... societies and periods. Placing the sensory experience at the forefront of cultural analysis and activity has been one of the driving forces behind Camille Norment’s practice as a whole, and her project Rapture , in particular. Her practice has been inspired by the contextual relationships between sound...

... of archiving black American culture and the lives of Hatch and Camille Billops, the artists who have made it their life’s work. Copyright © 2012 Nka: Journal of Contemporary African Art 2012 The Art of remembering Camille Billops and James Hatch...

..., the dominant voyeuristic gaze by feeding the stereotypes with their representation of seductive sensual women. I am not condemning the representation of naked women s bodies; however, there is a loaded history to this representation that cannot be overlooked. Some of George Camille s work, shown at Kaz Zanana...

.... 9. Joy Hakanson Colby, “Getting Back on an Upward Spiral,” 1. See the section “Spiral Group, 1963–1966” for a list of the Detroit News, June 28, 1989; Camille Billops, “Reginald Gammon Spiral members. #1: Interview, January 30, 1974,” Artist...

... Museum of Art, 2021), 22. 10 Camille Billops, Interview of Emma Amos by Camille Billops (New York: Hatch-Billops Collection, 1995). Turnbull was largely a sculptor, but his paintings consisted of abstract, bold fields of color. As a painter and printmaker, Merlyn Evans engaged a form of surrealist...

... supporters of the vidual artists such as Camille Billops, Elizabeth women artists. In 1968 I had been fortunate to have Catlett, lnge Hardison, Loïs Mailou Jones, Faith worked as a printmaking apprentice at their Harlem Ringgold, and Betye Saar were gaining high repute cooperative gallery, Nyumba Ya...

... states, "I accept the Schneemann, Lorraine O'Grady, Faith Ringgold, Camille idea that my art may lose some of its relevance." She actually Billops, and many others. hopes that it will, and says further, "I don't believe work is time- Amos, "Measuring Content," p. 38...

... Waddy, Camille Billops, John Outterbridge, militant language had sought to engender. Among and Cecil Fergerson all had musical backgrounds. others, Eric Hobsbawm has written persuasively of Riddle, Hammons, and Purifoy incorporated musi- the problems inherent in considering religio-­ethnic cal...

... screamed right along with them. Why didn’t they invite—now let’s think about this—Camille Billops, who was photographing every art exhibition that opened in the area at the time? She was the official pho- tographer on her own of all the openings of anybody’s work. And if you want to see them, you...

... of history. wind to determine the state of things right now. I After three full days of sensory overload, by the can’t imagine a more poetic metaphor within the time I finally made it to the Nordic Pavilion just in wider framework of an exhibition highlighted time for Camille...