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Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 29–33.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 108–111.
Published: 01 May 2015
... better to have a face-to- space of Carroll/Fletcher’s Fitzrovia ‘real’ people, and more often online?”3 face conversation with others than gallery and the latter taking up a large Abebe (who also had a solo exhibition over a computer—otherwise some- part of the expansive and airy floors in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 60–65.
Published: 01 May 2014
... demonstrations but also military marches, diately obvious and might no longer seem neces- funeral processions, and carnival parades to enter- sary given the context that I previously highlighted: tain, educate, protest, pray, mourn, and celebrate, the increasing recognition, mainstreaming, and in silence...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 112–123.
Published: 01 November 2012
... to the curators’ intentions. The new pavilions representing Zimbabwe, South Africa, and Haiti brought an influx of artistic positions to Venice but also demonstrated anxiety about under-or misrepresenting their art scenes back home. Copyright © 2012 Nka: Journal of Contemporary African Art 2012...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 42.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 43–46.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 50–61.
Published: 01 May 2013
... the metaleptic aspects of Extra threaten the integ- stands out. In the process, however, the unidirec- rity of the narrative world of Generations, might tional logic of consumer culture is also challenged, they issue other challenges, as well? or at least reimagined. So, too, with Extra, in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 6–15.
Published: 01 May 2015
... together the events and en- teen dead, nothing said” was raised. vironment in which the Brixton riots occurred, Accounts of what sparked the disturbances of we should also be mindful of the extent to which April 1981 vary. To gravitate to one particular ac- the residents of St. Paul’s—a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 62–75.
Published: 01 May 2015
... artists. He is also an associate professor in the which both aspirations and experiences tend to find art history department of the University of Texas at particularly direct, poignant, and powerful expres- Austin.  sion through graffiti art. To engage with the graffiti art in Gröndahl’s...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 116–117.
Published: 01 May 2015
... representations of Algerian society different from those of their male counterparts. Considering her three earlier documentaries, one finds recurring themes that also run through Sahraoui’s latest film, Yema , including violence against women, the urgent need to resist, and the Kabyle landscape with its olive...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 44–53.
Published: 01 November 2015
...Helen Jennings In the last decade, a new generation of designers in Africa and the wider diaspora has started to rise through the fashion industry’s ranks. These talents are riding the wider wave of global interest in Africa’s cultural, economic, and technological ascension and are also taking...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 126–128.
Published: 01 November 2015
... industry signals a newfound creative energy and prosperity, yet it also raises debate around such issues as Westernization, postcolonialism, race, gender equality and religion. Haute Africa focused on the work of photographers who are not interested in African fashion per se but who choose instead to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2001) 2001 (13-14): 18–25.
Published: 01 May 2001
... ties of its racist history to create a kind of compensatory series Ringgold into composite portraits, which will also sup- that turns all the ugliness into something beautiful. I am also try- Ringgold Studio wall...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 126–135.
Published: 01 May 2009
... history, to handle it and mold it and turn al, Mntambo's work explores the fine line between it and transform it was to engage in communion what is assumed to be attractive and repulsive. with that history also, to reiterate it, almost sensous- Expectations of ideal feminine beauty are disrupt• ly...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 168–170.
Published: 01 May 2009
... self-absorption ingful relationship to the Musee du teenth-century picturesque would be of the wealthy, but also to mine what Quai Branly's permanent gardens. familiar to the many visitors to the 168* Nka Journal of Contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 171–172.
Published: 01 May 2009
... the Polygon et Le Dedale with a disembod• both light and darkness and the view• exhibition catalogs of artists such as ied human presence. With her gothic er's silhouette." It is also the most Jean-Charles Blais, Richard Turtle, and arch...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 22–27.
Published: 01 November 2010
..., this finished product. I can tell you that in terms of its con- tent, the film is the second part of a triptych which for me embodies the heroism of the everyday. It happens that today we have too many wars in Africa, especially in Africa south of the Sahara. But there is also our daily life...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 54–61.
Published: 01 November 2010
... film not only is diverse in its tendencies but also relates in diverse ways to different trans/national traditions and models. Copyright © 2010 Nka: Journal of Contemporary African Art 2010 African Screens (Re)Viewed...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 62–69.
Published: 01 November 2010
... you approach this material: Who painting’s entrapments. Cullen is also expanding the con- is the hero? What does he or she represent? Who are the versation about the hidden implications of masculinity and followers and the worshippers? race versus the purity of painting semantics...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 76–83.
Published: 01 May 2012
.... Screenprint on paper, 30 × 24 in. Azzi-Lusenhop Black Arts Movement Collection, and solo exhibitions internationally. He also served courtesy the artist as a professor, art department chair, and dean of the...