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Stuart Hall

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Journal Article
Nka (2017) 2017 (40): 8–15.
Published: 01 June 2017
...Grant Farred “When I was nineteen, Miles Davis put his finger on my soul, and it never went away,” Stuart Hall reflects in John Akomfrah’s documentary, The Stuart Hall Project . Miles Davis not only “touched” Hall’s soul, but the music and its many moods, its vagaries, its experimentations provided...
Journal Article
Nka (2017) 2017 (40): 6–7.
Published: 01 June 2017
...Grant Farred Copyright © 2017 Nka: Journal of Contemporary African Art 2017 STUART MCPHAIL HALL In Memoriam (1932–2014) Grant Farred Courtesy the artist and Stuart Hall Foundation. Photo: Dharmachari Mahasiddhi Journal of Contemporary African Art • 40 • May 2017...
Journal Article
Nka (2020) 2020 (47): 136–137.
Published: 01 November 2020
... than Stuart Hall. In Hall s 1989 article New Ethnicities, he argued that because of the changing demo- graphics in the United Kingdom, par- ticularly with regard to communities of color, there was a shift in the horizons of representation, namely, a shift from static notions of racial identity...
Journal Article
Nka (2016) 2016 (38-39): 80–89.
Published: 01 November 2016
... Simmons and Kalup apart from Stuart Hall’s writing from the late 1990s, Linzy. Four years after the term post-black entered the a theoretical vacuum in terms of being black in the discussions Malik Gaines remarked in the catalogue contemporary Anglophone European context. I was to Frequency...
Journal Article
Nka (2009) 2009 (25): 6–7.
Published: 01 November 2009
... of such global discours - artists—Frantz Fanon, Stuart Hall, Léopold Sédar Senghor, Africans who migrated to cities in France, Spain, and the 6 Stuart Hall, “Museums of Modern Art and the End of History,” in es and practices. However, the intersections of these discours - and Aimé Césaire...
Journal Article
Nka (2016) 2016 (38-39): 60–69.
Published: 01 November 2016
... by curator Paul 2 Ibid., 11. 3 Ibid., 10. Goodwin and cited by Tulloch, opens up what has 4 Stuart Hall, “Cultural Identity and Diaspora,” in Colonial been termed post-black. On this subject, Tulloch Discourse and Post...
Journal Article
Nka (1996) 1996 (5): 34–37.
Published: 01 November 1996
...Sandra Klopper Copyright © 1996 Nka: Journal of Contemporary African Art 1996 THE POLITICS OF CULTURAL OWNERSHIP IN CONTEMPORARY SOUTH AFRICA riting in the early 1990s, Stuart Hall noted that subjects, their curators, have thrown into sharp focus the country's...
Journal Article
Nka (2016) 2016 (38-39): 152–161.
Published: 01 November 2016
... paraphrase the late Stuart Hall.4 After completing his apprenticeship and running One of the elective affinities that brought an open-air mobile studio for several years, Barnor people together in this period was music. The opened Ever Young in 1953, transforming an ordi- 1950s was the heyday...
Journal Article
Nka (2015) 2015 (37): 4–5.
Published: 01 November 2015
... African Fashion Empire,” www.cp-africa.com/2014/06/30/vlis- when the Dutch, while expanding their presence, co-africa/ (accessed May 14, 2014). brought the fabric back to Europe. Though there was no market for it there, they quickly discovered 2 Stuart Hall, “Cultural Identity and the Diaspora...
Journal Article
Nka (2019) 2019 (45): 48–61.
Published: 01 November 2019
... also concedes that “beginnings are notoriously unstable things.” Copyright © 2019 by Nka Publications 2019 Rasheed Araeen David Oluwale Stuart Hall black British art history AfroAsian definitions of black Journal of Contemporary African Art 45 November 201948 Nka DOI 10.1215...
Journal Article
Nka (2019) 2019 (45): 74–86.
Published: 01 November 2019
... the genre with the understanding that his identity as a black man automatically positioned him within the purview of distinct inferiorizing and dehumanizing stereotypes, Rodney eschewed the presentation of what Stuart Hall described as the counter-position of a positive black imagery, as a strategy...
Journal Article
Nka (2012) 2012 (31): 155–157.
Published: 01 November 2012
... installation, spanning MASS MoCA’s North Adams. In this way MoCA’s complex, the work is an enor- four large galleries and five distinct the work recalls Stuart Hall’s defini- mous structure modeled after a small works. The installation juxtaposes the tion of diaspora (a transnational com- conical fishing...
Journal Article
Nka (2016) 2016 (38-39): 90–95.
Published: 01 November 2016
..., as Stuart Hall tells us, attempting to desires, while generating a kind of glamour and play the stereotype in order to reverse or go beyond joviality. Imagining a black female pornographic it. At other times it is about offering alternative, sexuality as joyful, subversive, and attractive, more...
Journal Article
Nka (2019) 2019 (45): 34–47.
Published: 01 November 2019
... and translate itself along the way. For Stuart Hall, translation is an unend- ing process, a process without beginning, because it is initiated by relation; translation is a mediation between two already constituting worlds. There is no perfect transparency. 23 Bowling s translations of the white monochrome...
Journal Article
Nka (2008) 2008 (22-23): 94–103.
Published: 01 May 2008
... of the introduction by Stuart Hall to own, until you sicken and die of them, still in one of his publications about the registers of cul• silence? Perhaps for some of you here today, I am the tural identity).5 face of one of your fears. Because I am woman, Identity is probably one...
Journal Article
Nka (2019) 2019 (45): 128–139.
Published: 01 November 2019
..., increasingly, that is a world experience. Stuart Hall, quoted in The Unfinished Conversation (2012) Journal of Contemporary African Art 45 November 2019130 Nka difference writ large became prized by curators and collectors, and during which time black artists found greater inclusion while modulating...
Journal Article
Nka (2004) 2004 (19): 60–63.
Published: 01 May 2004
... Stuart Hall affirms that "no European island that Ofili is refashioning might be Grenada or Trinidad, or it might be Great...
Journal Article
Nka (2022) 2022 (51): 138–142.
Published: 01 November 2022
...-handed wall labels and the ideas of flux, multiplicity, and enigma. And perhaps this reveals the intended audience of the exhibition. To be Caribbean British is to innately understand that liminality; it is part of the hybrid identity with which Stuart Hall, for one, identified. In a way, Life Between...
Journal Article
Nka (2000) 2000 (11-12): 12–17.
Published: 01 May 2000
... a kind of Walter Benjamin flaneur, walking body in particular a privileged site of like a ghost in the metropolis. To adapt a phrase of Stuart Hall's, Fanon's legacy today is a series...
Journal Article
Nka (2001) 2001 (13-14): 120.
Published: 01 May 2001
... production, it is not clear always be other? She finds the methodology and position she what she the critic makes of term as used by Stuart Hall and takes in her examination of Black these contradictions. other rather narrowly defined. I...