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aesthetic

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Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 42–49.
Published: 01 November 2011
... the ture should reflect a uniquely black aesthetic. The spectacle it created, proving that “a soldier and a BPP’s entry into media culture was its dramatic policeman are no more bulletproof than anyone protest in 1967 at the California statehouse in Sac- else.”5 Debray and those he influenced...
Journal Article
Nka Journal of Contemporary African Art (1 May 2009) 2009 (24): 40–47.
Published: 01 May 2009
...: Are Ingrid Hotel is an art theorist and art critic and these carefully staged indoor- and outdoor photo• teaches anthropology of arts, aesthetics, and sociolo• graphs self-portraits or fictitious portraits? gy of arts at the Academy of Fine Arts Vienna. She According to...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 4–19.
Published: 01 May 2011
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 124–141.
Published: 01 November 2012
... ability to layer multiple “stories” by evincing a temporal, spatial, and kinetic aesthetic in his visual work; on his choice of and approach to his materials; and on the changes in his oeuvre over the years: from painting and mixed media to monumental steel sculptures of Amharic letters, constructed in...
Journal Article
Nka Journal of Contemporary African Art (1 May 1994) 1994 (1): 29–33.
Published: 01 May 1994
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 18–29.
Published: 01 May 2013
...Avinoam Shalem This article discusses a painting of the Great Dam of Aswan made by Abdel Hadi al-Gazzar in 1964 and immediately crowned as the iconic image of Egypt in the heroic age of the Nasser regime. The painting clearly adopts the aesthetic language of surrealism, illustrating a particular...
Journal Article
Nka Journal of Contemporary African Art (1 November 2015) 2015 (37): 54–61.
Published: 01 November 2015
... an African disaporan aesthetic and sensibilities. Ideally, the conversation sparked by this project will continue to challenge, evolve, and inform ideas of masculinity, class, gender, and sexuality. Copyright © 2015 Nka: Journal of Contemporary African Art 2015 Black fashion dandyism sapeur...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 24–31.
Published: 01 May 2002
... objects put to religious and secular uses, and the notion of art for art's sake (Vart pour Vart) that was a principal ethos of aestheticism. In...
Journal Article
Nka Journal of Contemporary African Art (1 May 2007) 2007 (21): 60–67.
Published: 01 May 2007
...Akin Adesokan Copyright © 2007 Nka: Journal of Contemporary African Art 2007 A REVOLUTION FROM BELOW THE AESTHETICS OF WEST AFRICAN VIDEOFILMS Akin Adesokan uring the third quarter of 2003 (that is, find applicable to the circumstances...
Journal Article
Nka Journal of Contemporary African Art (1 May 2010) 2010 (26): 30–37.
Published: 01 May 2010
...-2009-003  © 2010 by Nka Publications Politics and Aesthetics in True North and Gender on Ice Lisa E. Bloom Isaac Julien, True North, 2004. Installation views at Umea Bildmuseet, Sweden. Triple-screen projection, 16mm black-and...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 8–21.
Published: 01 November 2011
...Margo Natalie Crawford How did the Black Arts movement become an antitext movement? How did the black aesthetic of this movement use the tension between the bound and the unbound? This essay examines the movement’s critique of a dominant “museum exhibit” cultural industry that transformed grass...
Journal Article
Nka Journal of Contemporary African Art (1 May 2012) 2012 (30): 90–97.
Published: 01 May 2012
...Barbara Jones Hogu This essay explains the founding of AfriCOBRA as a cohesive, collaborative artists’ coalition that worked with an accepted philosophy and aesthetics to create positive images regarding their ethnic group’s social, economic, and political conditions, regardless of the media or...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 24–33.
Published: 01 May 2014
... the eponymous novel by Dany Laferrière. Courtesy Chimurenga magazine Collectiveness, Politics, and Aesthetics Elvira Dyangani Ose Journal of Contemporary African Art • 34...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 30–33.
Published: 01 May 1995
... EXPRESSIONS OF THE SELF AND CROSS-CULTURAL AESTHETICS Salah Hassan TODAY, THE STORY OF EUROPEAN ARTISTS, It has been argued that the neglect of contemporary...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 62–69.
Published: 01 May 2013
... Aesthetics and Reception in France Ian Merkel It is not a documentary. I salute the work of Rachid hese two quotes by Benjamin Stora, historian Bouchareb, who shows a strong desire for truth. of twentieth...
Journal Article
Nka Journal of Contemporary African Art (1 May 2013) 2013 (32): 152–153.
Published: 01 May 2013
...Amanda Gilvin Scholars of African visual culture will be well served by Akin Adesokan’s recent book Postcolonial Artists and Global Aesthetics, which offers a model for interpreting artworks within the many cultural and economic contexts in which they function. The book is structured as a...
Journal Article
Nka Journal of Contemporary African Art (1 May 2015) 2015 (36): 48–61.
Published: 01 May 2015
... of rioting in South Africa’s visual field, where rioting has powerful historic meaning and contemporary political agency, is overdue. Artists who take on visualizing the riot face multiple challenges, including being aesthetically pigeonholed (politically, nationally, or otherwise). Visualizing the...
Journal Article
Nka Journal of Contemporary African Art (1 May 2011) 2011 (28): 114–129.
Published: 01 May 2011
... the links between quieter, consistent practices of nomadism, the insistence of localism in his choices, and the attention to detail and aesthetic pleasure wrought from human labor and the passing of time. This article examines the propitious union of conceptual and aesthetic choices in Anatsui’s...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 64–73.
Published: 01 November 2014
...Lisa Greyvenstein This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art and explores reasons for the emergence of this style. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within...
Journal Article
Nka Journal of Contemporary African Art (1 November 2011) 2011 (29): 50–61.
Published: 01 November 2011
...Michele Wallace In an article written by her daughter Michele Wallace, Faith Ringgold’s Black Light series is presented as part of an experiment in the 1960s quest for the creation of a “black aesthetics” best understood in relation to Ringgold’s life and the evolution of her oeuvre. Black...