... of Gebre Kristos Desta." Ethiopia Observer Director of the Computing Center for the Arts, (9:4, 1966), pp. Department of Art, North Carolina Central University. 271-285...

..., University of North Carolina, wisdom."16 Using this model to evalu• Chapel Hill. ate Campos-Pons' work, particularly the series in which Meanwhile...

... of North Carolina Press. 146* Nka Journal of Contemporary African Art Brundage, W. F. (1993). Lynching in the New South: Jackson, J., and Shapiro, B. (2001). Legal Lynching: Georgia and Virginia, 1880-1930. Urbana: University The Death Penalty and America's Future. New York: of Illinois...

... in these installations model lous yet bold. At the beginning of tional contexts. Moreover, Copeland’s the conflation of people and prop- each one, Copeland characterizes his object-­based analysis and reconstruc- erty in antebellum North America and application of a primary term (“The tion of spectators’ various...

.... The reigniting of his career via the group exhibition Now Dig This! Art and Black Los Angeles 1960–1980 has provided an opportunity to begin the writing of American art history through an inclusive lens. John Outterbridge assemblage sculpture combines vernacular North Carolina African American art...

... the country gained independence from Britain.14 Born in Gastonia, North Carolina, in 1925, a man from the South, he left behind a nation increasingly fractured and in many ways bewildered by its own racially motivated obstinance, yet to suffer the ignominy at Little Rock Central High School, Arkansas.15 While...

... booking at the Five Spot Holder has done an excellent job form with a cadenced production Mountain, North Carolina in 1917. drew a full house. He played with with this one character show and and the potential for change. In his teens...

....12 side of Birmingham. The area between the two cit- ies involves half of Alabama, Georgia, South Caro- In many ways Walker’s work implicates her own lina, and half of North Carolina. disfigurement by the products and residue of this 134 • Nka Journal of Contemporary African Art...

.... At the time, the Black Mecca was Albers) in a North Carolina that re- and tumble visual journey, punctuated hedging a second-wave renaissance in- stricted his autonomy beyond campus. by captions that steer the narrative, vigorated by the Great Migration as well In the two years that the series came is also...

... with the author, tape record• Efforts to maintain or preserve personal and cul• ing, November 9, 2005, Davidson, North Carolina. tural norms fail, and efforts to create homogeneity 2 James Allen, et. al., Without Sanctuary: Lynching also fail. According to Appiah, people and peoples Photography in America...

... of Contemporary African Art • 31 • Fall 2012 Far from Home, North Carolina Museum of It was a wonderful and personal way to set the Art (NCMA). As associate curator of modern and stage for the collection building and exhibition contemporary art and responsible curator for the program in the years...

... Fortress, conceived for the exhibi• The arrangement of Adkins's three-dimensional works with• tion Greater Deeps at the Southeastern Center for Contemporary in the space of the modern galleries at the Harn Museum of Art Art in Winston-Salem, North Carolina in 2000. Fortress...

... nurtured in this atmosphere of ac - colm X Liberation University , the birth of a radical aspect of Saint’s career was his consistent mentor - tivism, community, and family making way for black college in North Carolina; and Afro-Dance , ing and nurturing of others. His productions...

... Stankiewicz. Zadkine fled to the United States from 1943 to 1945 and taught at the New York Art Students League and at Black Mountain College, North Carolina. 11 González had a piece in the 1936 Cubism and Abstract Art exhibition at the Museum of Modern Art in New York, but I have not seen any evidence...

... in Baltimore, Maryland; Akili Ron Ander- a national culture in the African American milieu, son and James Phillips in Washington, DC; Michael and this culture’s defi nition in the context of a new Harris in Chapel Hill, North Carolina; and Adger international consciousness. Cowans in New...

... Museum of Catlett, |acob Lawrence, Romare Bearden, were included in a museum exhibition in Charlotte for the exhibition catalogue, Hale Woodruff: it's exhausting to list the Charlotte, North Carolina, along with work...

...-galleryparliament-of-ghosts. 136 Nka Journal of Contemporary African Art 53 November 2023 CULTURAL POLITICS In an academic universe already well populated with journals, Cultural Politics is carving out its own unique place broad and a bit quirky. Lawrence Grossberg, University of North Carolina at Chapel...

...; in Charlotte, North Carolina, a Crowder tle slow." "They are despicable," she added. "They're Construction Co. supervisor approached a black not even human beings."39 employee while holding a noose and said, "This is The appropriation of the term lynching for what we used to do...

.... Miller returned to America Bearden were from Charlotte, North Carolina. after an extended period in Europe, just as Spiral Amos grew up in Martin Luther King Jr.’s Sweet was being organized.40 By 1968 Simpson had spent Auburn neighborhood in Atlanta.32 Her parents “at least eight months of the year...

...Solomon Deressa Copyright © 2000 Nka: Journal of Contemporary African Art 2000 3 x 62 5/8 in. (143.8 x 159.1 cm). Collection of The North Carolina Museum of Ai SKUNDER IN CONTEXT...