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bili

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Journal Article
Nka (1995) 1995 (3): 60–63.
Published: 01 November 1995
Journal Article
Nka (2001) 2001 (15): 74–76.
Published: 01 November 2001
..., or as the Bili Bidjocka, Collage "residual sign of a prior presence Bidjocka saw himself repeating the shape, at a certain moment imposing itself and ili Bidjocka shuns representation, but its remembrance reaching a kind...
Journal Article
Nka (1998) 1998 (9): 68–69.
Published: 01 November 1998
... the 'periphery' often Apocalypse Now (1979), and it is now live and practice in the 'metro- these themes that formed the basis of pole'. These global shifts have not an exhibition, 'Heart of Darkness', by only resulted in the assimilation of Bili Bidjocka (Cameroon-France...
Journal Article
Nka (2001) 2001 (13-14): 14–17.
Published: 01 May 2001
...Emma Bedford Copyright © 2001 Nka: Journal of Contemporary African Art 2001 DAK'ART of the Magic Emma Bedford t was something that Bili Bidjocka many eager locals are seeking the con• city to the potential...
Journal Article
Nka (1998) 1998 (8): 52–53.
Published: 01 May 1998
... Bili Bidjocka's untitled mixed media in• Withheld (Untitled), 1993, consists of a rec• her body hair with electric clippers. This work stallation presents a "memory" of a dance and tangle of black tape on the floor, with license reminds us of how one's...
Journal Article
Nka (1998) 1998 (8): 40–45.
Published: 01 May 1998
... Carpinteros sections of the Biennale, "Graft" countries has lately been exception• to join artists the two have en• and "Life's Little Necessities," al, and the Biennale 's inclusions in thused over in the past: Bili Bid- both held...
Journal Article
Nka (2001) 2001 (15): 94–95.
Published: 01 November 2001
...- with the colonial past (classified artists—Ike Ude, Ouattara, Olu artistic traditions. Reading the Desfosses and in Osogbo, as "old, very expensive or tech• Oguibe and Bili Bidjocka—are Contemporary: African Art from Nigeria, by Ulli...
Journal Article
Nka (1998) 1998 (9): 64–66.
Published: 01 November 1998
... of Darkness', by only resulted in the assimilation of Bili Bidjocka (Cameroon-France), and western influences by Africans, but Kendell Geers (South Africa), at the also the permeation of western cul• Standard Bank National Arts Festival ture by Africa, thus collapsing...
Journal Article
Nka (2021) 2021 (48): 14–22.
Published: 01 May 2021
.... Highlights from the country that has not yet located its own center of show included William Kentridge, Ghada Amer, Bili gravity. 7 Bidjocka, Tania Bruguera, Eugenio Dittborn, Stan Douglas, Olafur Eliasson, Touhami Ennadre, Coco On the contrary, Enwezor s and Zaya s Alternat- Fusco, Felix Gonzalez Torres...
Journal Article
Nka (2008) 2008 (22-23): 152–188.
Published: 01 May 2008
... As curators, we indeed have to be more com• Mutu was frankly a travesty. Others, like Bili plex (visibly) in our engagement with institutions. Bidjocka were much better. Clearly we all have to These "sites" are all interconnected, but it often grapple with the constrictions...
Journal Article
Nka (2012) 2012 (31): 46–111.
Published: 01 November 2012
... the specifically Jane Alexander, Bili Bidjocka, and others, photography department or the African department around the display of some very complex installa- within a museum structure. Traditionally the col- tions. It does not have to be about a display of power. lections within museums have been founded...
Journal Article
Nka (2010) 2010 (26): 80–151.
Published: 01 May 2010
... to translate but threads: from John Picton’s reminder that there is that approximately means “art,” “creativity,” and nothing really that does not make African art inter- “making” all at once. A few years later the Cam- national except the ex nihilo construction of some eroonian artist Bili...