ENWEZOR in conversation with Derek Conrad Murray...

...Ivor Powell Copyright © 2008 Nka: Journal of Contemporary African Art 2008 They are crippled and radically dys• CONRAD BOTES...

... to consume celebrity. Ultimately, her oeuvre is Derek Conrad Murray is a doctoral student in history of art more playful than didactic as she resists fixed notions of identi• at Cornell University ty with a subtlety and grace seldom seen in contemporaneous artistic production...

...Derek Conrad Murray Copyright © 2002 Nka: Journal of Contemporary African Art 2002 The sculptures have a quiet, mocks essentialist notions of the dainty female figure is clad Yinka Shonibare...

...Derek Conrad Murray Copyright © 2001 Nka: Journal of Contemporary African Art 2001 tion in Jazz and Hip-Hop music) Inside the main space, Kori reminiscent of landscapes. Freestyle 1 introduces twenty...

...Dereck Conrad Murray Copyright © 2007 Nka: Journal of Contemporary African Art 2007 KEHINDE WILEY SPLENDID BODIES Dereck Conrad Murray...

...Derek Conrad Murray Copyright © 2007 Nka: Journal of Contemporary African Art 2007 laws, combined with the historical Gwendolyn DuBois Shaw...

...Soraya Murray; Derek Conrad Murray Copyright © 2008 Nka: Journal of Contemporary African Art 2008 ON ART AND CONTAMINATION Performing Authenticity in Global Art Practices Soraya Murray & Derek Conrad Murray ith the gradual shift of Western art- cal...

...Derek Conrad Murray Copyright © 2004 Nka: Journal of Contemporary African Art 2004 "Black Belt" on many levels celebrates the very stereotypes...

...: exhibition has been likened to the DARKNESS OF ART narrative of Conrad's Heart of Darkness. Bidjocka arduous journey from 'civilised' Europe into the heart Biti Bidjocka...

... REVIEW Bidjocka's complicity within the ART OF DARKNESS: exhibition has been likened to the DARKNESS OF ART narrative of Conrad's Heart...

... enough, if one considers in what con• typing—the excerpt of Conrad (Again), the Berlin Conference, the texts photographic images are seen, what dependencies they create, what curious interpretation of Avedon's William Casby, Born a Slave— repre• antagonisms they pacify...

... offers clues to lence in urban America. Focusing solely on the genre of the history, aesthetics, and technical process that have painting, Derek Conrad Murray offers an in-depth cri• come to define Enadre's oeuvre, and to the making of tique of race and masculinity as major tropes of repre• his...

... Africans decades after change the world order? Dismantling and decon- African nations won their independence. They quote structing the system creates disorder, but this does a passage from Joseph Conrad s Heart of Darkness not necessarily mean chaos. It does, however, mean that, in their words, amounts...

... and affords multiple ambigu- the filmmaker’s cyborgian approach seeks to dis- ous readings, both literal and metaphorical. Indeed, rupt the grand narratives that structure African in Conrad’s novel the multivalent trope of darkness societies and the continent’s global image. is simultaneously situated...

... and Fall of the Wall of Respect 35 Cited in Donaldson, “Trans-African Art,” p. 96. Philip Glass; nor do these pieces recall the doggedly For the work of both Abrams and Donaldson, I Movement,” International Review of African American Art , vol. 36 Ibid., p. 98. static pose of Tony Conrad’s...

... to express, or extend, something personal (and private) to the world be- yond his confinement by using discarded X-rays as a medium. X-rays were discovered accidentally at the end of the nineteenth century by German physicist Wilhelm Conrad Röntgen. The highly energetic electromagnetic radiation rays...

.... History in the Visual Culture of Hip-Hop,” Art Bulletin 91, no. 4 18 Derek Conrad Murray recently wrote that Wiley’s paintings (2009): 487. lack the “surface complexity and dense layering of the masterworks 30 Senghor, “Spirit of Civilisation,” 52. they seek to emulate.” However, Murray considers...

... elaboration of these themes was made by Derek Conrad Murray, Base Materialism: Meditations on the Intersection of Blackness and Form (paper presented at the Annual Meeting of the College Art Association, New York, NY, February 16, 2017). 26 Planetary consciousness, for Paul Gilroy, follows the specu- lative...

... works intertextual complexity that the tion was an interesting showing Derek Conrad Murray is a doc• to date. Shonibare's fixation with others seem to lack. of new digital art (entitled Race toral student in history...