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biennial
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Journal Article
Nka (2017) 2017 (40): 82–89.
Published: 01 June 2017
...Ugochukwu-Smooth C. Nzewi This essay reviews the twelfth iteration of the Sharjah Biennial, 2015, a major event in the international art calendar and the most significant fulcrum of cultural and artistic activities in the Middle East and North Africa. I examine how curator Eungie Joo articulated...
Journal Article
Nka (1999) 1999 (10): 58–61.
Published: 01 May 1999
....
The 24th
aulo Biennial...
Journal Article
Nka (2023) 2023 (53): 126–136.
Published: 01 November 2023
...Elizabeth Giorgis Sharjah Biennial 15 Thinking Historically in the Present hurled a spectacular exhibition that featured more than three-hundred works by one-hundred fifty artists from over seventy countries. While global ideas informed the artists of the Biennial, the specific historical...
Journal Article
Nka (2023) 2023 (53): 88–98.
Published: 01 November 2023
...Holiday Powers “Those Who Will Join Us” reviews Bouchra Khalili’s multimedia installation The Circle (2023) in the context of Sharjah Biennial 15. The Circle was commissioned by Sharjah Art Foundation and won one of the biennial prizes, and suggests larger questions about what it means...
Journal Article
Nka (2023) 2023 (53): 114–125.
Published: 01 November 2023
...James Meyer [email protected] Copyright © 2023 by Nka Publications 2023 SHARJAH BIENNIAL 15 SHARJAH BIENNIAL 15 Hajra Waheed, Hum II, 2023. Multichannel sound installation, 30 min., 51sec. Installation view, Sharjah Biennial 15, Al Mureijah Square. Courtesy and © the artist. Photo...
Journal Article
Nka (2023) 2023 (53): 101–112.
Published: 01 November 2023
...Selene Wendt Selene Wendt’s review “Creating Space for Enwezor’s Curatorial Vision” addresses a small selection of the many works featured in Sharjah Biennial 15 (SB15). Conceived by Okwui Enwezor and curated by Hoor Al Qasimi, SB15 included more than one hundred and fifty artists and collectives...
Journal Article
Nka (2023) 2023 (53): 138–151.
Published: 01 November 2023
...Christopher J. Lee This essay reviews a series of photographs by South African photographer Omar Badsha exhibited as part of Sharjah Biennial 15 (SB15). Collectively entitled Once We Were Warriors: Women and Resistance in the South African Liberation Struggle (1981–1999) , the thirty-one images...
Journal Article
Nka (2023) 2023 (53): 4–5.
Published: 01 November 2023
...Salah M. Hassan [email protected] Copyright © 2023 by Nka Publications 2023 From the Editor In this issue of Nka a special portfolio is dedicated to the 15th edition of the Sharjah Biennial. It includes critical reviews that focus on sections of the Biennial, participating artists...
Journal Article
Nka (2021) 2021 (48): 152–153.
Published: 01 May 2021
.... Cuba and the Havana Biennial model were the ideal platform for Enwezor. What the biennial pro- posed as aspirational and then managed to build gave him a concrete site for realizing his own dreams. Finally, he could see a place where the rich visual production of the Global South displayed all its...
Journal Article
Nka (2001) 2001 (13-14): 26–33.
Published: 01 May 2001
... you take not
completing the Whitney Biennial which was already
underway when you left?
Thelma Golden: My life at the Whitney Museum
changed profoundly, not when I resigned, but really
when David Ross resigned. What people don't realize is
that the significant changes at the Whitney...
Journal Article
Nka (2024) 2024 (55): 4–5.
Published: 01 November 2024
...Chika Okeke-Agulu [email protected] Copyright © 2024 by Nka Publications 2024 From the Editor Africa in Venice In its first one hundred years, the Venice Biennale, the granddaddy of the nearly three hundred art biennials scattered around the world today, had only one established...
Journal Article
Nka (1998) 1998 (8): 9.
Published: 01 May 1998
...Olu Oguibe Copyright © 1998 Nka: Journal of Contemporary African Art 1998 FROM THE EDITOR
f 1997 was the year of the mega-shows; the grand expositions and block-buster exhibitions, the year of the tenth Documenta
and of the great biennials both old and emergent, the year...
Journal Article
Nka (2003) 2003 (18): 98–99.
Published: 01 May 2003
... a
chance to see in the United
March 23 - June States or Europe. The bienniale's
2002 pedagogical function should not
be underestimated by people...
Journal Article
Nka (1996) 1996 (5): 66.
Published: 01 November 1996
..., the
Biennial (Portugal and Holland South Africa. Being a non-commer• New Slave Narratives."
judges articulately masked their respectively). While Dumas was not cial exhibition, Vita Art Now has
own personal...
Journal Article
Nka (2015) 2015 (36): 88–93.
Published: 01 May 2015
...-curated with Elise Atangana and
Abdelkader Damani, deployed a conceptual framework of
“producing the common.” Walking through the exhibitions
in the biennial village...
Journal Article
Nka (2014) 2014 (35): 4–5.
Published: 01 November 2014
... themselves in the field and have since tions can we reasonably begin to see contemporary
received important museum exhibitions or have art as a veritable component of African public cul-
been presented in leading biennials. Monographs ture and social experience.
have also been published on their work...
Journal Article
Nka (1998) 1998 (8): 24–27.
Published: 01 May 1998
...Chika Okeke Copyright © 1998 Nka: Journal of Contemporary African Art 1998 This year marks the third pate in, this course of action—
DAK'ART, The Biennial...
Journal Article
Nka (2008) 2008 (22-23): 8–9.
Published: 01 May 2008
... the place and signifi• by an interested party—usually a national or region•
cance of a given field in the contemporary art world. al cultural agency—that pays for the space and
Think of the effect of Africa Explores and The Short organizes each biennial outing in line with its given
Century...
Journal Article
Nka (1996) 1996 (5): 66–67.
Published: 01 November 1996
..., the
Biennial (Portugal and Holland South Africa. Being a non-commer• New Slave Narratives."
judges articulately masked their respectively). While Dumas was not cial exhibition, Vita Art Now has
own personal...
Journal Article
Nka (2001) 2001 (13-14): 122.
Published: 01 May 2001
...
nomadic European biennial nisms, and the concept of "border• market on a camouflage carpet. along hallways and stairs, recall•
Manifesto took place in the former line personality," as well as to The Rome-based group Stalker's...
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