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Steve McQueen

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Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 136–139.
Published: 01 November 2014
...Delinda Collier Steve McQueen’s retrospective at the Art Institute of Chicago argued for a relationship between his gallery work and his current cinematic productions. Opening a year before the release of his successful 12 Years a Slave , this retrospective exhibition demonstrated McQueen’s...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 118–119.
Published: 01 November 2010
...Vanessa Rocco Steve McQueen’s Giardini , a ravishing half-hour dual projection, comprises vignettes recorded around the national pavilions that are the principal organizing spaces of the Venice Biennale. Fluctuating among images of serene nature and images of trash, piles of building materials, and...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 10–13.
Published: 01 May 1998
....) Sometimes it is useful to describe a thing of reception and contestation. and let others come to their own conclu• Unlike the cinema, where audiences sions. Steve McQueen...
Journal Article
Nka Journal of Contemporary African Art (1 November 2010) 2010 (27): 6–13.
Published: 01 November 2010
...T. J. Demos A visually sumptuous film of thirty minutes, Steve McQueen’s Giardini (2009) comprises two side-by-side projections of a series of evocative vignettes that play out in the shadow of the Venice Biennale. This essay offers a close reading of the film, drawing out its unexpected...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 40–47.
Published: 01 May 2003
... and Linda Noclilin) but textual narratives, as well as meditations on the philosophical, tended to fixate on Steve McQueen's "Western Deep" as the most political and social systems that mediate the relationship between successful piece. This appears to be due to its conflation of doc• labor and...
Journal Article
Nka Journal of Contemporary African Art (1 May 2003) 2003 (18): 56–59.
Published: 01 May 2003
...• tifiable, thus making it possible, for us, to now set sails again. Jan-Erik Lundstrom is an art critic based in Germany. Steve McQueen, Cold Breath, 1999,16 mm film projection, Courtesy the artist...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 68–81.
Published: 01 June 2017
... catalyst for creativity and play. A significant part of the work involves Kambalu’s photographic documentation of differ- ent visitors engaging with the balls, which he then posts on Facebook, giving the work a lasting impact Steve McQueen, Ashes, 2002–2015. Video. Courtesy the artist and Thomas...
Journal Article
Nka Journal of Contemporary African Art (1 May 1999) 1999 (10): 40–45.
Published: 01 May 1999
...) phenomenon would point out that Ofili was one of only three Black British artists to have succeeded in getting represented by a commercial gallery, and that thisyoung painter, along with Steve McQueen and Yinka Shonibare, was being touted tokenistically by an increasingly smug British...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 14–21.
Published: 01 May 2014
... lowers the color temperature so that the received I think knowing people like the Black Audio Film Collective notion of the landscape as a touristic, hot tropical landscape and Isaac Julien, watching Steve McQueen and Chris Ofili in is depleted and the landscape is rendered frigid and cold...
Journal Article
Nka Journal of Contemporary African Art (1 May 2004) 2004 (19): 38–45.
Published: 01 May 2004
... young black In Julien's words: "The move into the gallery space to make artists of the 1990s, such as Ellen Gallagher, Steve McQueen, an installation allegorizes the production conditions of British Chris Ofili, and Kara Walker. As Kobena Mercer astutely...
Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 120–133.
Published: 01 November 2014
... Thomas and LaToya Ruby Frazier and Metheny describe improvisation as not playing so much as the reception for the film Twelve Years a Slave by Steve it is listening for what note you want to hear next in the McQueen. For many people, the work of these individuals context of the music being played...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 22–35.
Published: 01 November 2012
... placed Fernandes in the company of heavy- ties, under the sails of the Portuguese explorer weights such as Paul Chan, Sharon Hayes, and Steve Vasco da Gama. Fernandes’s family relocated from McQueen. And while many of the works in Found Kenya to Canada during the 1990s, but his work in Translation...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 46–111.
Published: 01 November 2012