1-20 of 69 Search Results for

Sound and Collaboration

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Nka (2014) 2014 (35): 22–31.
Published: 01 November 2014
...Gilane Tawadros Three works made up the exhibition Scat—Sonia Boyce: Sound and Collaboration , presented by Sonia Boyce and the Institute of International Visual Arts (Iniva) at Rivington Place in London from June through July 2013. The three works use image and sound in strikingly different...
Journal Article
Nka (2014) 2014 (34): 66–73.
Published: 01 May 2014
... influence in music is known, remembered, and felt. It is not random. It and experimental sound: the Association for the is not chance. It is not solely a contiguous expression Advancement of Creative Musicians (AACM). The of how one feels or discovers in the moment, though...
Journal Article
Nka (2014) 2014 (34): 40–47.
Published: 01 May 2014
... of improvisation. It is important to understand that although the level An uncounted number of Afrodiasporic music/ of communication in the organization was high, I sound collaboratives and collectivities have come have not meant to imply that the AACM promoted...
Journal Article
Nka (2017) 2017 (40): 8–15.
Published: 01 June 2017
... musicians, either those The commitment to the collaborative political who were unsure of their own sound or those who project is similarly at the core of Stuart Hall’s life simply lacked the technical facility or ingenuity to as an intellectual. Hall sought in his politics and stay with him...
Journal Article
Nka (2011) 2011 (29): 8–21.
Published: 01 November 2011
... (textual performances that aimed to somehow avoid framing and containing ephemeral but excessive acts of sounding black, looking black, and becoming black). Copyright © 2011 Nka: Journal of Contemporary African Art 2011 Black...
Journal Article
Nka (2017) 2017 (40): 68–81.
Published: 01 June 2017
... for the entire exhibition. The relationship between history and contemporaneity creates a fascinating subtext that links past, present, and future throughout the exhibition. Ultimately, the stories, poems, narratives, sound, music, and images come together to convey a real sense of all the world’s futures...
Journal Article
Nka (2003) 2003 (18): 96–97.
Published: 01 May 2003
... the minds of twenty- There was a sense that each of dialogue." It is about everybody logue before they go out in the five people." It sounds very these lives were valued and cele• knowing they are entering an street. The outrage...
Journal Article
Nka (2001) 2001 (13-14): 14–17.
Published: 01 May 2001
... as it lurches across the screen. The sound• track, unmistakably a woman's voice, heaving in relation to the blows, builds...
Journal Article
Nka (2007) 2007 (21): 68–73.
Published: 01 May 2007
...Mbye B. Cham Copyright © 2007 Nka: Journal of Contemporary African Art 2007 DJIBRIL DIOP MAM BET Y SOUNDS IN THE KEYS OF ORDINARY FOLK Film still from Hyenas, 1992...
Journal Article
Nka (2004) 2004 (19): 11.
Published: 01 May 2004
...-scale multimedia works such as Voci, Parts of Speech, and Gaijin, works that explore the concept of foreignness. In addition, Pamela's sound installation Just Dust was conceived for the historic Maison des esclaves on Goree Island as a six channel audio installation based on samples of spoken text...
Journal Article
Nka (2007) 2007 (21): 122–123.
Published: 01 May 2007
... to these questions is primarily her sound and photographic installation have produced all contemporary soci• "yes." In view of you (2001) to formally eties The artwork that Searle pro...
Journal Article
Nka (2004) 2004 (19): 94–96.
Published: 01 May 2004
..., and the various sizes that transmit the landscape, a quality that and Gianni Bolongaro. The voice spheres evoke Martian space sounds and video images.^ endows them with a sense of is of the artist herself reading...
Journal Article
Nka (2014) 2014 (34): 14–21.
Published: 01 May 2014
... of the catastrophe. It wasn’t until we went to New York in late 2011 to a seminar organized by KE: Yes. We treat the microphone as a kind of camera to the 16 Beaver in New York that we began to gain a vocabulary extent that the microphone does not record sound; it invents for this project. We heard...
Journal Article
Nka (2021) 2021 (49): 250–252.
Published: 01 November 2021
..., and Kahlil Joseph emanate from vid­ eos and sound-equipped installations throughout the exhibition. Bleeding into every gallery, augmenting the experience of adjacent works, and pulling viewers through the space by way of their curiosity, sound prevails and with it a certain refusal to quiet...
Journal Article
Nka (2017) 2017 (41): 188–191.
Published: 01 November 2017
... that is fundamentally dia- through image, sound, voice, and the based in London, studied painting at the logic, intertextual, and collaborative in participation of sitters and audience— Slade School of Fine Art and two-dimensional impetus. This ranges from how Boswell a powerful site of feminist memory...
Journal Article
Nka (2009) 2009 (24): 150–157.
Published: 01 May 2009
... this ambiguity and can be interpreted as the voice of All images: Night Fall (stills). Three-channel video projection, DVD format, shot on S16mm film. Color, sound. 5min 52sec. Searle's subconscious during a dream. Searle's Courtesy...
Journal Article
Nka (2017) 2017 (41): 140–152.
Published: 01 November 2017
... video, color, sound. Photo: Nicole Vlado I am a dead woman? was inspired by the daily chore her frail body; the grit on the floor creates friction of fetching water in her cousin’s house. She recalls with the artist’s thighs. Slowly and painfully she that she and her female cousins were...
Journal Article
Nka (2014) 2014 (35): 42–53.
Published: 01 November 2014
...- that’s why I was inspired to create landscapes. I ence to them. Through a combination of unexpected don’t believe in covering up my tracks too much. forms, luxuriant textures, vivid colors, dramatic I’m neither very convinced by nor invested in a lighting, and ambient sound, Mutu’s fantastical...
Journal Article
Nka (2014) 2014 (34): 98–108.
Published: 01 May 2014
... of the Tate’s own Journal of Contemporary African Art • 34 • Spring 2014 98 • Nka DOI 10.1215/10757163-2415105  © 2014 by Nka Publications Ibrahim El-­Salahi, Reborn Sounds of Childhood Dreams 1, 1961 – 65. © Ibrahim El-­Salahi; Tate, purchased using funds provided...
Journal Article
Nka (2013) 2013 (32): 96–113.
Published: 01 May 2013
... an expensive watch; it is not a sounding instru- death, in a little while. Death would come in 1991, ment but an accessory; a visual signi er of unique- six years a er the You’re under Arrest shoot, a er ness, of stylistic unmistakability; and a commitment years of ill health and intermittent withdrawal...