...Iheanyi Onwuegbucha [email protected] © 2024 by Nka Publications 2024 Sue Williamson Lebohang Kganye apartheid collective memory cross-generational dialogue REVIEW SUE WILLIAMSON AND LEBOHANG KGANYE Tell Me What You Remember THE BARNES FOUNDATION, PHILADELPHIA MARCH 5 MAY 21...

...Sue Williamson Copyright © 2000 Nka: Journal of Contemporary African Art 2000 CONFRONTING Mustafa Maluka Installation CAPETOWN Sue Williamson Staking Claims...

...Sue Williamson Copyright © 2003 Nka: Journal of Contemporary African Art 2003 DAK'ART Moataz Nasr, The Water, Dak'Art 2002, video stills, Prix Revelation SUE WILLIAMSON n my hotel room in Dakar, at the time of my first reflective...

... they reveal the desires, dreams, tion is that the selection of works works of Sue Williamson and Kay the wall by clips giving the works and realities that commercializa• and artists derives largely from...

..., Ian van Coller, and Sue Williamson. The exhibition CON/TEXT and I.D./OLOGY are a brought together six artists pair of exhibitions organized by working in a diverse range of Axis Gallery in New York...

... Enewzor's land• mark exhibition, The Short Century: Independence and Liberation Movements in Africa 1945-1994. Ghada Amer, Sue Williamson, and Ibrahim El Salahi, three of the participating artists, were among the panelists. My remarks, which I am in part sharing with our readers, were by no means...

...• by institutions preferring only to dominantly of photographs, paintings and mixed media pieces by Willie Bester, David Koloane, Sue Williamson, Zwelethu Mthethwa, acknowledge...

... to the public. As a group exhi• Activist artist and author, Sue Williamson, whose Public Eye bition, the art products presented a challenging vision of the city organization in Cape Town initiated the Soft Serve program at to the diverse if somewhat sparse audience attending...

... Sue Williamson's wall con• to survive if measures are taken to history of police brutality. Small the western world during the last...

...• providing readings of the work of tions by Florence Alexis, Diane Penny Siopis, Sue Williamson, and Butler, Dorothy Desir-Davis, Salah...

... and magazines in the visual arts in the continent and the Diaspora, and the equally serious crisis in art criticism , research and art education were addressed by a special session featuring presentations by the editors of Gallery Magazine, Revue Noire, Artthrob, and Nka. The presentation by Sue Williamson...

..., Robert Hodgins, William Kentridge, Vivienne Koorland, Penny Siopis, Kathryn Smith, Nontsikelelo Veleko and Sue Williamson. The exhibition...

..., Shirin Neshat, Stan Douglas, Rona Pondick, Ghada Amer and Eugenio Dittborn. It also succeeds in introducing South African artists that are well-known lo• cally such as Penny Siopis, Sue Williamson, Andries Botha, Malcom Payne, Wayne Barker, to an interna• tional audience. Striking examples...

... Depicts the Jailhouse Years;' The New York Times, 12 February Philadelphia: New Society Publishers, 1990: 285-295. For a further dis• 2003: Al +A4. An exhibition of Mandela's drawings took place at the cussion of some of these works by Rose, see Sue Williamson, ''A Feature Robben Island prison where...

... the criticism of current leaders. However, in Sue Williamson's digital print From the Inside: Benjamin Bor- rageiro, 2000, graffiti directly confronts President Thabo Mbeki with the words of Borrageiro, "I'm sick of Mbeki saying that HIV doesn't cause AIDS." Beside the graffiti...

... for publication in a future issue. Readers, this is your time to speak up! Above: Sue Williamson, Message From the Moat, 1997, mixed media installation, photo: Werner Maschman. Spring/Summer 1998 №Nka...

... This article is an expanded version of a review that appeared first on www.artthrob.co.za in November 2007, elements of which are reproduced with kind permission from Sue...

..., Verwoerd s Bureau of Proof, 83. 36 Saint, Black Cultural Life in South Africa, 48, 31. Saint borrows the term sly civility from postcolonial theorist Homi Bhabha. See Homi K. Bhabha, Sly Civility, October 34 (1985): 71 80. 37 Sue Williamson s For Thirty Years Next to His Heart (1990), a forty-nine...

.... Ibid., 11. terrors are mostly human-­made, which makes the 9. John Ruskin, The Stones of Venice, vol. 3 (London: Smith, Elder, point that a contemporary medievalist states in yet 1853), 142, 150. another way in his view that “the monstrous body is 10. Jane Alexander, quoted in Sue...

...• providing readings of the work of tions by Florence Alexis, Diane Penny Siopis, Sue Williamson, and Butler, Dorothy Desir-Davis, Salah...