... with the work as she focuses on spatial dynamics and the ethics and politics of audience participation. The work expands political and ethical questions about woman as “sign” and the tensions that exist within the idea of woman as a collective “we.” The reviewer foregrounds the dense intertextuality...

...Mary Ellen Strom; Shane Doyle The multimedia exhibition Cherry River, Where the Rivers Mix was presented to audiences in August 2018 at the Missouri Headwaters State Park in Three Forks, Montana. Long before the European invasion across the Atlantic, the headwaters, or the confluence of three forks...

... throughout the reconceptualization of rit- valid challenge for contemporary collectives: how ual and theater. The project originated with the to engage with a local audience; how to deal with peasantry and had audience participation at its one’s identity together with that of one’s commu- very core...

... of the gallery and invites the audience's participation. satirical style. These are mostly large paintings executed in tex• Through these performances, Musa redirects the audience's focus tile ink on printed cloth. In his latest series, entitled the New to the very process involved in making the work...

... duction sets up a hierarchy where certain aesthetic meant to explain away its existence. Viewers were analogy to the developmental stages of the psyche. audience/participants toward requiring their traditions are thought of as modern, others coun - then caught in the conceptual mise-en-scène...

....”27 provided better insight into this genre within the Traditionally, devotees of Esu carry its statue art academy and gave participants an opportunity in public highways. The audience, in appreciation, to explore themes that derive from their environ- offers money and sometimes farm produce...

... work addresses (2001) or Thomas Johnson's twenty-nine-minute racial prejudice through stereotypes employed in video confessional What a Black Man Feels Like popular media. Through critique and confronta• (2004)? tion, audiences of this community-based alterna...

... demon- could mention SAVVY Contemporary in Berlin, the Showroom strated how the participation of CAMP s audiences in London, as well as the Silent University in Stockholm, Sweden; and the users of Trampoline House diverged from Hamburg, Germany; and Ruhr, Germany. At the time of writing...

..., it mirrored the traveling show’s objective to bring the best in international fashion to its audiences. The exhibition, however, explored more than stellar fashion—it attempted to reveal the fashion show’s power to deeply resonate with the African American women who comprised the majority of its audience...

..." are not just participating in the typical film reviewers' tendencies toward the hyperbolic. In fact, the importance of the film's appearance at AND THE PAN-DIASPORIC...

... to participate in in not having to say where you come from. So can you order to decode it. In fact, you never do decode the talk a little bit about the formal strategies to avoid work. So work which treats you not as a viewer, or capture in The Radiant? as a guest, or even as an audience, but as a potential...

... Akomfrah, lean Pierre Bekolo etc.— who have a limited audience within the continent. Some...

... a generation of young Egyptian artists to new-media technologies and open-source applications. A mu- sician as well as an artist, he participated in digi- tal-music and sound-art...

... they could find for makeshift playgrounds, parents planted gar• participants were invited in to see their work displayed and to dens, artists created artparks Continuing this precedent, participate in other performances. The rhythmic percussion of performance artist Anna...

... a dialogue on contemporary African art practice politics of multiculturalism in Europe and North and its politics of representation globally. To this America, and to the increasing diversity of their end, the moderator and the participants have been ethnic composition. But whatever...

... DOI 10.1215/10757163-2415051  © 2014 by Nka Publications e heard it before we saw it. As we neared like the concepts of participation, relationality, and the University of Chicago’s Arts Incuba- DIY aesthetics, with which it is often and problem- tor, we could make out...

... controlled by a European network of participants do not seem exhausted after strings of passionate exchanges. distribution which packed them with Hollywood action films and Indian melo• T The scene could have been ripped from a chapter of Sembene Ousmane's dramas...

..., opportunities for visitors to participate by weaving white flags on hand looms set in the galleries, and other programming. She galvanized audiences at FWM and the African American Museum in Philadelphia, which presented her concurrent exhibition Self-Evident. In her Truce Workshops, she posed questions...

...• amidst an unrelenting barren eral of the participants chose to landscape. explicitly address it in their work...

... a museumgoing in the know and can be through social media and culture among a key segment of the population.4 24/7 access to information via the Internet, often The National Endowment of the Arts Participation on smartphones. They are the fastest-growing age Survey in 2012 found a 12 percent decline...